Imagined Theatres collects theoretical dramas written by some of
the leading scholars and artists of the contemporary stage. These
dialogues, prose poems, and microfictions describe imaginary
performance events that explore what might be possible and
impossible in the theatre. Each scenario is mirrored by a brief
accompanying reflection, asking what they might mean for our
thinking about the theatre. These many possible worlds circle
around questions that include: In what way is writing itself a
performance? How do we understand the relationship between real
performances that engender imaginary reflections and imaginary
conceptions that form the basis for real theatrical productions?
Are we not always imagining theatres when we read or even when we
sit in the theatre, watching whatever event we imagine we are
seeing?
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