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Body Doubles - Sculpture in Britain, 1877-1905 (Hardcover, New)
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Body Doubles - Sculpture in Britain, 1877-1905 (Hardcover, New)
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Late nineteenth-century Britain experienced an explosion of
interest in sculpture. Sculptors of the New Sculpture movement
engaged in a wide range of experimentation, seeking a new direction
and a modern idiom for their art. This book analyzes for the first
time the art-theoretical concerns of the late-Victorian sculptors,
focusing on their attitudes toward the representation of the human
body. Sculpture through close study of works by key figures in the
movement: Frederic Leighton, Alfred Gilbert, Hamo Thorneycroft,
Edward Onslow Ford, and James Havard Thomas. These artists sought
to activate and animate the conventional format of the ideal statue
so that it would convincingly and compellingly stand in for both a
living body and an ideal image. Complicating the conventions that
had characterised much previous sculpture in Britain, they
fervently pursued a commitment to the mimetic rendering of the body
in three dimensions. In response to the problems and perils of such
a commitment, late-Victorian sculptors worked to develop strategies
that allowed them to accommodate naturalism and symbolism as well
as the materiality of sculpture. Getsy offers an analysis of the
conceptual complexity of the New Sculpture and places its concerns
within the larger framework of the development of modern sculpture.
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