Tein Lucasson loves ALL dogs. For this reason, the graphic designer, art director and producer uses photos of dogs sent to him by his fans and friends to create high-quality artistic images that look like paintings of old masters: from the Labrador in an aristocratic coat with a ruff to the promenade mix in a sailor's uniform. Each dog has its own unmistakable character, which Tein brings closer to its readers in witty, bizarre and thoughtful texts. After the success of Portraits of Eighty-Eight Cats and One Very Wise Zebra, Tein now presents his second illustrated book for teNeues: Lovingly designed, this book is a must for every dog lover's shelf. The perfect gift for all lovers of our four-legged companions. Text in English, German, French and Italian.

Whether you are a visitor or a resident, Pittsburgh celebrates families. You can take boat rides on the three rivers -- or tour the city on a trolley or duck. You can take the Duquesne Incline to see the Golden Triangle from atop Mt. Washington. There's North and South Park and all kinds of sporting facilities. You can enjoy the many different area libraries. There are theaters and farms designed to educate and entertain kids. Pittsburgh is home to the National Aviary and a great zoo. There are bridges, bridges, and bridges There's the Heinz History Center and the Carnegie Museum of Natural Sciences (dinosaur bones). You can play at the Carnegie Science Center and the Children's Museum of Pittsburgh. "Fun Days in Pittsburgh" is a picture book of Pat McGrath Avery's glorious photos of Pittsburgh aimed at children and the adults that love them.

Volume Q of Matador is entirely devoted to photography and pays tribute to one of the greatest photoeditors in history: Robert Pledge, founder of the renowned agency Contact Press Images. Pledge selected for this issue 12 spectacular works by photographers such as Sebastiao Salgado, Catherine Leroy, Edward Burtynsky, Stephen Dupont, Annie Leibovitz and Sammy Baloji. Alongside these works, Matador Q presents a sketchbook by Joan Fontcuberta which includes 14 unpublished photographs from the Gastropoda series.

Hi, my name is Malik Frank and I was born to be a Digital Media Artist. As a kid, when I was 5 years old, my kindergarten teacher told my parents that I would never be able to function as a normal child and that I will be incapable to do anything. My mom cried a river because she thought the world was over for me. However, my dad was determined to make sure that I'll be successful no matter what. So, as my dad learned different ways on how to teach me, he noticed that I can learn things through pictures. My dad noticed that I loved cameras because I would always talk about them. I took great pictures and showed a passion for it. My dad helped me to make sure that I would be successful as a Digital Media Artist. He helped me with my craft of using a professional camera by learning how to better enhance my eye, looking at artwork, and helping me with my classes using cue cards. As a result of the skills I've developed, he assisted with making those connections over the years of being at High School of Graphic Communication Arts, that would help me achieve. Today, I am a successful Teen Digital Media Artist who is determined to begin the greatest journey of my life Throughout this book, I will display photos over the years of being a high school student, creating my imagination on camera and turning my photos into a masterpiece.

Momazine takes you through Spring with beautiful spring photo-shoots, vintage hollywood, farm to table, taking time for family, teaching gratefulness and more.

E Pluribus Unum: Albuquerque contains over 600 portraits taken in the the Axle Contemporary mobile gallery on the streets of downtown Albuquerque, New Mexico from January 6-12, 2014. There are also numerous shots of the portrait- covered vehicle on the streets of the city, as well as writings by Albuquerqueans on what "E Pluribus Unum" means to them. The cover is an image created by blending equal portions of all of the portraits.

Another volume in the series of the Soper kids. Lots of fun moments in full color.

Woodland Litter Critters ABC features the Critters Patience Mason finds hiding in the woodland litter wherever she goes. Made of acorns and twigs, thistle and tendrils, the Litter Critters come to life as Patience artfully assembles them. As they gather to see the sunset at the Shady River, the Litter Critters introduce young readers to the Alphabet, including an alphabetic order quiz on page "Z." Patience Press, 8.5"x11," Soft cover.

Today the use of photography (and its extension, video) in psychiatry is a common practice. But in the 1850s, when pioneering medical photographer and psychiatrist Dr. Hugh W. Diamond was behind the camera, this technique was an innovative application of art to science, reflecting and expanding the contemporary interest in physiognomic characteristics. In "The Face of Madness," notable scholar Sander Gilman has curated a unique exhibition of 54 of Dr. Diamond's photographs and commentary.

Diamond's photographs are eloquent portraits of the insane-the melancholy, the depressed, the deranged, the alcoholic-whom he cared for at the Surrey County Lunatic Asylum. In addition to their psychiatric significance, these photographs are notable works of art since Diamond was a pioneer in experimenting with and refining photographic techniques.

Diamond's paper "On the Application of Photography to the Physiognomic and Mental Phenomena of Insanity," is included in this printing. This discourse discloses three functions of photography which are still relevant to the practice of psychiatry today: Photography can record the appearance of the mentally ill for study; it can be used for treatment through the presentation of an accurate self-image; and it can record the visages of patients to facilitate identification in case of later readmission.

In addition to Diamond's paper, notes and analysis by Dr. John Conolly are also included in this volume. Dr. Conolly, one of Dr. Diamond's associates, was widely considered to be the leading British psychiatrist of the mid-nineteenth century. His patient case studies accompany 17 of Diamond's photographs. These reports include clinical information as well as diagnoses based on the theories of the physiognomy of insanity accepted at that period.

"The Face of Madness" is a book to be treasured not only by psychiatrists, but also by photographers and medical historians. As Eric T. Carlson writes in the Introduction: "Until now these photographs have been known only through the sketches made from them. Professor Gilman has performed a great service in locating them and by giving us their history."

Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including "Sexuality: An Illustrated History" and "Seeing the Insane."

Axle Contemporary has assembled an exhibition which includes many of the most compelling photographers working now in New Mexico. The participants include photographers known for diverse genres: Landscape, portraiture, architectural, commercial, fashion, environmental, conceptual, journalism, abstract, and wedding photography. We've invited these artists to exhibit works of self-portraiture. Process ranges from 8x10 view cameras to smartphone photos, from split-toned waxed callotype to digitally manipulated inkjet prints, collage, and monoprinting. For many of the artists, this exhibition has provided an opportunity for experimentation and reflection, outside of the artist's established oeuvre. The result is a rich portrait of a community of artists-photographers working in New Mexico at this time, by the photographers themselves. Photographers are: V. Amore, Henry Aragoncillo, Laurie Archer, Phillip Augustin, Brad Bealmear, Jonathan Blaustein, Gay Block, Iscah Hunsden Carey, Matthew Chase-Daniel, Carola Clift, William Clift, Eric Cousineau, Guy Cross, Ungelbah Davilla, Antone Dolezal, Dianne Duenzl, Jennifer Esperanza, Steve Fitch, Patricia Galagan, Kirk Gittings, Lydia Gonzales, Sondra Goodwin, Meggan Gould, Lauren Greenwald, James Hart, Sol Hill, Megan Jacobs, Jen Judge, David Michael Kennedy, Lisa Law, Willis F. Lee, Louis Leray, Patti Levey, Tamara Lichtenstein, Herbert Lotz, Jessamyn Lovell, Richard Lowenberg, Helen Maringer, Gabriella Marks, Elliot McDowell, Nick Merrick, Philip Metcalf, Lia Moldovan, Duane Monczewski, Delilah Montoya, Sarah Moore, Jonathan Morse, Joseph Mougel, Teresa Neptune, Nic Nicosia, Clay Peres, Jane Phillips, Daniel Quat, Dave Reichert, Meridel Rubenstein, Janet Russek, Kate Russell, Ward Russell, Tara Raye Russo, Key Sanders, Celia Luz Santos, Suzanne Sbarge, David Scheinbaum, Jennifer Schlesinger Hanson, Andrea Senutovitch, Frances Seward, Laura Shields, Brandon Soder, Catie Soldan, Nancy Sutor, Anne Staveley, Sharon Stewart, Jamey Stillings, Robert Stivers, Dianne Stromberg, Jim Stone, Martin Stupich, Carrie Tafoya, Laurie Tumer, Lisa Tyrrell, Marion Wasserman, Melanie West, Will Wilson, Baron Wolman, Francesca Yorke, Joan Zalenski, and Zoe Zimmerman. Introduction by Matthew Chase-Daniel and Jerry Wellman, Axle Contemporary, Santa Fe, New Mexico.