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Our Chiefs and Elders - Words and Photographs of Native Leaders (Hardcover)
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Our Chiefs and Elders - Words and Photographs of Native Leaders (Hardcover)
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This series of portraits of British Columbia Native chiefs and
elders counters earlier depictions of "noble savages" or
representatives of a "vanishing race". David Neel's photographs and
conversations with his own people introduce us to a group of
individuals who know who they are and whose comments on the
present, coupled with their perspectives from the past, reveal a
people who have a rich and unique heritage while fully realizing
that they are living in the latter part of the twentieth century.
Neel has chosen to show his subjects in paired images both in
traditional dress, holding the symbols to which they are entitled
by hereditary right, as well as in everyday clothing and
surroundings. This demonstrates more effectively than any museum
display the transforming power of the masks and ceremonial
blankets. More importantly, however, it shows the people as they
are - with their lives in two worlds, two cultures - and
demonstrates that being Native is not a matter of appearance but
rather a way of being. Many of these individuals were born in
bighouses. They reminisce about travelling in log canoes and living
off the land. In their conversations with Neel, they talk about
their experiences in residential schools, about the potlatch law,
and they explain the roles of hereditary chiefs, chief councillors,
and elders. But they also have much to say that is relevant to
contemporary social, political, and ecological issues. David Neel's
respect for the elders is evident, as is the warmth with which he
is regarded by his subjects. And that is what makes the book
unique; as a collaborative project it is a powerful statement of a
surviving race which is currently witnessing the rebirth of its
culture as it takes its rightful place in contemporary society.
"David Neel is a British Columbia artist and photographer whose
work has appeared in museums and galleries in the United States and
Canada. Descended on his father's side from a line of distinguished
Kwagiutl carvers, he trained as a photojournalist in the United
States and worked there for several years before returning to
British Columbia to learn about the art of his ancestors for his
own interpretations of carving and design. As a professional
photographer, often working in black and white, he is particularly
interested in collaborative documentary projects which involve the
input of his subjects.".
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