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Books > Arts & Architecture > History of art / art & design styles > From 1900
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Collage Culture - Readymades, Meaning, and the Age of Consumption (Paperback)
Loot Price: R3,013
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Collage Culture - Readymades, Meaning, and the Age of Consumption (Paperback)
Series: Postmodern Studies, 49
Expected to ship within 18 - 22 working days
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"Collage Culture" develops a comprehensive theory of the origins
and meanings of collage and readymades in modern and postmodern
art, literature, and everyday life. Demonstrating that the origins
of collage are found in assembly line technologies and mass media
forms of layout and advertising in early twentieth-century
newspapers, "Collage Culture" traces how the historical avant-garde
turns the fragmentation of Fordist production against nationalist,
fascist, and capitalist ideologies, using the radical potential
unleashed by new technologies to produce critical collages. David
Banash adeptly surveys the reinvention of collage by a generation
of postmodern artists who develop new forms including cut-ups,
sampling, zines, plagiarism, and copying to cope with the
banalities and demands of consumer culture. Banash argues that
collage mirrors the profoundly dialectical relations between the
cut of assembly lines and the readymades of consumerism even as its
cutting-edges move against the imperatives of passive consumption
and disposability instituted by those technologies, forms, and
relations. "Collage Culture" surveys and analyzes works of
advertising, assemblage, film, literature, music, painting, and
photography from the historical avant-garde to the most recent
developments of postmodernism.
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