Mutilated, dying, or dead, black men play a role in the psychic
life of culture. From national dreams to media fantasies, there is
a persistent imagining of what black men must be. This book
explores the legacy of that role, particularly its violent effect
on how black men have learned to see themselves and one another.
David Marriott draws upon popular culture, ranging from lynching
photographs to current Hollywood film, as well as the ideas of key
thinkers, including Frantz Fanon, Richard Wright, James Baldwin,
and John Edgar Wideman, to reveal a vicious pantomime of unvarying
reification and compulsive fascination, of whites looking at
themselves through images of black desolation, and of blacks
dispossessed by that process.
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