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Music as Biology - The Tones We Like and Why (Hardcover)
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Music as Biology - The Tones We Like and Why (Hardcover)
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The universality of musical tones has long fascinated philosophers,
scientists, musicians, and ordinary listeners. Why do human beings
worldwide find some tone combinations consonant and others
dissonant? Why do we make music using only a small number of scales
out of the billions that are possible? Why do differently organized
scales elicit different emotions? Why are there so few notes in
scales? In Music as Biology, Dale Purves argues that biology offers
answers to these and other questions on which conventional music
theory is silent. When people and animals vocalize, they generate
tonal sounds-periodic pressure changes at the ear which, when
combined, can be heard as melodies and harmonies. Human beings have
evolved a sense of tonality, Purves explains, because of the
behavioral advantages that arise from recognizing and attending to
human voices. The result is subjective responses to tone
combinations that are best understood in terms of their
contribution to biological success over evolutionary and individual
history. Purves summarizes evidence that the intervals defining
Western and other scales are those with the greatest collective
similarity to the human voice; that major and minor scales are
heard as happy or sad because they mimic the subdued and excited
speech of these emotional states; and that the character of a
culture's speech influences the tonal palette of its traditional
music. Rethinking music theory in biological terms offers a new
approach to centuries-long debates about the organization and
impact of music.
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