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Labor Pains - New Deal Fictions of Race, Work, and Sex in the South (Paperback)
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Labor Pains - New Deal Fictions of Race, Work, and Sex in the South (Paperback)
Series: Margaret Walker Alexander Series in African American Studies
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From the 1930s to the 1960s, the Popular Front produced a
significant era in African American literary radicalism. While
scholars have long associated the black radicalism of the Popular
Front with the literary left and the working class, Christin Marie
Taylor considers how black radicalism influenced southern fiction
about black workers, offering a new view of work and labor. At the
height of the New Deal era and its legacies, Taylor examines how
southern literature of the Popular Front not only addressed the
familiar stakes of race and labor but also called upon an imagined
black folk to explore questions of feeling and desire. By poring
over tropes of black workers across genres of southern literature
in the works of George Wylie Henderson, William Attaway, Eudora
Welty, and Sarah Elizabeth Wright, Taylor reveals the broad reach
of black radicalism into experiments with portraying human
feelings. These writers grounded interrelationships and stoked
emotions to present the social issues of their times in deeply
human terms. Taylor emphasizes the multidimensional use of the
sensual and the sexual, which many protest writers of the period,
such as Richard Wright, avoided. She suggests Henderson and company
used feeling to touch readers while also questioning and
reimagining the political contexts and apparent victories of their
times. Taylor shows how these fictions adopted the aesthetics and
politics of feeling as a response to New Deal-era policy reforms,
both in their successes and their failures. In effect, these
writers, some who are not considered a part of an African American
protest tradition, illuminated an alternative form of protest
through poignant paradigms.
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