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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture

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Bernini's Michelangelo (Hardcover) Loot Price: R1,608
Discovery Miles 16 080
Bernini's Michelangelo (Hardcover): Carolina Mangone

Bernini's Michelangelo (Hardcover)

Carolina Mangone

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Loot Price R1,608 Discovery Miles 16 080 | Repayment Terms: R151 pm x 12*

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A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598-1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti-the master of the previous age. Bernini's Michelangelo is the first comprehensive examination of Bernini's persistent and wide-ranging imitation of Michelangelo's canon (his art and its rules). Prevailing accounts submit that Michelangelo's pervasive, yet controversial, example was overcome during Bernini's time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear's oeuvre. Such imitation earned him the moniker "Michelangelo of his age." Investigating Bernini's "imitatio Buonarroti" in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter's reveals how Bernini approached Michelangelo's art as a surprisingly flexible repertory of precepts and forms that he reconciled-here with daring license, there with creative restraint-to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini's imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo's art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.

General

Imprint: Yale University Press
Country of origin: United States
Release date: June 2020
Authors: Carolina Mangone
Dimensions: 254 x 203 x 26mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 288
ISBN-13: 978-0-300-24773-2
Categories: Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800 > Baroque art
Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600 > Renaissance art > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
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LSN: 0-300-24773-7
Barcode: 9780300247732

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