"Sign and Time" identifies crucial components of the 19th century
conception of realism and reconstructs their interplay in narrative
texts written between 1840 and 1910. Selective analyses of texts by
Storm, Fontane etc. are undertaken with a view to highlighting what
they have to tell us about the history of discourse(s).
Semiologically, realism is notable for the way it plays off the
linguistic against the graphic, metonymy against metaphor, and
rails against the hazards of visual kinds of imagination. This can
be interpreted as a response to the increasing competition from
other media, more precisely as a species of literary
self-referentiality in the face of the advent of film and the
attendant awareness of the psychological and evocative limits
necessarily imposed on this kind of literature.
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