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Performing Collaboration in Solo Performance - A Duet Without You and Practice as Research (Hardcover, New edition)
Loot Price: R1,719
Discovery Miles 17 190
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Performing Collaboration in Solo Performance - A Duet Without You and Practice as Research (Hardcover, New edition)
Series: Playtext
Expected to ship within 9 - 15 working days
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The book provides an investigation grounded in performance practice
and practice-as-research methodology on the issues of authorship
and collaborative labour. This investigation is set in the context
of a world more and more characterized by fragmentation,
displacement and virtual communication and relationships. It
addresses and playfully engages with the following questions: what
is a collaborative body? How can one sole performer enact and
convey a collaborative practice? How can one body on stage carry
out several voices at once? Can we stand in for others? How do we
maintain a sense of 'being-together' while being alone in a room?
The book contains the full-length definitive version of the
performance score from A Duet Without You, an original performance
piece created between 2013 and 2015 by Chloe Dechery in
collaboration with a range of high-profile artistic collaborators
working inter- and cross-disciplinary, including Karen Christopher
(Goat Island), Michael Pinchbeck, Deborah Pearson (Forest Fringe),
Simone Kenyon and Pedro Ins. In addition to the main performance
score, another original text has been produced and is included as a
'template' version of the script to be adapted and enacted by
existing or potential future collaborators - the idea being that
any reader could appropriate and reinterpret a version of the
performance score and create their own personalised rendition of
the show. Besides these two new and original performance scores,
there is a complementary collection of essays, ranging from
performative responses and co-authored articles to in-depth
theoretical essays, written by a selection of pre-eminent writers,
artists and academics. Primary readership will be those teaching,
researching or studying in theatre and performance studies, visual
arts, fine arts, art history, creative writing, poetry, philosophy
or French literature. Will also be of interest to art school
students and those with an interest in theatre.
General
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