'One of the greatest music photographers of all time...this book is indispensable to anyone who is a fan of Morrissey, or of great photography ' Classic Pop magazine 'Unsurprisingly, given Cummin's history, the photographs are beautifully composed, from the live shots with their webbing of shredded shirts and outstretched arms to the lyrical portraits on staircases or Japanese streets' Q Magazine Taken by renowned photographer Kevin Cummins and featuring hundreds of previously unseen images, Alone and Palely Loitering chronicles Morrissey's world as he emerged from The Smiths and established himself as a solo artist. Breathtaking photographs cover chaotic live performances, intimate portrait sessions and snatched moments backstage and on tour over a ten-year period. Cummins provides insightful commentary on the art of photography and what it was like to work and travel with Morrissey. The book also includes portraits of from fans around the world with Morrissey-inspired tattoos, featuring an essay by literary academic Dr Gail Crowther exploring how this art form is used to display devotion to a unique musician.

One of a handful of artists to emerge from Andy Warhol's celebrity-focused Interview magazine, Matthew Rolston is a well-established icon of Hollywood photography. Alongside such luminaries as Herb Ritts and Greg Gorman, Rolston was a member of an influential group of photographers (among them, Bruce Weber, Annie Leibovitz, and Steven Meisel) who came from the 1980s magazine scene. Rolston helped define the era's take on celebrity image-making, gender bending, and much more. Edited by Los Angeles-based gallerist and curator David Fahey, this book, Rolston's fourth monograph, presents a stunning array of portraits that beautifully capture the decade and its myriad talents. From Michael Jackson and Madonna, to Prince, George Michael, and Cyndi Lauper, the images reflect a seamless blend of style, skill, and scintillation. This volume features over 100 mesmerising photographs selected from Rolston's extensive body of work, centering on his unforgettable portraits of the era's most famous personalities. With essays by authors Pat Hackett, Andy Warhol's longtime collaborator and diarist; Colin Westerbeck, noted photographic curator and expert on American photographer Irving Penn; and Charles Churchward, longtime creative director of Vogue and Vanity Fair and author of The Golden Hour, a definitive biography of Herb Ritts, Hollywood Royale: Out of the School of Los Angeles, paints a fascinating picture of an indelible image-maker and the film stars, models, and artists he immortalised during this period. Rolston's photographs recall the glamour of "Old Hollywood" with postmodern irony, helping to point the way towards the cult of fame we live with today.

Ericson was motivated to begin photographing the Roma community during a visit to the southern part of Czech Republic where he witnessed vast discrimination. He has documented the lives of Roma people across multiple countries including Czech Republic, France, Sweden, Kosovo, Hungary, Serbia, Romania, Switzerland, Spain and Slovakia bearing witness to a group of people deprived of political, economical, cultural and social rights.

Sarah Plater and Paul Wilkinson present a modern, fresh and vibrant approach to portraiture that aims to capture a moment in the lifestyle of the person or persons in the picture. This authoritative guide contains clear, concise and jargon-busting text that discusses the essential technical aspects of photography from choosing a camera and equipment to an appreciation of exposure, aperture, metering, shutter speed, depth of field and white balance settings, in addition to how natural light, colour and movement affect a photograph.

There is no more gruesome and tragic record in the history of the 20th century than the photographs taken at the liberation of the concentration camps in Germany after World War II. These images are seared into our collective memory as brutal evidence of the atrocity of war and the evil of which humanity is capable. But the horrific content of these images has somewhat obscured their status as historical documents. This text reveals the unique significance of the concentration camp photographs - how they have become the basis of our memory of the Holocaust and how they have affected our presentations and perceptions of contemporary history's subsequent atrocities. Prior to the Holocaust, news reporters primarily told their stories in words, using photographs almost as an afterthought. When the camps were liberated, however, journalists and reporters turned to photography to bear witness to the unspeakable and indescribable scenes of the dead and dying. Through this process, the text argues, photographs earned a new legitimacy as tools of reporting. The author shows how, since the end of the war, the use of "atrocity photos" has fallen into patterns - or waves of memory - determined by the different roles that the photos occupy in the public imagination. Most recently, for example, the images from Bosnia hark back to the Holocaust imagery, an echo that can actually dilute our response to what happened both then and now.

Real Pictures is the result of many decades of photographs recording the day- to- day workings of a large family. As Chris Wiley of the New Yorker says “there is a tenderness and a sensitivity in these pictures of family that cannot be faked. Nolan is not embedded with her subjects, she is entwined. As such, the pictures not only show that she has an eye, but also a heart.”

For years, when traveling, I found myself getting in conversations with people when I took their pictures, and started to consult with them-showing them the digital shot, then retaking it until we had one they were happy with. It gave us a reason to interact, and a way to do so, even when we shared no language in common. These portraits are the result of those extended sessions, those moments of accidental intimacy on the road. Readers of my three travel books (Drinking Mare's Milk on the Roof of the World, And the Monkey Learned Nothing, and The Kindness of Strangers) may recognize some of the people, because a number of them feature in those stories. But each stands on its own-each a testament to the human ability to connect across the fault lines that keep us precariously divided. And each is a tribute to the accidental intimacy of the road.

Best in Show is a collection of photographs of well-groomed and award-winning dogs by New York City-based photographer Dolly Faibyshev.

The images from the Westminster Kennel Club Dog Show and beyond focus on the unique-and often humorous-relationship between each dog and their handler.

Dolly Faibyshev focuses on kitsch, irony, and the larger than life human and canine characters that make up Best in Show. The result is a colorful, vibrant, campy, and satirical take on this specific slice of Americana.

• The colorful, closely cropped juxtapositions of each coiffed canine contestant and their dedicated human are both humorous and charming.
• Sure to delight fans of all breeds of dogs
• A universal and ideal gift for all canine lovers with a sense of humor

Best in Show captures a specific subculture of dog devotees primarily from the infamous Westminster Kennel Club Dog Show at Madison Square Garden in New York.

For some, heaven will not be a perpetual dawn but rather an endless night - an eternity of the wild hours between dusk and sunrise.The Dark Carnival is a celebration of human beings given the rare space to play out their fantasy visions of themselves, the fleeting impressions of people dressed up for the glorious night caught in all their decadent glory. A unique collection of portraits personally selected by one of the UKs foremost portrait photographers covering alternative London's unique counter-cultural history from Punks, New Romantics, Goths, Disco Queens, Soul Boys, Fetish Worshippers, Rockers, Cyberpunks, Ravers, Clubbers and Party Animals. Derek Ridgers has been a feature in the clubs and on the streets of the capital for over 50 years - indulging in his obsession for documenting the people dressed up for the glorious night.Anyone who loves street style, youth subcultures, portrait photography and the curious human penchant for playing dressing up, will find this collection a darkly fascinating celebration of both night life and decadence.Packed with images exploring DIY fashion, self-expression and the fabulous strangeness of the human animal, ravers of all kinds will spend happy hours gazing at this book, at once a piece of social history and a visual poem, an expression of the fascinations of the author, a feast of luscious crepuscular imagery.

Curated from the luscious Kodachrome stock of the 1940s, renowned preservationist David Wills presents a dazzling Hollywood collection as never before printed. Drawn from Wills' vast collection of first-generation negatives and prints, meticulously scanned and gorgeously printed, these icons of film and style are brought back to life-almost more vibrantly than they were ever seen at the time. In Hollywood in Kodachrome, Wills offers a stunning gallery of hundreds of impossibly lush, full-color photos of the stars of Hollywood's Golden Age. Photographed using late 1940s sheet Kodachrome-a film stock that remains legendary for its tonal range, color accuracy, and detail-the silver screen's elite are brilliantly captured in unparalleled quality. Vividly portrayed in luxuriant detail, the stars in Hollywood in Kodachrome include Elizabeth Taylor, Ava Gardner, Rita Hayworth, Fred Astaire, Humphrey Bogart, Bette Davis, Frank Sinatra, Joan Crawford, Gregory Peck, Lucille Ball, William Holden, and many more. Including a foreword by Rhonda Fleming, and featuring more than 200 photos from classic films and publicity shoots, Hollywood in Kodachrome is a magnificent culmination of the 1940s' most beloved icons.

Olivia Bee is celebrated for her dreamy, evocative portraits and landscapes rich with implied narratives of intimacy, freedom, and adventure. Olivia Bee: Kids in Love showcases two bodies of photographic work, including the series, Enveloped in a Dream, that first brought Bee recognition as a teenager. This first series offers a visual diary of girlhood friendship and the exploration of self, showcasing Bee’s unique ability to convey the bittersweet nostalgia of adolescence on the brink of adulthood and new possibilities. The second set of images, Kids in Love, is drawn from recent work and continues Bee’s photographic chronicle of her circle of friends and new loves, capturing both the pleasures and terrors of the fleeting passage of romanticized youth. While the work continues to evolve, what remains constant is her seductive use of color and photographic artifact, as well as the immediacy and charge of each image. Bee gives voice to the self-awareness and visual fluency of the millennial generation. Experiences are sharply felt, and easily communicated and shared, generating visual records that render these memories as significant as the moments themselves. Tavi Gevinson, founding editor of the online magazine Rookie and Bee’s frequent collaborator and model, writes about the work and about the role of images as social currency in today’s image-driven world.

With this work, Gonzalez Miralles illustrates how people who grow up in a given culture unconsciously feel the need to follow a predetermined role and aims to question how societal standards, not only in Japan, but elsewhere, constrain human behaviour and the development of identity. Questions that affect us all, especially considering the obsession with self-projection in today's society.

With his collection of more than 120 portraits, Venville intimately observes the complexity of the Luchadore by capturing both the human element and stage persona of each wrestler, through direct uncluttered photography.

Sensual and softly surreal, the nude photography of Ralph Gibson frames the female form both organically and graphically, referencing art history while also innovating in the arena of erotic imagery, at once summoning visceral sensation and calling out for tactile attention. Thumb through this exquisite tribute to the contours and curves of womanhood and experience the intimacy of the photographic lens. Reviving TASCHEN's sold-out Collector's Edition, this tribute gathers the best of Gibson's exquisite nudes alongside some of his most recent works in an accessible, revised format, complete with a fresh in-depth interview by Eric Fischl. Strikingly graphic, meticulously composed, and loaded with subtle provocations, the master photographer's mysterious, dreamlike images pay homage to greats such as Man Ray and Edward Weston, while continually pursuing new frontiers. "A photographer once said that beauty in women is endless. Perhaps it was I who said it. [...] I love photographing women and could say that the form of the female body is absolute and perfect." -Ralph Gibson

Only Us is a comprehensive, photographic portrait of humanity; a tapestry of mankind. As a species we are incredibly diverse, yet remarkably similar in so many ways. Our ability to adapt is unrivalled; from the four corners of the planet there are few places we have not succeeded in inhabiting. Only Us is a unique look at what essentially makes us human. Intended to expand the appreciation of its audience, drawing upon parallels we all have, transporting the viewer from their living room to far flung lands full of colour, inspiration and natural beauty.

Containing approximately 75 period photographs from the Francis Frith archive with extended captions and introduction, this work is suitable for tourists, local historians and general readers. It also includes a voucher for a free mounted print of any photograph shown in the book.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the "New York Times," the "Washington Post," "Time," and the "New Yorker," Friedman's grimly evocative black-and-white images--"intimate, behind-the-scenes photos" ("Time")--have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his "unflinching" lens and his intrepid reporting.
For his new collection of photographs, "Lyudmila and Natasha," Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, "Lyudmila and Natasha" powerfully evokes both a vital place and the people who call it home.

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

Jim Rubery presents approximately 100 finely-detailed period photographs of the locality from the world-famous Francis Frith archive. A full introduction is included, as well as extended captions to the pictures. A voucher for a free mounted print of any of the photographs in the book is also included.

Approximately 100 detailed period photographs from the Francis Frith archive with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes a voucher for a free mounted print of any photograph shown in the book.

This work features approximately 100 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work contains around 150 detailed photographs of the county of Kent, taken from the Frith archive. It features extended captions to pictures, a full introduction, and a voucher for a free mounted print