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Catholics Writing the Nation in Early Modern Britain and Ireland (Hardcover, New)
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Catholics Writing the Nation in Early Modern Britain and Ireland (Hardcover, New)
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Modern scholars, fixated on the "winners" in England's sixteenth-
and seventeenth-century religious struggles, have too readily
assumed the inevitability of Protestantism's historical triumph and
have uncritically accepted the reformers' own rhetorical
construction of themselves as embodiments of an authentic
Englishness. Christopher Highley interrogates this narrative by
examining how Catholics from the reign of Mary Tudor to the early
seventeenth century contested and shaped discourses of national
identity, patriotism, and Englishness. Accused by their opponents
of espousing an alien religion, one orchestrated from Rome and
sustained by Spain, English Catholics fought back by developing
their own self-representations that emphasized how the Catholic
faith was an ancient and integral part of true Englishness. After
the accession of the Protestant Elizabeth, the Catholic imagining
of England was mainly the project of the exiles who had left their
homeland in search of religious toleration and foreign assistance.
English Catholics constructed narratives of their own religious
heritage and identity, however, not only in response to Protestant
polemic but also as part of intra-Catholic rivalries that pitted
Marian clergy against seminary priests, secular priests against
Jesuits, and exiled English Catholics against their co-religionists
from other parts of Britain and Ireland. Drawing on the
reassessments of English Catholicism by John Bossy, Christopher
Haigh, Alexandra Walsham, Michael Questier and others, Catholics
Writing the Nation foregrounds the faultlines within and between
the various Catholic communities of the Atlantic archipelago.
Eschewing any confessional bias, Highley's book is an
interdisciplinary cultural study of an important but neglected
dimension of Early Modern English Catholicism. In charting the
complex Catholic engagement with questions of cultural and national
identity, he discusses a range of genres, texts, and documents both
in print and manuscript, including ecclesiastical histories,
polemical treatises, antiquarian tracts, and correspondence. His
argument weaves together a rich historical narrative of people,
events, and texts while also offering contextualized close readings
of specific works by figures such as Edmund Campion, Robert
Persons, Thomas Stapleton, and Richard Verstegan.
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