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Hollywood Hates Hitler! - Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures (Hardcover)
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Hollywood Hates Hitler! - Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures (Hardcover)
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In September 1941, a handful of isolationist senators set out to
tarnish Hollywood for warmongering. The United States was largely
divided on the possibility of entering the European War, yet the
immigrant moguls in Hollywood were acutely aware of the conditions
in Europe. After Kristallnacht (the Night of Broken Glass), the
gloves came off. Warner Bros. released the first directly anti-Nazi
film in 1939 with Confessions of a Nazi Spy. Other studios followed
with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man
I Married (Fox), and The Great Dictator (United Artists). While
these films represented a small percentage of Hollywood's output,
senators took aim at the Jews in Hollywood who were supposedly
"agitating us for war" and launched an investigation that resulted
in Senate Resolution 152. The resolution was aimed at both radio
and movies that "have been extensively used for propaganda purposes
designed to influence the public mind in the direction of
participation in the European War". When the Senate approved a
subcommittee to investigate the intentions of these films, studio
bosses were ready and willing to stand up against the government to
defend their beloved industry. What followed was a complete
embarrassment of the United States Senate and a large victory for
Hollywood as well as freedom of speech. Many works of American film
history only skim the surface of the 1941 investigation of
Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and
the Senate Investigation into Warmongering in Motion Pictures,
author Chris Yogerst examines the years leading up to and through
the Senate Investigation into Motion Picture War Propaganda,
detailing the isolationist senators' relationship with the America
First movement. Through his use of primary documents and lengthy
congressional records, Yogerst paints a picture of the
investigation's daily events both on Capitol Hill and in the
national press.
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