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Learning to Kneel - Noh, Modernism, and Journeys in Teaching (Hardcover)
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Learning to Kneel - Noh, Modernism, and Journeys in Teaching (Hardcover)
Series: Modernist Latitudes
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In this inventive mix of criticism, scholarship, and personal
reflection, Carrie J. Preston explores the nature of cross-cultural
teaching, learning, and performance. Throughout the twentieth
century, Japanese noh was a major creative catalyst for American
and European writers, dancers, and composers. The noh theater's
stylized choreography, poetic chant, spectacular costumes and
masks, and engagement with history inspired Western artists as they
reimagined new approaches to tradition and form. In Learning to
Kneel, Preston locates noh's important influence on such canonical
figures as Pound, Yeats, Brecht, Britten, and Beckett. These
writers learned about noh from an international cast of
collaborators, and Preston traces the ways in which Japanese and
Western artists influenced one another. Preston's critical work was
profoundly shaped by her own training in noh performance technique
under a professional actor in Tokyo, who taught her to kneel, bow,
chant, and submit to the teachings of a conservative tradition.
This encounter challenged Preston's assumptions about effective
teaching, particularly her inclinations to emphasize Western ideas
of innovation and subversion and to overlook the complex ranges of
agency experienced by teachers and students. It also inspired new
perspectives regarding the generative relationship between Western
writers and Japanese performers. Pound, Yeats, Brecht, and others
are often criticized for their orientalist tendencies and
misappropriation of noh, but Preston's analysis and her journey
reflect a more nuanced understanding of cultural exchange.
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