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The Matrix of Modernity and National Identity in Manchukuo Literature from 1937 to 1941 (Hardcover, New edition)
Loot Price: R2,985
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The Matrix of Modernity and National Identity in Manchukuo Literature from 1937 to 1941 (Hardcover, New edition)
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This is the first work in English to explore Manchukuo literature
in its entirety. It provides comprehensive, in-depth, and
thought-provoking research by placing the literary history of
Manchukuo from 1937 to 1941 in specific cultural lineages and
socio-political contexts and focusing on four major literary groups
of that period-the Manshu romanha, the Sakubun writers, the
Yiwenzhi intellectuals, and the Wenxuan School-to illuminate its
underlying intellectual dynamics. As it turns out, Manchukuo
literature notably featured multiplicity, ambiguity, and
self-reflexivity, which enabled it to transcend the dichotomy of
romanticism and realism and that of the colonizers and the
colonized. Not unlike a coordinate system, it took modernity and
national identity as its horizontal and vertical axes. The Manshu
romanha and the Sakubun writers respectively adopted an anti-modern
or a modernist perspective and unanimously headed towards the
intellectual stance of denying their own national identity and
merging into the indigenous society of the colony; in comparison,
Manchurian intellectuals, as epitomized by the Yiwenzhi School and
the Wenxuan School, started from the same purpose of promoting
national consciousness, but at last embarked on a bifurcated path
to either modernization or cultural regression. Moreover, although
the literary writings of these four groups differed much from each
other in topics, stylistic features, and narrative modes, they all
showed a deep concern for the sufferings of the Manchurian people
brought by colonialism, coincidentally directed their criticism or
sarcasm against the colonial rule, and thereupon endowed Manchukuo
literature with a keynote of darkness.
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