"Etranger" is a book of 53 black/white and color photographs including urban street scenes, rural landscapes, portraits, abandoned railroad tracks, subways and train stations, and old cars. The images were taken during journeys across America, Spain, and Israel. Mike Spitzs photos capture solitude in its many forms. Ranging in style from documentary and photo-journalistic to rural and more abstract images, his photography is heavily influenced by the visual landscape of the places where he has lived, including Ohio, New York, New Orleans, Chicago, and Paris. Spitzs background in film and cinematography enhances his work as a photographer, giving his photos a strong narrative and composition, deep emotion, and a cinematic visual style. The photography of Mike Spitz has been compared to the likes of Henri Cartier Bresson, Walker Evans, and George Tice. "These photographs represent a single voice and vision. The choice of images, composition, character of the objects and subjects show a sensitive, conscious presence that animates the images with their point of view and framing. The objects and people are compellingly alive, even when only parts of bodies are shown. That's what grabs my attention." (Bruce Joel Rubin, screenwriter for movies Ghost, Jacob's Ladder)

Exploring the art and creativity that exists in portraiture allows us to create a greater awareness of ourselves and our surroundings. From Glamour to Children, Couples, Families, Pets, Executives and more, Klaus Bohn's work lets us really see the emotions, feelings and art contained within these images.

Klaus Bohn explores unique compositional elements as well as the use of space, shapes and forms in many of his photographs. His skills have been honed over a lifetime of learning and thousands of dollars spent attending private courses given by the world's top professional photographers including: Joe Zeltsman, Monte Zucker, Dean Collins, Rocky Gunn, Yousuf Karsh, Arnold Newman and many more.

Discussing techniques from both the great artists and photographers of our time, this work reveals how to give form and balance to your photographs by combining elements harmoniously in order to see a subject in the strongest way. This book is sure to become a valued resource in your personal library, to be consulted and relied upon for many years to come.

Reviews:

"Just for a little while, let Klaus be your mentor. His struggling for creativity is revealing, is so evident. Reach out to grab it. Resolve to integrate this highly saleable touch of class into your daily output."
Jack Curtis, author, "Wedding Portraits and Photography World"

"It is portraitists like Klaus Bohn who have helped retain the artistic essence of the profession by producing a great body of portrait work and he has developed the talent to put into words the deeper meaning of his portraits. The Art Within Portrait Photography will be cherished by the general reader and for those in the profession of portraiture, it is an added educational tool to gain knowledge and inspiration."
Ken Whitmire, President, Photography Hall of Fame and Museum

"Klaus has been quite successful... and both he and his Photography must be given better than average marks. What follows are epitomized abstractions of some of Klaus' comments on how he operates, and I feel they could be of practical value to you."
D.H. Moore, author, "The Practice of Modern Photography"

About the Author:

Klaus Bohn is a Professional Photographer with a Masters of Photographic Arts and has been honoured with a Fellowship from the SPPA. He has been teaching the art of photography since 1984 to amateurs and professionals alike. Klaus has authored many magazine articles and had his photos published in Range Finder Magazine, the Professional Photographers of Canada (PPOC) Magazine and others. His first book, 50 Principles of Composition in Photography, was published in 2006.

Andy Zaller's Dancers Series of photographic images of professional dancers and dance students provided the conceptual and artistic framework for this publication. He considers dancing to be the culmination of the integration of all aspects of the arts, including the visual arts. The basic principles of design and the elements of art such as rhythm, contrast, emphasis, color and space are captured by the various movements and physical appearance of dancers, whether they are simply doing warm-up exercises in the studio or engaging in actual performances on the stage.

Brandon Stanton’s Humans is a book that connects readers as global citizens at a time when erecting more borders is the order of the day. It shows us the entire world, one story at a time…

Brandon Stanton’s Humans – his most moving and compelling book to date – shows us the world. After five years of traveling the globe, the creator of Humans of New York brings people from all parts of the world into a conversation with readers. He ignores borders, chronicles lives and shows us the faces of the world as he saw them. His travels took him from London, Paris and Rome to Iraq, Dubai, Ukraine, Pakistan, Jordan, Uganda, Vietnam, Israel and every other place in between. His interviews go deeper than before. His chronicling of peoples’ lives shows the experience of a writer who has traveled widely and thought deeply about the state of our world.

Including hundreds of photos and stories of the people he met and talked with in over forty countries, Humans is classic Brandon Stanton – a fully color illustrated book that includes many photos and stories never seen before. For the first time for a HONY title, Humans will contain several of the essays Brandon’s posted online which have been read, loved and enthusiastically shared by his followers.

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

Jack and Jackie sailing at Hyannis Port. President Kennedy smiling and confident with the radiant first lady by his side in Dallas shortly before the assassination. The Zapruder film. Jackie Kennedy mourning at the funeral while her small son salutes the coffin. These images have become larger than life; more than simply photographs of a president, or of celebrities, or of a tragic event, they have an extraordinary power to captivate--today as in their own time. In Shooting Kennedy, David Lubin speculates on the allure of these and other iconic images of the Kennedys, using them to illuminate the entire American cultural landscape. He draws from a spectacularly varied intellectual and visual terrain--neoclassical painting, Victorian poetry, modern art, Hollywood films, TV sitcoms--to show how the public came to identify personally with the Kennedys and how, in so doing, they came to understand their place in the world. This heady mix of art history, cultural history, and popular culture offers an evocative, consistently entertaining look at twentieth-century America. Marilyn Monroe, Sylvia Plath, Donna Reed, Playboy magazine, Jack Ruby, the Rosenbergs, and many more personalities, little-known events, and behind-the-scenes stories of the era enliven Lubin's account as he unlocks the meaning of these photographs of the Kennedys. Elegantly conceived, witty, and intellectually daring, Shooting Kennedy becomes a stylish meditation on the changing meanings of visual phenomena and the ways they affect our thinking about the past, the present, and the process of history.

The figure of a woman reclining, in repose, displayed, abandoned, fallen, asleep, or dreaming, returns in the work of women filmmakers and photographers in the twentieth and twenty-first centuries. Filmmakers Agnes Varda and Catherine Breillat, and American photographer working in Paris, Nan Goldin, return to the paintings of Titian, Velazquez, Goya, Courbet, and others, re-imagining, and re-purposing, their images of female beauty, display, (auto)eroticism, and intimacy. This book, a sensuous evocation of these feminist works, claims a female-identified pleasure in looking. The artists explored align images of repose and sensuality with other images of horizontality and proneness, of strong emotional content, images of erotic involvement, of vulnerability, of bodily contortion, of listlessness, grief, and depression. The reclining nude is for all three artists a starting point for a reflection on the relation of film, projections, and still photography, to painting, and a sustained re-imagining of the meanings conjured through serial returns to a particular pose. This book claims that the image of the reclining nude is compelling, for female-identified artists - and for all allied in feeling and picturing femininity - in the sensitive, ethically adventurous, politically complex feminist issues it engages. The reclining nude is an image of passivity, of submission, of hedonism. It allows thought about passivity as pleasure, about depression and grief figured posturally, about indolence as a form of resistance and anarchy. Through this image, female-identified artists have claimed freedom to offer new focus on these extremes of emotion. They are re-imagining horizontality.

This work features approximately 100 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

International in scope and full of beautiful and impactful imagery that highlights the immediacy of the genre, View/Point is a book of human experience stories as told through the medium of phone photography. Featuring approximately 75 contributors from every corner of the globe, interviewed by the author about their lives and their photographic art, this book offers a definitive take on both the power of the still image to tell a story and the joy of personal expression that phone photography offers.

A little more than 30,000 men of the Wehrmacht and SS qualified to wear the famed Fallschirmschutzenabzeichen, or Paratrooper Badge, between 1936 and 1944. The badges they wore, and the images of the men who wore them, are avidly sought by collectors and historians around the world today. The authors have assembled over 300 indoor and outdoor posed portrait photographs of the Fallschirmjager for this volume, most never before published, providing a fascinating representation of the photographers art in World War II and a superb study of their uniforms, badges and insignia. In poses ranging from fierce to thoughtful and even poignant, the German paratroops of World War II are seen here in perfect focus, as they wanted to be seen, preserved in deliberate portraiture for posterity.

A startlingly powerful collaboration reimagines female beauty What is beauty without pain? Compromise is what our culture offers women: cinching, pinching, cutting, shaving, scraping, starving, and, of course, lifting and separating, all in service of one sharply circumscribed model purported to be pleasing-but not to most, if any, women. This extraordinary book reimagines beauty at its most provocative and fetishized locus: the female breast. Artist, writer, and scholar Joanna Frueh scrutinizes ideals of beauty and sensuality, often motivated by her experiences with breast cancer. Frances Murray, her friend and collaborator for more than thirty years, documents Frueh's journey of unapologetic beauty in a series of intimate, dazzlingly original photographs before and after her bilateral mastectomy and chemotherapy. Reflecting with insight, directness, and humor-and with contributions from a breast surgeon, an oncologist, and artists and scholars who have had breast cancer-Frueh arrives at a new, liberating view of beauty and of the sensual pleasure found in transformative self-acceptance. Central to this reckoning is her documentation and critique of the notion of hyperbeauty (the flash of flesh appeal, hyperthin, hyperfeminine, hyperbosomy, hypersexy, and hyperyoung sold at the global 24/7 beauty bazaar) and her playful, inventive presentation of tools for remaking minds and hearts disfigured by self-denying ideals. In its bracing critique, passionate argument, and compelling narrative-all illustrative of its own unapologetic beauty-this collaboration is a performance of startling power, stirring to consider and a pleasure to behold.

Sara McIntyre, the daughter of the artist Peter McIntyre, was nine years old when her family first came to Kakahi, in the King Country, in 1960. The family has been linked to Kakahi ever since. On the family car trips of her childhood, McIntyre got used to her fathers frequent stops for subject matter for painting. Fifty years on, when she moved to Kakahi to work as a district nurse, she began to do the same on her rounds, as a photographer. This book brings together her remarkable photographic exploration her observations of Kakahi and the sparsely populated surrounding King Country towns of Manunui, Ohura, Ongarue, Piriaka, Owhango and Taumarunui.

Christine Ljubanovic's portrait photographs of famous artists, curators, critics and writers lie between classic portraits and experience reports. Developed as a complete contact sheet, they are living reports of the artists' encounters and also include the environment of the subject of the portrait. The publication shows for the first time an overview of conversation portraits by Christine Ljubanovic which have been created over the past forty years. During this time she met, amongst others, Thomas Hirschhorn, Gisele Freund, Yoko Ono, Peter Weibel, Arnulf Rainer, Hans-Ulrich Obrist, Alfred Pacquement and Raoul Schrott, who has also contributed a poem to the volume. With the selection of 60 portraits she has thus produced a comprehensive picture of today's artistic and cultural scene. In each case the artist and the subject of the portrait chose the meeting place together, so that it provides the framework for the photographic conversation.

From 2015, this Chinese photographer has been dedicated to shooting the best portraits possible of international masters of photography. Through his lens he has captured the faces of many of the world's contemporary photographers: Sebastiao Salgado, William Klein, Robert Frank, Bruno Barbey, Bernard Faucon. At present, there are more than 60 portraits included in Zhong Weixing's 'Contemporary Photography Masters', and the programme is still ongoing. Jean-Luc Monterosso, former director of the world-renowned Maison Europe enne de la Photographie, describes these works by Zhong Weixing as a 'pantheon of photography masters'. The well-known photographer Bruno Barbey has praised them as representing a 'Bible of photographic history'.

Charles Fréger has photographed a series of portraits of Breton women of every generation from every region, wearing costumes and headdresses of endless variety: from high starched towers to elaborately pinned, tucked and embroidered confections of handmade lace, as delicate as they are distinctive. Marie Darrieussecq, winner of the Prix Medicis and twice nominated for the Prix Goncourt, has contributed a foreword. Some fifty headdresses are introduced and described in a separate reference section, accompanied by specially commissioned illustrations. Charles Fréger’s exceptional photographs demonstrate a wealth of pride, ingenuity and personal expression that make this book uniquely compelling.

Emily Wilding Davison's image has been frozen in time since 1913. On the 4 June of that year, Emily was struck by the king's horse, Anmer, during the Epsom Derby. She died four days later. She, unlike her fellow Militant Suffragettes, did not live to write her memoirs in a more enlightened and tolerant era. In the aftermath of the Epsom protest, her family and her northern associates were caught between two very powerful factions: the Government's spin doctors and the very efficient publicity machine of Mrs Pankhurst's W.S.P.U. In response, Emily's family and associates closed ranks around her mother, Margaret Davison, and her young cousins. For almost a century, their silence has guarded Emily's story. Now, at the centenary of Emily's death, her family have come together to share Emily's side of the story for the first time. Drawing on the Davison family archives, and filled with more than 100 rare photographs, this volume explores the true cost of women's suffrage, revolutionizing in the process our understanding of one of the defining events of the twentieth century.

Phillip Toledano believes that we are at the vanguard of a period of human-induced evolution. A turning point in history where we are beginning to define not only our own concept of beauty, but of physicality itself. * Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make? * Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon's hand? * When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?

The seventies in America were a time of social and cultural ferment, and Ira Resnick was there with his camera to capture it all. Now he is opening his archives to reveal hundreds of rare celebrity photos-many never seen since their original publication in magazines like Rolling Stone, People, and Us. Musicians like the Rolling Stones, Stevie Nicks, and James Taylor. Actors and directors like Sissy Spacek, Warren Beatty, and Martin Scorsese. Comedians like Steve Martin, Gilda Radner, and Bill Murray. Athletes like Muhammad Ali, Billie Jean King, and Kareem Abdul-Jabbar. Politicians like Jimmy Carter, Jerry Brown, and Bella Abzug. Resnick's dynamic shots are accompanied by personal anecdotes about his legendary subjects.

This book examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. To Nancy, the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. The book consists of two extended essays written a decade apart but in close conversation, in which Nancy considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial Introduction by Jeffrey Librett, which places Nancy's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. Though undergirded by a powerful grasp of the philosophical and psychoanalytic tradition that has rendered our sense of the subject so problematic, Nancy's book is at heart a delightful, unpretentious reading of three dozen portraits, from ancient drinking mugs to recent experimental or parodic pieces in which the artistic representation of a sitter is made from their blood, germ cultures, or DNA. The contemporary world of ubiquitous photos, Nancy argues, in no way makes the portrait a thing of the past. On the contrary, the forms of appearing that mark the portrait continue to challenge how we see the bodies and representations that dominate our world.

This is a one-of-a-kind book, which will motivate generations of girls and women for years to come, The Female Lead is a collection of portraits - in their own words - of over 50 inspirational women who changed the world around them. With stunning photography and heartfelt, personal interviews, this will inspire a whole generation of young women. 'A truly inspirational book' -- ***** Reader review 'Beautifully written and illustrated' -- ***** Reader review 'A beautiful, inspiring book' -- ***** Reader review 'Loved it! Truly inspiring!' -- ***** Reader review 'Inspiring and motivating with beautiful images' -- ***** Reader review ************************************************************************************************ Over fifty inspirational women, from many walks of life. All have changed the world in a variety of fields. Among them are politicians and artists, journalists and teachers, engineers and campaigners, fire fighters and film stars. Together they form an arresting gallery of portraits, each one illustrated with original photography by Brigitte Lacombe. Some have led their professions; some have broken new ground for women; some have inspired changes through relentless endeavour. All were chosen for their ambitions and achievements and all tell their stories in their own words. Includes portraits from Meryl Streep, Tina Brown, Lena Dunham, Jo Malone, Laura Bates, Yeonmi Park, Lucy Bronze, Julie Bentley and Michaela DePrince, amongst many others. For girls, it can be hard to identify role models in our society. This book will help and inspire women everywhere to realize their hopes and ambitions.

This collection of 240 photographs depicts 224 of the twentieth century's top studio craft artists and designers working in fiber, clay, glass, metal, and wood. The photographs are by Paul J. Smith, Director Emeritus of the Museum of Arts and Design. Drawing on Smith's career of over fifty years as an arts administrator and curator, this book records his extensive interest in meeting art ists in their studios, as well as at con fer ences and national and international events. By reflecting his firsthand experience of the changing currents in twentieth-century craft, these images form a uniquely personal record that captures an important aspect of the history of the studio craft movement. Taken over a thirty-year period, these pho to graphs portray both the diversity and common threads of the craft movement, illustrating a community that shares knowl edge, friendships, and a passion for the handmade object.

Tattoo art has become a worldwide phenomenon. Increasing numbers of people are seeking high-quality tattoos --extensive designs that elevate tattoo work to an art form. In this book, Hungarian author Akos Banfalvi introduces readers to the most talented tattoo artists of our times. These men--and one woman--have become idols in the global tattoo community. In exclusive interviews with these 25 artists, Banfalvi uncovers the circumstances that drew them to tattooing and the ideas that inspire them. Through their stories, a larger picture emerges of the current trends and styles in tattooing and the growth of the industry. Paired with more than 1,500 new and rarely seen images of their work, this book presents a comprehensive view of the best and most creative tattoo art being done in countries including Russia, Poland, Lithuania, Italy, England, France, Germany, the United States, Venezuela and Estonia."

An insider's history of the "Beat" movement and its personalities through the personal photographs of one of its principle figures. Pointing his camera randomly at the counterculture around him, the poet created a unique visual record of his friends and companions covering a period of almost forty years. His subjects include Jack Kerouac, William Burroughs, Neal Cassady, Robert Frank, Paul Bowles, Timothy Leary, dozens of other writers, painters, and friends, and several revealing self-portraits. Beneath each photograph are Ginsberg's handwritten reminiscences of the circumstances, people, and places relating to the photograph.