In a follow-up to the popular The New Paris, Lindsey Tramuta explores the impact that the women of Paris have had on the rapidly evolving culture of their city   The New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness� in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.

100 women bare all in an empowering collection of photographs and interviews about Womanhood. Vagina, vulva, lady garden, pussy, beaver, cunt, fanny... whatever you call it most women have no idea what's 'down there'. Culturally and personally, no body part inspires love and hate, fear and lust, worship and desecration in the same way. From smooth Barbie dolls to internet porn, girls and women grow up with a very narrow view of what they should look like, even though in reality there is an enormous range. Womanhood departs from the 'ideal vagina' and presents the gentle un-airbrushed truth, allowing us to understand and celebrate our diversity. For the first time, 100 brave and beautiful women reveal their bodies and stories on their own terms, talking about how they feel about pleasure, sex, pain, trauma, birth, motherhood, menstruation, menopause, gender, sexuality and simply being a woman.

Avant-garde photographer Alex Kayser studies the enigma of human physiognomy; the 184 models in this book ranged widely in age and come from all walks of life, but share one feature: they are bald. All of the photographers are posed, lit, and cropped identically, so that the images are refined to the sparest of head shots. The subjects are artists, actors, lawyers, gourmet chefs, heavyweight boxers, and chiropractors, and several of them are well-known, but in the very refined presentation of Kayser's photographs they become a fascinating exercise in how we read faces and human identity.

The text includes an interview with Kayser, quotes from some of the models describing everything from Zen philosophy to a favorite band of razor, and an afterword by National Book Award winner of Richard Howard.

A vibrant celebration of surfers in and out of the water from an award-winning photographer Professional photographer Thom Gilbert spent four years among surfer royalty at the top of their game-in Spain, New York, California, and Hawaii-with his camera trained not only on tiny figures disappearing in the waves, but also on the surfers' faces and bodies back on land. He returned from the beaches with intimate portraits of the world's best-from the newest talent to the oldest and most revered-and also with dramatic action shots and revealing images of the culture around this sport and lifestyle. The book features not only 300 photographs, but some Q&As with, and hand-written contributions from, prominent figures in the scene. Ultimately, Waves is an ode to surfing and to the men and women who live it every day.

With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (February 15-October 12, 2020) High Museum of Art, Atlanta (November 7, 2020-March 14, 2021) Whitney Museum of American Art, New York (April 16-October 3, 2021)

A CBC New Brunswick Book List Selection"The same stage, but different actors," explains Wilson. "There is something interesting to me about separating people from their environment, about keeping the focus on the individual."James Wilson's studio portraits capture subjects from all walks of life. They document soldiers and street people, builders and bakers, artists and labourers. There is an intimate intensity in his photographs, which together form a timeless collage of life and faces from the early twenty-first century.Wilson's portraits are also the product of a purposeful gaze, distinctive observations in black-and-white. All window-lit, all photographed in his studio, all with the same black background, these photographic portraits open a door into the worlds and at times the unguarded emotions of the individual subjects.James Wilson: Social Studies accompanies an exhibition that will open at the Beaverbrook Art Gallery in Fredericton, NB, in June 2020.