In the 1960s, art patron Dominique de Menil founded an image
archive showing the ways that people of African descent have been
represented in Western art. Highlights from her collection appeared
in three large-format volumes that quickly became collector s
items. A half-century later, Harvard University Press and the Du
Bois Institute are proud to publish a complete set of ten sumptuous
books, including new editions of the original volumes and two
additional ones.
"Europe and the World Beyond" focuses geographically on peoples
of South America and the Mediterranean as well as Africa but
conceptually it emphasizes the many ways that visual constructions
of blacks mediated between Europe and a faraway African continent
that was impinging ever more closely on daily life, especially in
cities and ports engaged in slave trade.
"The Eighteenth Century "features a particularly rich
collection of images of Africans representing slavery s apogee and
the beginnings of abolition. Old visual tropes of a master with
adoring black slave gave way to depictions of Africans as victims
and individuals, while at the same time the intellectual
foundations of scientific racism were established.
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