This ground breaking study examines decorative Chinese works of art
and visual culture, known as chinoiserie, in the context of church
and state politics, with a particular focus on the Catholic
missions' impact on Western attitudes toward China and the Chinese.
Art-historical examinations of chinoiserie have largely ignored the
role of the Church and its conversion efforts in Asia. Johns,
however, demonstrates that the emperor's 1722 prohibition against
Catholic evangelization, which occurred after almost a century and
a half of tolerance, prompted a remarkable change in European
visualizations of China in Roman Catholic countries. China and the
Church considers the progress of Christianity in China during the
late Ming and early Qing dynasties, examines authentic works of
Chinese art available to the European artists who produced
chinoiserie, and explains how the East Asian male body in Western
art changed from "normative" depictions to whimsical, feminized
grotesques after the collapse of the missionary efforts during the
1720s.
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