In this study, Russell explores the ways in which Willa Cather
and Toni Morrison subvert the textual expectations of gendered
geography and push against the boundaries of the official canon. As
Russell demonstrates, the unique depictions Cather and Morrison
create of the American landscape challenge existing assertions
about American fiction. Specifically, Russell argues that looking
at the intimate connections between space, gender, race, and
identity as they play out in the fiction of Cather and Morrison
refutes the myth of a unified American landscape and thus opens up
the territory of American fiction.
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