Wonder has an established link to the history and philosophy of
science. However, there is little acknowledgement of the
relationship between the visual arts and wonder. This book presents
a new perspective on this overlooked connection, allowing a unique
insight into the role of wonder in contemporary visual practice.
Artists, curators and art theorists give accounts of their approach
to wonder through the use of materials, objects and ways of
exhibiting. These accounts not only raise issues of a particular
relevance to the way in which we encounter our reality today but
ask to what extent artists utilize the function of wonder purposely
in their work.
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