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Royal Goldsmiths - The Art of Rundell and Bridge, 1797-1830 (Paperback)
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Royal Goldsmiths - The Art of Rundell and Bridge, 1797-1830 (Paperback)
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Artists such as John Flaxman, Thomas Stothard, Edward Hodges Baily
were among the many who designed and modelled silverware for
Rundell & Bridge, the Royal Goldsmiths who served two monarchs
- George III and his son the Prince Regent (later George IV). It
was a period of unparalleled prosperity in Britain during which
patrons, led by the colourful Prince Regent, commissioned objects
of silver, silver-gilt and even gold in the finest taste. Philip
Rundell and John Bridge were well placed to respond to this new
fashion for opulence. Directing their workshops from 1802 were the
silversmith Benjamin Smith and the designer Digby Scott; and after
Paul Storr, the most celebrated English silversmith of the period,
took charge in 1807, the workshop grew until it employed the
talents of several hundred gifted designers, modellers, chasers and
engravers. It was a successful blending of art and industry that
remains unsurpassed in the decorative arts. The firm Rundell &
Bridge were appointed Royal Goldsmiths, Silversmiths, Jewellers and
Medallists in 1797 and held the Royal Warrant until 1830. Yet
Rundell & Bridge did more than promote innovative styles; they
marketed new types of tableware. Despite the threat of invasion by
Napoleon, the British enthusiastically embraced not only new
designs from France, such as those inspired by the surge of
Egyptomania, but new customs of the tabletop. Tying in with an
exhibition at Koopman Rare Art, London, the first ever to be
devoted to the firm's achievement, the book shows the importance of
the Prince Regent as a patron of goldsmiths and presents a
fascinating portrait of London against the backdrop of the
Napoleonic Wars. It features a wealth of magnificent silver and
gold objects, snuff boxes, jewellery, medals and bejewelled swords
from museums and private collections in the United Kingdom, United
States, Canada and Australia. With a foreword by His Royal Highness
The Prince of Wales, the book will be a valuable addition not only
to art historical studies but also to the social and economic
history of the period. Net proceeds of the sale of the book will
benefit the Prince's Trust.
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