‘An important piece of fashion history.’ – Vogue

Intimate and elegant photographs taken just before Kate Moss’s rise to fame, in a stylish new edition

This gorgeously produced book features intimate portraits of a young and undiscovered Kate Moss, taken in the early 1990s by her then-boyfriend, Italian photographer Mario Sorrenti. Seen by Calvin Klein, the photographs gave life to the famous Obsession campaign, which launched Moss to international superstardom.

Sumptuously reproduced in tritone, Kate is a stunning photographic portfolio of one of contemporary culture’s most iconic figures. It includes an introductory essay by Sorrenti, which puts the work in its uniquely personal context. This book, which celebrates the dawn of two legendary careers, and the start of the highly influential aesthetic of 1990s fashion photography, is a must-have for Kate Moss’s fans, for fashion devotees, and for lovers of traditional portraiture and fashion photography.

Charles III: The Making of a King celebrates the new King in the year of his coronation. The beautiful gift book includes a timeline of key events from Charles' life, and explores the future of the monarchy through photographs and paintings of the wider royal family, including Diana, Princess of Wales, Camilla, Queen Consort, William and Catherine, Prince and Princess of Wales, Harry and Meghan, Duke and Duchess of Sussex, and Prince George of Wales. Presenting family photographs alongside important formal portraits, this book features works by key artists who have depicted the King from 1948 to the present day, such as Nadav Kander, Cecil Beaton, Marcus Adams, Lisa Sheridan, Lord Snowdon, Joan Williams, Patrick Lichfield, Norman Parkinson, Bern Schwartz, Carole Cutner, Bryan Organ, Terence Donovan, Nicola Philipps and Mario Testino.

A rich examination of the role of portrait photography in the construction of Africa as a political idea

At a moment of profound change marked by decolonization and the Civil Rights period of the mid-twentieth century, photographers across Africa and the African diaspora used the photographic portrait in order to fuel incipient ideas of Africa. Published in conjunction with a groundbreaking exhibition at The Museum of Modern Art, New York, Ideas of Africa: Portraiture and Political Imagination charts international histories of resistance and liberation up to the present day in order to contend with the construction of Africa as a political idea, and the tools that artists used to forge it.

Featuring more than a hundred photographs by renowned artists of the time, such as Seydou Keïta, Malick Sidibé, and Jean Depara, and by contemporary artists of African descent, such as Samuel Fosso, Silvia Rosi, and Njideka Akunyili-Crosby, this richly illustrated publication explores modes of Pan-African possibility in powerful images of everyday people, where the personal was undeniably political. With an introduction by curator Oluremi C. Onabanjo, excerpts from landmark texts by V. Y. Mudimbe and Brent Hayes Edwards, and a conversation between Yasmina Price and Momtaza Mehri, Ideas of Africa highlights the potential of the photographic portrait as both a creative endeavor and political mechanism.

Gullberg combines images of women bearing scars on their bodies with those of the natural world - hinting at both a sense of inevitability and our unrealistic dreams of perfection. These women expose themselves, putting on display what our culture seeks to forget - the imperfect, the ugly and the embarrassing. And yet we need to be loved as we are. Unravelled is made in the hope that the viewer will come to love themselves a little bit more. The expressive qualities of Gullberg's work are both intimate and edgy. Her viewers are given a raw, yet poetic, look at life. She looks for beauty, strength and pride where you would not always expect to find it. Gullberg says "I deliberately put myself in situations that make me vulnerable. It makes me remember what it's like to have pictures taken of yourself. That again helps me uncover the traces that bind us together."

'Brother|Sister' tells the story of Edvard and Bergit Bjelland who grew up with their parents and siblings on a small farm in a remote part of Norway on the south-west coast. The farmhouse itself dated back to 1800s and is now a listed building. Edvard was the fourth generation of his family to have owned the farm and had kept horses, cows, pigs, hens and over one hundred sheep. When Elin Hoyland first met him, his sister Berjit had recently died, most of the livestock had been sold off and the land rented out. He now lived alone looking after just a handful of sheep. Edvard had been the only one to stay on the homestead, though his sister Bergit eventually moved back into the farnhouse with him, after living several years in the city of Stavanger. In the late 1970s she moved out again, but this time to a new house that she had built just a stone's throw from her childhood home. Bergit died in 2011 and Edvard now looks after her house. This is a story of two very different lives, lived within a matter of yards of each other. Whilst the physical distance separating Edvard and Bergit may have been minimal, their emotional and lifestyle choices are so far apart. Through her photographs Hoyland explores these choices, the different dreams and needs that the brother and sister sought to fulfill, whilst award winning Norwegian novelist and poet, Gaute Heivoll provides a short fictional piece inspired by the images. The collaboration is both absorbing and moving.

In 1948, photographer Tom Kelley took a photograph of an out-of-work actress, a nude posed against a scarlet background. That actress was Marilyn Monroe, and a few years later, the photo became Playboy's first ever centrefold. This volume offers a complete look at Kelley's visionary colour nude photography of the 1940s-1970s.

"This elegant approach to his chosen medium is evident in an alluring new book from German luxury publisher teNeues, Vincent Peters: Selected Works" - Jared Paul Stern, Maxim "With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies." - Square Mile Vincent Peters' photographs have left the fast-moving trends of fashion photography behind and become timeless works of art. Born in Bremen in 1969, Peters has been one of the most sought-after fashion and portrait photographers for over 25 years. With his signature black-and-white photography and exquisite lighting, his portraits look like snapshots from classic movies. Supermodels, stars, and legends have all stood before his camera - from Penelope Cruz and Rosamund Pike to Mickey Rourke and Matt Dillon. This new Collector's Edition with luxurious linen finish expands on Peters' bestselling book with 30 new images, all personally selected by Peters. A collection of astonishing portraits, in which the intimate urgency of the moment creates a timeless image.

"Remarkable...compulsively absorbing."-- Ken Johnson, "The New York Times"

""Starstruck" unexpectedly celebrates the beauty of the amateur-one whose vocation is not driven by a hunger for money, but by love. The book is a breath of fresh air."--Warren Beatty

..".wildly entertaining...An obligatory purchase for all pop culture collections."--"Library Journal"

This pop culture classic unearths candid photos of the most famous superstars of the 60s and 70s alongside forgotten and cult personalities, captured through the lens of a monumentally obsessed fan. Gary Boas' tales of his interactions with the stars add to this fascinating document of a bygone era.

As Others See Us is based on a new photographic exhibition from Tricia Malley and Ross Gillespie, who together form the renowned partnership broad daylight. It forms part of Homecoming 2009, celebrating the 250th anniversary of Robert Burns' birth. The exhibition consists of 20 portraits of prominent and influential Scots, including Eddi Reader, Edwin Morgan, Peter Howson and Janice Galloway. The portraits capture a unique insight into the sitter, enhanced by the accompanying text, as each was asked to contribute their favourite poem from Robert Burns, and to explain why it is special to them and what they think it means to Scots today.

The life or death mask is in many ways the sculptural analogue of the photographic portrait. Both suggest direct traces from life, involve positive and negative, and evoke a mysterious connection between a living, breathing subject and a captured image. The drive to capture true likenesses in the early 19th century was partly generated by the pseudo- science of phrenology. As a by-product of this, cast collections such as those of the Edinburgh Phrenological Society, have preserved haunting likenesses via life and death masks from individuals living 150 to over 200 years ago.Through her photographs Joanna Kane has taken these subjects out of the categories and hierarchies of their phrenological context. They no longer appear as disembodied scientific specimens, but as photographically embodied portraits of individual men and women - many of whom lived before the invention or popular use of photography. The title, "The Somnambulists", is a reference to mesmerism and phreno-mesmerism, which were current at the time from which many of the casts originate from. The resulting portraits appear to exist in an ambiguous suspended state between life, death and sleep.

A celebrated photographer for 40 years, Ellen Graham has worked with magazines across America, photographing some of the world's most talked-about people: actors, artists, performers, socialites, and the glitterati that we are all obsessed with. Graham's images strike a balance between the glamour of a formal Hollywood photo shoot and the intrigue of a tabloid expose for a true intimate look at such legendary figures as Frank Sinatra, Natalie Wood, Warren Beatty, and Carrie Fisher. Whether shooting actors, performers, or European royalty, she redefines the resonating myths that have come to surround these figures. Talking Pictures brings together over 200 images culled from Graham's work for such magazines as People and Time, her personal archives, and her collection of family photographs, accompanied by a personal narrative that takes you behind the scenes of each celebrated image and breathes life into the glamour of Hollywood's golden age.

This study of the lives of women in Ethiopia and Mauritania projects the dignity and self-confidence of the women and their sense of ease. Their inner strength suggests traces of an ancient past - the world of the Queens of Sheba.

These 87 black & white photographs taken by Alen MacWeeney in Dublin in 1963/5 are spontaneous images of Dublin and Dubliners in all areas of the city, a street odyssey reflecting a cross section of the people, their habits and behaviour, ten years before Ireland joined the European Union and the wider world. The text on facing pages is composed of social commentary gleaned from a posting of each of the book's photographs on Dublin social media platform Down Memory Lane, eliciting a flood of 70,000 responses during 2020. These photographs of Dublin and Dubliners in 1963 have pertinent social and historical value as attested by their placement in numerous US Universities and museums. The text offers a novel way of understanding and appreciating a full gamut of Dublin personalities through their reactions to the posting of these photographs during the current pandemic. The responses ranged from wonder and incredulity to heated derision, offset by the hilarity that characterize Dubliners. The richness of the commentary will be of interest to any Irish person curious to glimpse Dublin life in the '60s and to gauge the reactions of Dubliners today. MacSweeney's work partakes of the tradition of reportage by Walker Evans, Cartier Bresson, Robert Frank and Richard Avendon, to whom he was apprenticed in Paris during the late fifties.