Since Jung and Film was first published in 2001, Jungian writing
on the moving image in film and television has accelerated. Jung
and Film II: The Return provides new contributions from authors
across the globe willing to tackle the broader issues of film
production and consumption, the audience and the place of film
culture in our lives.
As well as chapters dealing with particular film makers such as
Maya Derren and films such as Birth, The Piano, The Wrestler and
Breaking the Wave, there is also a unique chapter co-written by
documentary film-maker Tom Hurvitz and New York Jungian analyst
Margaret Klenck. Other areas of discussion include:
- the way in which psychological issues come under scrutiny in
many movies
- the various themes that concern Jungian writers on film
- how Jungian ideas on psychological personality types can be
applied in fresh ways to analyse a variety of characters.
The book also includes a glossary to help readers with Jungian
words and concepts. Jung and Film II is not only a welcome
companion to the first volume, it is an important stand- alone work
essential for all academics and students of analytical psychology
as well as film, media and cultural studies.
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