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Bernini's Michelangelo (Hardcover)
Loot Price: R1,657
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Bernini's Michelangelo (Hardcover)
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A novel exploration of the threads of continuity, rivalry, and
self-conscious borrowing that connect the Baroque innovator with
his Renaissance paragon Gianlorenzo Bernini (1598-1680), like all
ambitious artists, imitated eminent predecessors. What set him
apart was his lifelong and multifaceted focus on Michelangelo
Buonarroti-the master of the previous age. Bernini's Michelangelo
is the first comprehensive examination of Bernini's persistent and
wide-ranging imitation of Michelangelo's canon (his art and its
rules). Prevailing accounts submit that Michelangelo's pervasive,
yet controversial, example was overcome during Bernini's time, when
it was rejected as an advantageous model for enterprising artists.
Carolina Mangone reconsiders this view, demonstrating how the
Baroque innovator formulated his work by emulating his divisive
Renaissance forebear's oeuvre. Such imitation earned him the
moniker "Michelangelo of his age." Investigating Bernini's
"imitatio Buonarroti" in its extraordinary scope and variety, this
book identifies principles that pervade his production over seven
decades in papal Rome. Close analysis of religious sculptures, tomb
monuments, architectural ornament, and the design of New Saint
Peter's reveals how Bernini approached Michelangelo's art as a
surprisingly flexible repertory of precepts and forms that he
reconciled-here with daring license, there with creative
restraint-to the aesthetic, sacred, and theoretical imperatives of
his own era. Situating Bernini's imitation in dialogue with that by
other artists as well as with contemporaneous writings on
Michelangelo's art, Mangone repositions the Renaissance master in
the artistic concerns of the Baroque from peripheral to pivotal.
Without Michelangelo, there was no Bernini.
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