This is is the first critical study of one of the most important
women writers of the early eighteenth century, Lady Mary Wortley
Montagu (1689-1762), who produced a body of erudite and
entertaining correspondence that spanned more than fifty years.
Lady Mary's letters illuminate the difficulties encountered by a
sensitive, intelligent, and gifted woman writer living through an
era of significant cultural change. These letters display the
tensions inherent in the competing demands of public and private
life, revealing Lady Mary's own discomfort about the problems of
authorship and authority in an age that held publication to be an
improper activity for respectable women. Through the discourse of
supposedly "private" letters, Lady Mary was able to find an avenue
for her talents that brought her "public" stature without violating
the imperatives of her position as a woman and an aristocrat.
Cynthia Lowenthal argues persuasively that Lady Mary's letters,
themselves central to the establishment of the familiar letter as
an important eighteenthcentury genre, were self-consciously
constructed as literary artifacts and crafted as part of a larger
female epistolary tradition. Moreover, Lowenthal contends, the
works of Lady Mary are essential to the feminist recuperation of
women's writing precisely because she provided an aristocratic
critique--a voice often ignored--of the class and gender codes of
her day.
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