Candid and personal, dazzling with color and immediacy, this first and only monograph of a rising star of the photography scene features work from major labels and magazines, outtakes from shoots, and newly commissioned texts by Edward Enninful and Ekow Eshun on the importance of authentic diversity behind and in front of the camera. From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue's editor-in-chief, Edward Enninful, discussing the powerful intersection of photography, race, beauty, and representation. This is followed by a broad selection of Addy's striking photographs, which range from prominent fashion and magazine commissions to candid portraiture. Featuring recognizable cover shots alongside unpublished outtakes and unseen photography, viewers are afforded insight into Addy's creative process on set. Quotes from leading Black figures including Naomi Campbell and Nadine Ijewere are woven between Addy's striking imagery, in which these trailblazing Black creatives reflect on the first time they felt seen in their industry. The book closes with a deeper exploration of Addy's more personal imagery and influences, paying tribute to the heritage of Black photographers through the work of Ajamu and James Barnor. In conversation with curator and writer Ekow Eshun, Addy balances his own experiences as a queer, Black photographer who left his Jehovah's Witness family home at sixteen with broader questions of identity, intimacy, and art which face many creatives today. Charged with energy, compassion and authenticity, this inaugural monograph signals a major talent whose influence and stature will only grow with time.

Very few celebrities are so iconic that their first name is all that's needed in order to immediately recognise them. One photographer has captured each and every one of these icons - and more besides - on film. He goes by the name of Oscar Abolafia. You can call him Oscar.

'As Others See Us' is based on a new photographic exhibition from Tricia Malley and Ross Gillespie, who together form the renowned partnership broad daylight. It forms part of Homecoming 2009, celebrating the 250th anniversary of Robert Burns' birth. The exhibition consists of 20 portraits of prominent and influential Scots, including Eddi Reader, Edwin Morgan, Peter Howson and Janice Galloway. The portraits capture a unique insight into the sitter, enhanced by the accompanying text, as each was asked to contribute their favourite poem from Robert Burns, and to explain why it is special to them and what they think it means to Scots today.

Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he's photographing a celebrity, a musician, or a family member. Micaiah's portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time.

A remarkable collection of prison "portraiture" photos

The complete, comprehensive resource for any photographer seeking the best poses, this book features one thousand images, specially selected to help photographers position models in an array of different poses. Photographs and poses are placed in context within the text, with reasons why they do (or sometimes don't) work. A handful of poses are also accompanied by lighting diagrams, to give an understanding of how the photo was created. The content is organised into sub-sections, including standing and seated poses, bodywork, movement, exaggerated poses, and expressions, for easy navigation when preparing shots. Photographing Models features both models and non-models of different ages, shot using different lighting rigs and settings, making this book suitable for a vast range of commercial and editorial applications.

A book that changes the narrative about postpartum, Life After Birth illustrates what life is really like after birth not just days and weeks later, but also years afterward. What is the transition to motherhood really like? From a parent in the military to a mother s pregnancy of 42 weeks, Life After Birth is filled with accounts of strength, resilience, and power. Every birth is a unique story. While we tend to focus our attention on the arrival of a baby, in pregnancy parents are also introduced to a new self. Life After Birth reflects on the many physical changes as well as the myriad of feelings that are brought on by this transformation and the inseparable bond a new life brings. Revealing real experiences and raw emotions, this book is a celebration of life and a celebration of the human body.

Of the roughly 20,000 homeless youths in New York, up to 40 percent of them are LGBT (Lesbian Gay Bisexual Transgender). 'Sylvia's Place' originated as the vision of Sylvia Rivera, a transgendered woman, who was an advocate for LGBT rights during her life and worked tirelessly for it even while stricken with cancer. This work covers this topic.

Over the course of seven decades, Twinka Thiebaud has collaborated with thirty artists working in photography, painting, and drawing. This catalogue explores her body of work as an artist’s model alongside developments in photographic techniques and technology, and the role of nature in defining West Coast experimentation. This is the first book to highlight Twinka Thiebaud’s long career and influence as an artist’s model, while also exploring the artistic processes of numerous West Coast-based artists working today. Comprised of 120 paintings, drawings, and photographs that date from the 1940s through 2021, this catalogue’s essays and interview investigate the body/nature relationship in photographs of Thiebaud from the 1970s and 2000s, and her collaborations with such artists as Judy Dater and John Reiff Williams.

Revealing and insightful, Lauren Greenfield's classic monograph on the lives of American girls is back in print. Greenfield's award-winning photographs capture the ways in which girls are affected by American popular culture. With an eye for both the common and the eccentric, she visits girls of all ages, discussing issues ranging from eating disorders and self-mutilation to spring break and prom. With more than 100 mesmerizing photographs, 18 interviews, and an introduction by social and cultural historian Joan Jacobs Brumberg, this book is as vital and relevant now as when it was first published.

*** 'Are you aging fabulously? Here's how.' Anna Murphy, The Times 'A lovely book celebrating female beauty over 40.' Top Sante 'You become what you see. What you see determines what you believe - and the most powerful way of inspiring people is with images. My goal with AndBloom is to motivate women to embrace life without fear. To provide examples of women between the age of 40 and, currently, 100, so that any woman can open this book and see themselves recognized.' Denise Boomkens launched the AndBloom project on Instagram in 2018, to create a 'happy place for women over 40' - a community where women can be themselves and where aging is celebrated instead of feared. In this, her first book, she shares her own experiences of aging and brings together portraits and interviews with more than 100 extraordinary 'ordinary' women to create both a gloriously illustrated celebration of female beauty over 40 and an empowering handbook to aging happily.

"It reveals a unique look into the profession of photography." -Gerd Ludwig Photography Charles Moriarty, Stills department manager for Star Wars and photographer for Amy Winehouse, presents Photographers on the Art of Photography: a series of intimate conversations with some of the most highly regarded names in photography. From celebrity portraitists such as Terry O'Neill, to famed fashion photographers like Jerry Schatzberg and wildlife specialists Tim Flach and Sue Flood, this book offers a unique insight into all angles of the profession. Twenty celebrated photographers discuss how they got started, as well as their favoured techniques, motivations, inspirations and greatest accomplishments. Discover each artist's vision in their own words and reflect on what makes their talents unique. Interviews from: Ed Caraeff (music); Terry O Neill (celebrity portraiture); Norman Seeff (music); Johnathan Daniel Pryce (fashion); Douglas Kirkland (Hollywood); Gerd Ludwig (National Geographic); Slava Mogutin (queer fine art); Jerry Schatzberg (fashion, film, music, portraiture); Tim Flach (wildlife); Richard Phibbs (fashion, commercial, portraiture); Eva Sereny (Hollywood, celebrity portraiture); Sue Flood (wildlife); Tom Stoddard (photojournalism).

Actress, photographer, muse of artists such as Edward Weston and Diego Rivera, political activist and author of pamphlets, Tina Modotti (Udine, 1896 - Mexico City, 1942) played an active role in major events of the first half of the 20th century. Tina Modotti was at the centre of key events of the early 20th Century: the cultural ferment of the Mexican renaissance, the Cuban revolution and the heroic period of the Communist International, during which her political commitment was expressed through bold, daring actions. The book paints a vivid multifaceted portrait of this extraordinary woman and includes around a hundred photographs in which her quest for formal perfection is combined with her talent for resolutely and passionately capturing the pulse of life. Text in English, Italian and French.

"Any man that loves Bond will love to get this amazing book in their life." - Men's Journal "A great coffee table book filled with amazing photos of everyone's favourite spy." - Tom Lorenzo, Men's Journal "No fan of 007 will want to miss this coffee-table album..." - Michael Dirda, The Washington Post Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O'Neill's photographs.

`It was the best of times it was the worst of times.' Maligned, misunderstood and fetishized the 1980's stands as the decade when post-modern life began in the west, and London was at the epicenter of this shift. An explosion of creativity took place against a backdrop of radical social change. London became a city of tribes. The vast youth culture categories of the preceding decades shattered into shards. It was the decade that sub-culture as a way of life reached it's zenith before giving way to it's inevitable scene surfing conclusion. Ridgers documented this cultural moment obsessively. Punks, post-punks, cyber-punks, gothic punks, mods, hard mods, Trojan skins, racist skins, ska, reggae, dub, early electronica, synth pop, acid house, happy hardcore, Blitz Kids, New Romantics, Hip-Hop, Rap, Electro, Break Beat, Techno, Rave - these were all sub-cultural spaces with scenes attached in London in the 1980's. Unlike now, subcultures in the 1980's were not casual playthings - they were a way of life for their participants. They inspired profound loyalty. They were a beautiful a doomed flowering of the hope for a better world. Derek Ridger's exquisite street portrait photography has captured this creative decade beautifully.