In the Victorian era, William Shakespeare's work was often
celebrated as a sacred text: a sort of secular English Bible. Even
today, Shakespeare remains a uniquely important literary figure.
Yet Victorian criticism took on religious dimensions that now seem
outlandish in retrospect. Ministers wrote sermons based upon
Shakespearean texts and delivered them from pulpits in Christian
churches. Some scholars crafted devotional volumes to compare his
texts directly with the Bible's. Still others created Shakespearean
societies in the faith that his inspiration was not like that of
other playwrights. Charles LaPorte uses such examples from the
Victorian cult of Shakespeare to illustrate the complex
relationship between religion, literature and secularization. His
work helps to illuminate a curious but crucial chapter in the
history of modern literary studies in the West, as well as its
connections with Biblical scholarship and textual criticism.
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