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Critical Race Theory and Copyright in American Dance - Whiteness as Status Property (Paperback, 1st ed. 2013)
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Critical Race Theory and Copyright in American Dance - Whiteness as Status Property (Paperback, 1st ed. 2013)
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The effort to win federal protection for dance in the United States
was a racialized and gendered contest. Picart traces the evolution
of choreographic works from being federally non-copyrightable to
becoming a category potentially copyrightable under the 1976
Copyright Act, specifically examining Loie Fuller, George
Balanchine, and Martha Graham.
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