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Acting Up (Paperback, Main)
Loot Price: R408
Discovery Miles 4 080
You Save: R82
(17%)
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Acting Up (Paperback, Main)
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List price R490
Loot Price R408
Discovery Miles 4 080
You Save R82 (17%)
Expected to ship within 10 - 15 working days
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In 1998/9, the playwright David Hare made his acting debut in
London and New York, performing his own monologue about the Middle
East. I declined to attend. As a performer myself, I was a little
sniffy about Hare's presumption. Eventually I read his monologue -
Via Dolorosa - and was bowled over by its honesty. Then I read this
rehearsal and performance diary and was shamed by its insight, wit
and energy. I stifled the urge to write a fan letter. This review
will have to do. Hare explores the highs and lows of stage acting,
from the multiple terrors of First Night to the exhaustion of a
long run and the whining self-pity that exhaustion breeds:'woke up
yesterday suicidal' and 'God help us, it's awards time'. He finds
himself ground down by a dim-witted review, a coughing audience
member, by his lack of technique and newly acquired hypochondria.
Finally he stumbles upon 'the simplest truth which most actors
learn on the first day. You have to change all the time to stay
where you were.' Acting Up is a thoughtful treasure for theatre
goers and practitioners alike. If you saw him perform, buy the
book. If you didn't, buy it anyway. Review by KERRY SHALE Editor's
note: Kerry Shale is an actor who has recorded many audio cassettes
including Bill Bryson's A Walk in the Woods. (Kirkus UK)
After writing a monologue on the subject of Israel and Palestine, David Hare forced himself to make his debut on the professional stage at the age of fifty-one. When his success at London's austere Royal Court theatre led to an invitation to appear in New York at a somewhat flashier Broadway venue, Hare was transformed from a shadowy playwright into an actor alone on the stage every night for ninety minutes.
Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his frightening change of career, but also grapples with more serious questions about what the difference is between acting and performance, and whether anyone can learn to do either.
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