Sara McIntyre, the daughter of the artist Peter McIntyre, was nine years old when her family first came to Kakahi, in the King Country, in 1960. The family has been linked to Kakahi ever since. On the family car trips of her childhood, McIntyre got used to her fathers frequent stops for subject matter for painting. Fifty years on, when she moved to Kakahi to work as a district nurse, she began to do the same on her rounds, as a photographer. This book brings together her remarkable photographic exploration her observations of Kakahi and the sparsely populated surrounding King Country towns of Manunui, Ohura, Ongarue, Piriaka, Owhango and Taumarunui.

Christine Ljubanovic's portrait photographs of famous artists, curators, critics and writers lie between classic portraits and experience reports. Developed as a complete contact sheet, they are living reports of the artists' encounters and also include the environment of the subject of the portrait. The publication shows for the first time an overview of conversation portraits by Christine Ljubanovic which have been created over the past forty years. During this time she met, amongst others, Thomas Hirschhorn, Gisele Freund, Yoko Ono, Peter Weibel, Arnulf Rainer, Hans-Ulrich Obrist, Alfred Pacquement and Raoul Schrott, who has also contributed a poem to the volume. With the selection of 60 portraits she has thus produced a comprehensive picture of today's artistic and cultural scene. In each case the artist and the subject of the portrait chose the meeting place together, so that it provides the framework for the photographic conversation.

From 2015, this Chinese photographer has been dedicated to shooting the best portraits possible of international masters of photography. Through his lens he has captured the faces of many of the world's contemporary photographers: Sebastiao Salgado, William Klein, Robert Frank, Bruno Barbey, Bernard Faucon. At present, there are more than 60 portraits included in Zhong Weixing's 'Contemporary Photography Masters', and the programme is still ongoing. Jean-Luc Monterosso, former director of the world-renowned Maison Europe enne de la Photographie, describes these works by Zhong Weixing as a 'pantheon of photography masters'. The well-known photographer Bruno Barbey has praised them as representing a 'Bible of photographic history'.

Visit a Florida where sunburn is the result of honest, hard work--not an afternoon at the beach "Without its lush ranchlands, there would be precious little left to see of old Florida, and nowhere for some of our most endangered wildlife to survive. Carlton Ward's colorful tribute to this dwindling frontier is also a call to save what remains of it. The alternative is unthinkable."--Carl Hiaasen "Ward's masterful photographs go beyond pictures of cowboys and the Florida landscape to taste the life, feel the land, and appreciate the importance of the past, present, and future of ranching in the unique environment of Florida."--Todd Bertolaet "Exploring the rich history and culture of the Florida ranch, this book opens a window to a world that many Floridians are unaware of, and teaches us why we should all care about this disappearing way of life."--Jason Hahn Drive a few miles beyond Disney World, past the gaudy souvenir shops, all-you-can-eat buffets, and chain hotels, and you'll find the largest producing cattle ranch in the world. Indeed, nearly one-fifth of the state is devoted to the cattle industry, and these working ranches play a vital role in Florida's economic health. Yet even as encroaching urban sprawl threatens their way of life, photographer Carlton Ward has been documenting the often unseen world of Florida cowboys. Every day before dawn, they saddle their horses, coil their lariats and whips, and ride out to work the herds. Over 15,000 ranches raise nearly two million head of cattle--the living legacies of the longest history of ranching in North America. Florida cowboys share their land with bears, panthers, and other endangered species, along with irreplaceable wetlands that help sustain the state's strained water resources. Complemented by twenty historical, cultural, and environmental essays from Dana Ste Claire, Joe Akerman, Auduon of Florida, and the Seminole Tribe, among others, Ward's stunning photographs capture the grit and raw beauty of inland Florida, its enduring cowboys, and the land they protect.

The seventies in America were a time of social and cultural ferment, and Ira Resnick was there with his camera to capture it all. Now he is opening his archives to reveal hundreds of rare celebrity photos-many never seen since their original publication in magazines like Rolling Stone, People, and Us. Musicians like the Rolling Stones, Stevie Nicks, and James Taylor. Actors and directors like Sissy Spacek, Warren Beatty, and Martin Scorsese. Comedians like Steve Martin, Gilda Radner, and Bill Murray. Athletes like Muhammad Ali, Billie Jean King, and Kareem Abdul-Jabbar. Politicians like Jimmy Carter, Jerry Brown, and Bella Abzug. Resnick's dynamic shots are accompanied by personal anecdotes about his legendary subjects.

From the dynamite husband-and-wife duo behind CreativeSoul Photography comes GLORY, a photography book that shatters the conventional standards of beauty for Black children. With stunning images of natural hair and gorgeous, inventive visual storytelling, GLORY puts Black beauty front and center with more than 100 breathtaking photographs and a collection of powerful essays about the children. At its heart, it is a recognition and celebration of the versatility and innate beauty of Black hair, and Black beauty. The glorious coffee-table book pays homage to the story of our royal past, celebrates the glory of the here and now, and even dares to forecast the future. It brings to life past, present, and future visions of Black culture and showcases the power and beauty of recognizing and celebrating oneself. Beauty as an expression of who you are is power. When we define our own standards of beauty, we take back that power. GLORY encourages children around the world to feel that power and harness it.

This collection of 240 photographs depicts 224 of the twentieth century's top studio craft artists and designers working in fiber, clay, glass, metal, and wood. The photographs are by Paul J. Smith, Director Emeritus of the Museum of Arts and Design. Drawing on Smith's career of over fifty years as an arts administrator and curator, this book records his extensive interest in meeting art ists in their studios, as well as at con fer ences and national and international events. By reflecting his firsthand experience of the changing currents in twentieth-century craft, these images form a uniquely personal record that captures an important aspect of the history of the studio craft movement. Taken over a thirty-year period, these pho to graphs portray both the diversity and common threads of the craft movement, illustrating a community that shares knowl edge, friendships, and a passion for the handmade object.

Tattoo art has become a worldwide phenomenon. Increasing numbers of people are seeking high-quality tattoos --extensive designs that elevate tattoo work to an art form. In this book, Hungarian author Akos Banfalvi introduces readers to the most talented tattoo artists of our times. These men--and one woman--have become idols in the global tattoo community. In exclusive interviews with these 25 artists, Banfalvi uncovers the circumstances that drew them to tattooing and the ideas that inspire them. Through their stories, a larger picture emerges of the current trends and styles in tattooing and the growth of the industry. Paired with more than 1,500 new and rarely seen images of their work, this book presents a comprehensive view of the best and most creative tattoo art being done in countries including Russia, Poland, Lithuania, Italy, England, France, Germany, the United States, Venezuela and Estonia."

A little more than 30,000 men of the Wehrmacht and SS qualified to wear the famed Fallschirmschutzenabzeichen, or Paratrooper Badge, between 1936 and 1944. The badges they wore, and the images of the men who wore them, are avidly sought by collectors and historians around the world today. The authors have assembled over 300 indoor and outdoor posed portrait photographs of the Fallschirmjager for this volume, most never before published, providing a fascinating representation of the photographers art in World War II and a superb study of their uniforms, badges and insignia. In poses ranging from fierce to thoughtful and even poignant, the German paratroops of World War II are seen here in perfect focus, as they wanted to be seen, preserved in deliberate portraiture for posterity.

In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.

"The richness of David Drebin’s distinctive oeuvre defines him as a master in his area." — CelebMix In Before They Were Famous, multidisciplinary artist David Drebin gathers his best shots of world-famous celebrities, before they hit the big time — whether Charlize Theron before her Oscar win or Steve Jobs before the first iPod. Limited to 1,200 copies, the book is a delightful and fascinating collection of pre-digital era Polaroids, contact sheets, and many of Drebin’s most famous images before they were sold out — Central Park, Girl in the Red Dress, or I love you with Girl.  We see famous faces every day: campaign shoots, pro­motional pictures, and paparazzi photos plaster the pages of print and digital media. But how did these well­ known personalities present in front of the camera before they made it big, becoming the highly ­recognised celebrities of today? In Before They Were Famous, David Drebin has rummaged through his archive to curate some of his best pictures of today’s most familiar faces. Whether Charlize Theron before her Oscar win, John Legend before he stormed the charts, or Steve Jobs just before the introduction of the legendary first iPod, David Drebin photo­graphed them all on their path to fame. With this captivating line up, the New York City­ based mul­tidisciplinary artist not only offers an intimate and original look at now world­ famous celebrities, but also shares his own career beginnings presenting images before they were sold out. These limited edition photographs were all created before Drebin, too, became famous, providing a unique and rare document of his own creative journey. Alongside the portraits, the book also shows original works, from femmes fatales to landscapes, which would come to define his practice and are today sold as limited edition photographs in the finest galleries worldwide. Text in English and German.

The age of the metrosexual is over. Dead and buried. In places as diverse as Seattle, Los Angeles, Austin, Richmond, Miami, and Charleston, modern American men are ushering in a new golden age of hirsute pursuits. Denouncing the baby-smooth standard that society has set, men from around the world are reembracing their face in its most natural state. A select group of these well-whiskered men and their faithful Whiskerinas have taken this dedication a step further through the formation of their very own competitive community. Backed by the jackpot of good genetics and a well-oiled care routine, this group of grooming enthusiasts competes all over the world in hopes of recognition in the art of pogonotrophy. Step inside this whimsical, wild, and often-misunderstood world of competitive bearding through the lens of David Sacks. Comb through his collection of over 200 portraits and see for yourself how beautifully weird the beard can be.

Eric Mindling has been travelling the back roads of Oaxaca, Mexico, for over two decades. Oaxaca Stories in Cloth shows not only his love, but his respect for that dramatic geography and the people who have made it their home. More than 100 sensitive, intimate, full-colour portraits of traditional people offer rare glimpses of Oaxacan village life. The companion vignettes are a beautiful blend of villagers' personal stories and Mindling's praise song to the vanishing cultural traditions of Mexico. You will hear the voices of El Mago, the Magician, whose tales conjure an ancient world where women, cloth, and land were one, and La Coronela, once a high-ranking colonel in the army, who now explains the evolution of Zapotec fashion. You will meet Viviana the candle maker, Juana the young embroiderer, Marina the palm weaver, and dozens more who all come to life in remarkable photographs. Mindling's images capture the details of specific moments in everyday Oaxaca life today while conveying the history and enduring story of generations. The book is arranged in two sections: Living Threads records those villages where the community fashion of generations will die with the remaining elders. Each section is a beautiful and significant account. 'A wonderful story documenting the textile traditions of the people of Oaxaca. Fantastic photos.' www.yarnsandfabrics.co.uk

An insider's history of the "Beat" movement and its personalities through the personal photographs of one of its principle figures. Pointing his camera randomly at the counterculture around him, the poet created a unique visual record of his friends and companions covering a period of almost forty years. His subjects include Jack Kerouac, William Burroughs, Neal Cassady, Robert Frank, Paul Bowles, Timothy Leary, dozens of other writers, painters, and friends, and several revealing self-portraits. Beneath each photograph are Ginsberg's handwritten reminiscences of the circumstances, people, and places relating to the photograph.

There was a time in America when two men pictured with their arms wrapped around each other, or perhaps holding hands, weren't necessarily seen as sexually involved - a time when such gestures could be seen simply as those of intimate friendship rather than homoeroticism. Such is the time John Ibson evokes in "Picturing Men", a striking visual record of changes in attitudes about relationships between gentlemen, soldiers, cowboys, students, lumberjacks, sailors, and practical jokers. Spanning from 1850 to 1950, the 142 everyday photographs that richly illustrate "Picturing Men" radiate playfulness, humor, and warmth. They portray a lost world for American men: a time when their relationships with each other were more intimate than they commonly are today, regardless of sexual orientation. "Picturing Men" starkly contrasts the calm affection displayed in earlier photographs with the absence of intimacy in photos from the mid-1950s on. In doing so, this lively, accessible book makes a significant contribution to American history and cultural studies, gender studies, and the history of photography.

There is something magical about these photographs; they show faces as they have never before been seen. The 360-degree portraits by the artist duo Koschies deconstruct familiar occidental views. They are not structured around a vanishing point, but instead take place entirely in the planar dimension. With their fascinating time-slit camera recordings, the artists enter into new visual terrain - not on the basis of digital manipulation, but through creatively making use of the influence of time in the pictures themselves. Just as Impressionist pictorial forms in their day came as a shock to the perception of academically trained viewers of art, these portraits act as a substantial challenge to the eyes of their late modern addressees, whose eyes have been inundated with traditional photography.

Text in English, French & German. "For it is only she who will satisfy me with an issuing forth of bodily fluids. And as her pee begins to spew from her engorged cunt, her laugher breaks the palpable tension. To her this is also fun." -- Jackie McMillan