Miguel Covarrubias enjoyed transcultural encounters and
exchanges in the cosmopolitan centers of Mexico City, New York, and
Europe, where he met and exchanged ideas in a global network of
modernists such as Georgia O'Keeffe. Famous for his caricature
studies, he was also an accomplished painter, set designer, and
book illustrator. Less well known are his consummate skills as an
art historian, curator, cartographer, ethnographer, and documentary
filmmaker, as well as his direction of programs in museum studies,
dance, and the excavation of cultural sites in Mexico.
Miguel Covarrubias: Drawing a Cosmopolitan Line, the catalogue
of an exhibition at the Georgia O'Keeffe Museum, establishes the
importance of Covarrubias's broad-ranging and significant
contributions to modern art. The book includes an extensive
selection of this prolific artist's compositions in graphite,
watercolor, and oil paint, as well as illustrations from his
scholarly publications. Four accompanying essays consider
Covarrubias's artistic practice and contributions to the richness
of modern art. They discuss his lifelong habit of moving between
modern cities and remote sites of ancient cultures, which
engendered a strong cosmopolitanism in his work; his role in
promoting the art of the Americas, from ancient Olmec works to
contemporary pieces, through curatorial efforts in New York and
Mexico City; the large-scale mural maps Covarrubias made for the
1939 San Francisco World's Fair that bring his anthropological,
ethnographic, and geographic interests together with cartography
and blur lines between landscape and culture; and his substantial
scholarship on the indigenous arts of North America.
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