Taking seriously Guillaume Apollinaire's wager that
twentieth-century poets would one day "mechanize" poetry as modern
industry has mechanized the world, Carrie Noland explores poetic
attempts to redefine the relationship between subjective expression
and mechanical reproduction, high art and the world of things.
Noland builds upon close readings to construct a tradition of
diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and Rene
Char to contemporary performance artists Laurie Anderson and Patti
Smith--allied in their concern with the nature of subjectivity in
an age of mechanical reproduction."
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