‘An important piece of fashion history.’ – Vogue

Intimate and elegant photographs taken just before Kate Moss’s rise to fame, in a stylish new edition

This gorgeously produced book features intimate portraits of a young and undiscovered Kate Moss, taken in the early 1990s by her then-boyfriend, Italian photographer Mario Sorrenti. Seen by Calvin Klein, the photographs gave life to the famous Obsession campaign, which launched Moss to international superstardom.

Sumptuously reproduced in tritone, Kate is a stunning photographic portfolio of one of contemporary culture’s most iconic figures. It includes an introductory essay by Sorrenti, which puts the work in its uniquely personal context. This book, which celebrates the dawn of two legendary careers, and the start of the highly influential aesthetic of 1990s fashion photography, is a must-have for Kate Moss’s fans, for fashion devotees, and for lovers of traditional portraiture and fashion photography.

This is a special, updated edition in honour of the Queen's Diamond Jubilee. HRH Queen Elizabeth II was crowned Queen of the United Kingdom and Head of the Commonwealth, in Westminster Abbey on 2 June, 1953 at the age of 27 and in 2012 celebrates a 60 years on the throne. "Queen Elizabeth II" is a special, updated edition that records the major events of her reign. The Queen has been one of the most photographed women in the world, with strong media interest ever since the days of her childhood as a young princess. Revealed here in almost 250 unique pictures, taken by photographers of the Press Association over a period of more than 80 years, this is a fascinating documentation of the life of an extraordinary woman.

Photographers Sarah Plater and Hannah MacGregor present an authoritative self-contained course book on successfully shooting arresting portraits. Clear, concise and jargon-free text guides the novice photographer through the various styles of portraiture to capture subjects of all ages. The book begins with information on how to set up a small portrait studio in the home, including the use of backgrounds, flash equipment and other accessories. As a guide to the technical aspects of photography, the authors cover the essentials of correct exposure, white balance settings, and shooting in natural light. Post-production techniques such as skin retouching and colour correction are explained, as are printing options for portraits.

Gullberg combines images of women bearing scars on their bodies with those of the natural world - hinting at both a sense of inevitability and our unrealistic dreams of perfection. These women expose themselves, putting on display what our culture seeks to forget - the imperfect, the ugly and the embarrassing. And yet we need to be loved as we are. Unravelled is made in the hope that the viewer will come to love themselves a little bit more. The expressive qualities of Gullberg's work are both intimate and edgy. Her viewers are given a raw, yet poetic, look at life. She looks for beauty, strength and pride where you would not always expect to find it. Gullberg says "I deliberately put myself in situations that make me vulnerable. It makes me remember what it's like to have pictures taken of yourself. That again helps me uncover the traces that bind us together."

'Brother|Sister' tells the story of Edvard and Bergit Bjelland who grew up with their parents and siblings on a small farm in a remote part of Norway on the south-west coast. The farmhouse itself dated back to 1800s and is now a listed building. Edvard was the fourth generation of his family to have owned the farm and had kept horses, cows, pigs, hens and over one hundred sheep. When Elin Hoyland first met him, his sister Berjit had recently died, most of the livestock had been sold off and the land rented out. He now lived alone looking after just a handful of sheep. Edvard had been the only one to stay on the homestead, though his sister Bergit eventually moved back into the farnhouse with him, after living several years in the city of Stavanger. In the late 1970s she moved out again, but this time to a new house that she had built just a stone's throw from her childhood home. Bergit died in 2011 and Edvard now looks after her house. This is a story of two very different lives, lived within a matter of yards of each other. Whilst the physical distance separating Edvard and Bergit may have been minimal, their emotional and lifestyle choices are so far apart. Through her photographs Hoyland explores these choices, the different dreams and needs that the brother and sister sought to fulfill, whilst award winning Norwegian novelist and poet, Gaute Heivoll provides a short fictional piece inspired by the images. The collaboration is both absorbing and moving.

Portraits of Burlesque Performers in Their Homes. What is burlesque? Who better to ask than burlesque performers themselves? With this question in mind, the author traveled over 14,000 miles across the United States visiting todays burlesque performers, photographing them in their homes, and asking them What does burlesque mean to you? Their answers and 104 accompanying portraits may surprise you. For these performers, burlesque is so many things, including fun and empowerment on stage, an escape from lifes doldrums, a fantasy, a career. This book also presents a study in contrasts between the public persona of each performer and that

California, the Golden State, is steeped in cliche like almost nowhere else: palm trees, beach-blonde surfers, aspiring actors and tail-finned cars, all bathed in endless sunshine. Sally Davies, acclaimed New York street photographer and author of New Yorkers, heads west to capture the images and listen to the voices of everyday Californians in their own homes, hoping to delve beneath the ubiquitous stereotypes. She finds light and space, swimming pools and enticing views of the stunning natural surroundings encroaching through the walls. Posing for her in bedrooms, garages and patios, Davies discovers vibrant multicultural communities, eccentric stories of hopes and dreams, tales of gridlocked traffic, urban sprawl, air pollution and all aspects of the entertainment industry. Among the voices are well-known figures, Linda Ramone and actor Eric McCormack, accompanied by a cast of models, producers, a high-court judge, artists, stylists, writers, musicians, lawyers, magicians and many more.

A rich examination of the role of portrait photography in the construction of Africa as a political idea

At a moment of profound change marked by decolonization and the Civil Rights period of the mid-twentieth century, photographers across Africa and the African diaspora used the photographic portrait in order to fuel incipient ideas of Africa. Published in conjunction with a groundbreaking exhibition at The Museum of Modern Art, New York, Ideas of Africa: Portraiture and Political Imagination charts international histories of resistance and liberation up to the present day in order to contend with the construction of Africa as a political idea, and the tools that artists used to forge it.

Featuring more than a hundred photographs by renowned artists of the time, such as Seydou Keïta, Malick Sidibé, and Jean Depara, and by contemporary artists of African descent, such as Samuel Fosso, Silvia Rosi, and Njideka Akunyili-Crosby, this richly illustrated publication explores modes of Pan-African possibility in powerful images of everyday people, where the personal was undeniably political. With an introduction by curator Oluremi C. Onabanjo, excerpts from landmark texts by V. Y. Mudimbe and Brent Hayes Edwards, and a conversation between Yasmina Price and Momtaza Mehri, Ideas of Africa highlights the potential of the photographic portrait as both a creative endeavor and political mechanism.

Put on a pot of your favorite coffee, perk up, and enjoy nostalgic black-and-white photos that celebrate screen icons from the Silent Era through the eighties, making and drinking their own cups of joe, java, pour-overs, and percolated brews. Hollywood Cafe bridges the vibrant coffee culture of right-now with the glamorous coffee culture of the star-studded past. A dream cast of nearly 200 stars-Humphrey Bogart, Marilyn Monroe, Frank Sinatra, Grace Kelly, Audrey Hepburn, Katharine Hepburn, Bette Davis, Clara Bow, Charlie Chaplin, W. C. Fields, Robert Mitchum, Rita Hayworth, Bob Hope, Michael Caine, Jane Fonda, Ava Gardner, Jackie Gleason, Lucille Ball, Elvis Presley, Jayne Mansfield, Sammy Davis Jr., William Holden, Lauren Bacall, John Wayne, and many more-is captured on the set, on the run, in costume and out, behind-the-scenes and at the kitchen table, refilling and refueling, sipping and savoring, drinking the good stuff, just like us.

As Others See Us is based on a new photographic exhibition from Tricia Malley and Ross Gillespie, who together form the renowned partnership broad daylight. It forms part of Homecoming 2009, celebrating the 250th anniversary of Robert Burns' birth. The exhibition consists of 20 portraits of prominent and influential Scots, including Eddi Reader, Edwin Morgan, Peter Howson and Janice Galloway. The portraits capture a unique insight into the sitter, enhanced by the accompanying text, as each was asked to contribute their favourite poem from Robert Burns, and to explain why it is special to them and what they think it means to Scots today.

In 1948, photographer Tom Kelley took a photograph of an out-of-work actress, a nude posed against a scarlet background. That actress was Marilyn Monroe, and a few years later, the photo became Playboy's first ever centrefold. This volume offers a complete look at Kelley's visionary colour nude photography of the 1940s-1970s.

A celebrated photographer for 40 years, Ellen Graham has worked with magazines across America, photographing some of the world's most talked-about people: actors, artists, performers, socialites, and the glitterati that we are all obsessed with. Graham's images strike a balance between the glamour of a formal Hollywood photo shoot and the intrigue of a tabloid expose for a true intimate look at such legendary figures as Frank Sinatra, Natalie Wood, Warren Beatty, and Carrie Fisher. Whether shooting actors, performers, or European royalty, she redefines the resonating myths that have come to surround these figures. Talking Pictures brings together over 200 images culled from Graham's work for such magazines as People and Time, her personal archives, and her collection of family photographs, accompanied by a personal narrative that takes you behind the scenes of each celebrated image and breathes life into the glamour of Hollywood's golden age.

The life or death mask is in many ways the sculptural analogue of the photographic portrait. Both suggest direct traces from life, involve positive and negative, and evoke a mysterious connection between a living, breathing subject and a captured image. The drive to capture true likenesses in the early 19th century was partly generated by the pseudo- science of phrenology. As a by-product of this, cast collections such as those of the Edinburgh Phrenological Society, have preserved haunting likenesses via life and death masks from individuals living 150 to over 200 years ago.Through her photographs Joanna Kane has taken these subjects out of the categories and hierarchies of their phrenological context. They no longer appear as disembodied scientific specimens, but as photographically embodied portraits of individual men and women - many of whom lived before the invention or popular use of photography. The title, "The Somnambulists", is a reference to mesmerism and phreno-mesmerism, which were current at the time from which many of the casts originate from. The resulting portraits appear to exist in an ambiguous suspended state between life, death and sleep.