Presents a coherent and accessible historical account of the
major phases of British and American Twentieth-century criticism,
from 'decadent' aestheticism to feminist, decontsructonist and
post-colonial theories. Special attention is given to new
perspectives on Shakesperean criticism, theories of the novel and
models of the literary canon. The book will help to define and
account for the major developments in literary criticism during
this century exploring the full diversity of critical work from
major critics such as T S Eliot and F R Leavis to minor but
fascinating figures and critical schools. Unlike most guides to
modern literary theory, its focus is firmly on developments within
the English speaking world.
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