Books > Arts & Architecture > History of art / art & design styles > From 1900 > Postmodernism in art & design
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No Medium (Paperback)
Loot Price: R837
Discovery Miles 8 370
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No Medium (Paperback)
Series: The MIT Press
Expected to ship within 10 - 15 working days
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Close readings of ostensibly "blank" works-from unprinted pages to
silent music-that point to a new understanding of media. In No
Medium, Craig Dworkin looks at works that are blank, erased, clear,
or silent, writing critically and substantively about works for
which there would seem to be not only nothing to see but nothing to
say. Examined closely, these ostensibly contentless works of art,
literature, and music point to a new understanding of media and the
limits of the artistic object. Dworkin considers works predicated
on blank sheets of paper, from a fictional collection of poems in
Jean Cocteau's Orphee to the actual publication of a ream of typing
paper as a book of poetry; he compares Robert Rauschenberg's Erased
De Kooning Drawing to the artist Nick Thurston's erased copy of
Maurice Blanchot's The Space of Literature (in which only
Thurston's marginalia were visible); and he scrutinizes the sexual
politics of photographic representation and the implications of
obscured or obliterated subjects of photographs. Reexamining the
famous case of John Cage's 4'33", Dworkin links Cage's composition
to Rauschenberg's White Paintings, Ken Friedman's Zen for Record
(and Nam June Paik's Zen for Film), and other works, offering also
a "guide to further listening" that surveys more than 100 scores
and recordings of "silent" music. Dworkin argues that we should
understand media not as blank, base things but as social events,
and that there is no medium, understood in isolation, but only and
always a plurality of media: interpretive activities taking place
in socially inscribed space.
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