For some, heaven will not be a perpetual dawn but rather an endless night - an eternity of the wild hours between dusk and sunrise.The Dark Carnival is a celebration of human beings given the rare space to play out their fantasy visions of themselves, the fleeting impressions of people dressed up for the glorious night caught in all their decadent glory. A unique collection of portraits personally selected by one of the UKs foremost portrait photographers covering alternative London's unique counter-cultural history from Punks, New Romantics, Goths, Disco Queens, Soul Boys, Fetish Worshippers, Rockers, Cyberpunks, Ravers, Clubbers and Party Animals. Derek Ridgers has been a feature in the clubs and on the streets of the capital for over 50 years - indulging in his obsession for documenting the people dressed up for the glorious night.Anyone who loves street style, youth subcultures, portrait photography and the curious human penchant for playing dressing up, will find this collection a darkly fascinating celebration of both night life and decadence.Packed with images exploring DIY fashion, self-expression and the fabulous strangeness of the human animal, ravers of all kinds will spend happy hours gazing at this book, at once a piece of social history and a visual poem, an expression of the fascinations of the author, a feast of luscious crepuscular imagery.

Renowned Finnish photographer Jaakko Heikkila has long been interested in small and minority communities around the world. In "Silent Talks "he meets people on the shores of the White Sea, in New York's Harlem, or on a Brazilian island. Empathy for his subjects appears in his intimate and poetic images.

There have been many Marilyn Monroe photo books--but nothing like this.

Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers--Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others--to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty.

Among the highlights:

Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career.

Classic portraits and pinups in luscious full color, digitally restored from the original transparencies.

Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give.

Rare candids of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others.

Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others.

Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers--and including her last interview, in which she reflects on her life and fame--Marilyn Monroe: Metamorphosis is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.

Charles Fréger has photographed a series of portraits of Breton women of every generation from every region, wearing costumes and headdresses of endless variety: from high starched towers to elaborately pinned, tucked and embroidered confections of handmade lace, as delicate as they are distinctive. Marie Darrieussecq, winner of the Prix Medicis and twice nominated for the Prix Goncourt, has contributed a foreword. Some fifty headdresses are introduced and described in a separate reference section, accompanied by specially commissioned illustrations. Charles Fréger’s exceptional photographs demonstrate a wealth of pride, ingenuity and personal expression that make this book uniquely compelling.

Paul Mobley has taken his camera on the road again to photograph America s bravest citizens. In this collection of intimate and powerful photographic portraits, we get a glimpse of what it means to answer the call and run toward danger. Stunning portraits of these brave men and women chief fire officers, company and wildland crew leaders, instructors, and line-firefighters are accompanied by firsthand accounts of those who put it all on the line, as well as stories of those firefighters who have made the greatest sacrifice of all. American Firefighter contains the real-life stories of firefighters, from the most rural volunteers to the most sophisticated and technologically advanced metropolitan departments, and it also profiles the children and grandchildren of firefighters who have been lost in the line of duty as they honor and pursue a family legacy. This book is an excellent gift for this nation s 1.4 million firefighters and their families, for those just coming to the profession, or for any American who is intrigued to learn more about these everyday heroes.

In this book, photographs of celebrity impersonators are juxtaposed with past and present quotations from celebrities, exposing the true nature of this fixation on fame in a world where gossip blogs, supermarket tabloids and brazen paparazzi reign supreme.

One of the most intriguing mysteries about the rise of history s most despised dictator is just how utterly ordinary he once seemed. A chubby child, a mummy s boy, a failed artist, a face in the crowd the early images of Adolf Hitler give no hint of the demonic spirit that consumed him. Only later in his tortured life came the metamorphosis, and the mask fell away to reveal the manic monster lurking beneath. The aim of this book is to trace this dramatic process in photographs some iconic, some rare and intimate covering the life of a man whose destructive legacy still touches us today. The images, many from the author s own historic collection, demonstrate the mesmerising power that Hitler wielded not only over the German public but also statesmen, industrialists and global media. For the captions to many of the original photographs are reverential in their descriptions of Herr Hitler the German Chancellor , the person Time magazine chose as its 1938 Man of the Year . The fascination with the cataclysmic events he caused involving 61 countries, three-quarters of the world s population and more than 50 million dead remains as strong as ever today. The mystery of how one man could exert so much power that he was able to plunge the whole world into war remains unanswered. But the subtly changing images of Adolf Hitler, portrayed in this book from pampered baby to bar-room rabble-rouser to ranting megalomaniac, provide a graphic insight into the mind of a monster and the instigator of history s bloodiest conflict.

"Newman's preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises." - Peter Sheridan, Daily Express Once, when asked how he'd like to be remembered, Paul Newman replied: "I'd like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being." As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances. Throughout his career, Newman was extensively photographed: these images enriched film audiences' connection to him as a cool and graceful presence both on and off-screen. Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O'Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman's movies were an essential part of American culture. With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography - including never before seen images - in a celebration of an actor who was always... cool.

THE PERFECT CHRISTMAS GIFT FOR FANS OF ROYAL FASHION This beautiful book takes a photographic journey through Queen Elizabeth II's ten decades of colour-blocked style. The photographs, which span the colours of the rainbow and a century of style, are gloriously accessorised with captions and commentary by journalist and broadcaster Sali Hughes. From the dusky pinks the Queen wore in girlhood all the way through to #NeonAt90, by way of that hat she wore on the announcement of Brexit, and not forgetting her trusty Launer handbag ever at her side, this must-have collection celebrates the iconic fashion statements of our beloved, longest-reigning and most vibrant monarch.

Undoubtedly, a very special bond exists between dogs and their people. This delightful, first-of-its-kind composition reveals the unique relationship we enjoy with our beloved canine companions. Forty-two specially commissioned images of four- and two-legged animals showcase the incomparable dynamics of each bond; their body language revealing the magnetism that exists. Observed and presented from the dog's point of view, each photographic essay is accompanied by a didactic doggy thought; a perspicacious nugget of information that encapsulates their understanding of their person ...

A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants--many of whom fought to secure their freedom.

During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. "African American Faces of the Civil War" tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers.

Coddington discovers these portraits-- "cartes de visite," ambrotypes, and tintypes--in museums, archives, and private collections. He has pieced together each individual's life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. "African American Faces of the Civil War" makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.

In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.

Emily Andersen has been making photographic portraits of the international avant-garde since graduating from the Royal College of Art in the early 1980s. Having started out by finding her way into some pretty cool-sounding private parties in London and New York, she began convincing artists and musicians to pose for her - from Nan Goldin to Nico. Over the past thirty-five years, she has built up a remarkable and beautiful portfolio that includes many high-profile writers, poets, film directors, actors and architects, with Peter Blake, Michael Caine, Derek Jarman, Zaha Hadid, Arthur Miller, Helen Mirren, Michael Nyman and Eduardo Paolozzi among those featured in this new publication devoted to her black-and-white portraits. In addition to celebrities, Andersen has documented many interesting and inspiring figures who are celebrated and respected within their fields, offering an invaluable insight into the lives of people who have made significant contributions to the wider cultural and creative life of the USA, Britain and Europe over the current and recent generations. An illuminating essay by critic Jonathan P. Watts not only explores the lives of some of Andersen's many sitters and the photographs she has taken of them, but also get to grips with ideas such as the nature of portraiture, photojournalism and the limitations of the documentary photograph, framing them within debates of the late 1980s onwards. 'While all of these portraits may not be recognisably activist images', asserts Watts, 'they're rooted in the belief of a micro-politics of everyday lives and relationships.' Readers can discover more about the background, circumstances and dynamics of many of the shoots by means of notes prepared by Andersen herself to accompany each image, which are regularly entertaining and thought-provoking as well as informative. Beyond capturing the essence of these figures and of the times in which they are living, Andersen has a particular talent for entering into their private lives and private spaces, often being invited into her sitters' own homes. By photographing family members and friends, she gets an angle on them that is often deeply personal, sensitive and honest. Creating works that are carefully composed and choreographed and yet regularly informal and relaxed, there is always, somehow, a sense that Andersen is more interested in encouraging her subjects to speak through her images than in imposing her own impressions upon them. It is also fascinating to note how Andersen is often keen to document the young children of celebrities, especially girls, and has made a substantial body of work of fathers and daughters. She is always interested to know what these young women grew up to be, and sometimes returns to photograph the same people years, if not decades, later. Andersen has been commissioned for innumerable magazines and newspapers including the New Musical Express (NME), The Face, Elle Deco, Domus, The Times, The Guardian, The Independent, The Sunday Telegraph and The Economist, and has been commissioned by publishers such as Quadrille, Simon and Schuster, Oxford University Press, Hachette, Random House and Harper Collins. Her works have been exhibited internationally in venues including The Photographers' Gallery, London; The Institute of Contemporary Art, London; The Scottish National Portrait Gallery, Edinburgh; The Barber Institute of Fine Arts, University of Birmingham; Massachusetts Museum of Contemporary Art; Jehangir Art Gallery, Mumbai; and China Arts Museum, Shanghai. A winner of the John Kobal prize for portraiture, she has a number of works in The National Portrait Gallery, London and in other public collections including The British Library, London, and The Contemporary Art Society, London. Andersen is a senior lecturer in photography at Nottingham Trent University. Designed by Melanie Mues of Mues Design, London, with reprography by DPM, London, and printed by EBS, Verona, this stunning hardback monograph has been released in both a trade edition published by Anomie and as an artist's limited edition of fifty signed and numbered copies, accompanied by an original print. The cover image is of the Chilean-French filmmaker Alejandro Jodorowsky and his son, Axel, in London in 1989.

Allen Wheatcroft's first monograph, Body Language, explores the balance between connection and dislocation, which he observes while roaming city streets, camera in hand. Taken in Chicago, Sweden, Los Angeles, Berlin, and Paris, the book includes an introduction by renown New York City street photographer Jeff Mermelstein. The photographs emphasize gestures, movements, and expressions; a visual language without words. The viewer comes to wonder about, and empathize with, the loners and bankers, doormen and gym rats, tourists and sun bathers - eager, perplexed, hurting - who inhabit our cities. This project, which focuses on tension, loneliness, and synchronicity in contemporary life, uses the universal language of the body in the street.