Momazine takes you through Spring with beautiful spring photo-shoots, vintage hollywood, farm to table, taking time for family, teaching gratefulness and more.

E Pluribus Unum: Albuquerque contains over 600 portraits taken in the the Axle Contemporary mobile gallery on the streets of downtown Albuquerque, New Mexico from January 6-12, 2014. There are also numerous shots of the portrait- covered vehicle on the streets of the city, as well as writings by Albuquerqueans on what "E Pluribus Unum" means to them. The cover is an image created by blending equal portions of all of the portraits.

Woodland Litter Critters ABC features the Critters Patience Mason finds hiding in the woodland litter wherever she goes. Made of acorns and twigs, thistle and tendrils, the Litter Critters come to life as Patience artfully assembles them. As they gather to see the sunset at the Shady River, the Litter Critters introduce young readers to the Alphabet, including an alphabetic order quiz on page "Z." Patience Press, 8.5"x11," Soft cover.

ABC Picture book. Patience Mason finds Litter Critters hiding in the woodlands wherever she goes. The Critters, made from acorns to pinecones to thistledown come to life on their way to watch the sunset at the shady river in their Woodland home. As these natural and impish figures gather to watch the sunset, young readers are introduced to the alphabet. The Litter Critters were made by Patience Mason, photographed in acton by Robert Mason. 8.5"x11," 32 pages, hardbound. Patience Press.

Have you ever wondered about the people who make the wines you love? This book is about my journey into wine, which came almost by accident. Starting out in radio and music, I met many legendary rock photographers who inspired me to start taking pictures. I never thought I could do the same for wine. It became my mission to photograph these passionate and charismatic people who made wine. They live well, eat well, and drink well. Their commitment and dedication extends beyond business. It's a crossover between art and life. Enjoy my journey of over 28 years photographing some of the greatest wine makers, their families, associates, and a feisty dog named Tito. Friends of Wine: In Vino Veritas represents my personal collection of photographs taken through the years of people in and associated with the international wine business. Thank you to all who have supported my effort to get this book produced. Mille grazie For those of you I missed, you'll be in my next book. - In Vino Veritas, MB Michael J. Belardo grew up in Connecticut, lived in San Francisco, and is now residing in New York City. A wine importer, he was inspired to write this book by the people he met along the wine trail. Publisher's website: http: //sbpra.com/MichaelJBelardo Author's website: http: //michaelbelardo.com

From renowned photographers Ken Browar and Deborah Ory, the husband-and-wife team behind The Art of Movement, comes this book for fans of dance and fashion alike; it features today s greatest dancers wearing couture creations from today s most celebrated designers, and takes the relationship between fashion and dance as its subject. Leaping, spinning, lifting, and gliding, the astonishing dancers featured in these pages use the movement of their bodies to reflect and magnify the craft and artistry inherent in the clothes they re wearing. Whether a hot-off-the-runway couture gown from Oscar de la Renta or a Halston-designed costume pulled from the archives of the Martha Graham Dance Company, the dancers in these pages including Tiler Peck, Misty Copeland, Angelo Greco, Devon Teuscher, Charlotte Landreau, Daniil Simkin, and Calvin Royal III elevate the clothes they are wearing. Taking the viewer on a transcendent journey from the quotidian world of pointe shoes and barre class to a world of impossible beauty and glamour.

Lady Gaga's biggest fans share their raw emotions about coming out, bullying, thoughts of suicide, and the need for acceptance, in this inspirational new book. Quotes and letters are accompanied by stunning Little Monster portraits that invite you into the soul. This beautiful, thought provoking book is geared to LGBTQ youth, teens yearning to fit it, and fans of pop culture. Lady Gaga's Little Monsters will inspire you to change the world.

Today the use of photography (and its extension, video) in psychiatry is a common practice. But in the 1850s, when pioneering medical photographer and psychiatrist Dr. Hugh W. Diamond was behind the camera, this technique was an innovative application of art to science, reflecting and expanding the contemporary interest in physiognomic characteristics. In "The Face of Madness," notable scholar Sander Gilman has curated a unique exhibition of 54 of Dr. Diamond's photographs and commentary.

Diamond's photographs are eloquent portraits of the insane-the melancholy, the depressed, the deranged, the alcoholic-whom he cared for at the Surrey County Lunatic Asylum. In addition to their psychiatric significance, these photographs are notable works of art since Diamond was a pioneer in experimenting with and refining photographic techniques.

Diamond's paper "On the Application of Photography to the Physiognomic and Mental Phenomena of Insanity," is included in this printing. This discourse discloses three functions of photography which are still relevant to the practice of psychiatry today: Photography can record the appearance of the mentally ill for study; it can be used for treatment through the presentation of an accurate self-image; and it can record the visages of patients to facilitate identification in case of later readmission.

In addition to Diamond's paper, notes and analysis by Dr. John Conolly are also included in this volume. Dr. Conolly, one of Dr. Diamond's associates, was widely considered to be the leading British psychiatrist of the mid-nineteenth century. His patient case studies accompany 17 of Diamond's photographs. These reports include clinical information as well as diagnoses based on the theories of the physiognomy of insanity accepted at that period.

"The Face of Madness" is a book to be treasured not only by psychiatrists, but also by photographers and medical historians. As Eric T. Carlson writes in the Introduction: "Until now these photographs have been known only through the sketches made from them. Professor Gilman has performed a great service in locating them and by giving us their history."

Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including "Sexuality: An Illustrated History" and "Seeing the Insane."

With a powerful juxtaposition of portraiture and landscape photography, this book explores Dawoud Bey's vivid evocations of race, history, time, and place Dawoud Bey (b. 1953) is an American photographer best known for his large-scale portraits of underrepresented subjects and for his commitment to fostering dialogue about contemporary social and political topics. Bey has also found inspiration in the past, and in two recent series, presented together here for the first time, he addresses African American history explicitly, with renderings both lyrical and immediate. In 2012 Bey created The Birmingham Project, a series of paired portraits memorializing the six children who were victims of the Ku Klux Klan's bombing of Birmingham, Alabama's 16th Street Baptist Church, a site of mass civil rights meetings, and the violent aftermath. Night Coming Tenderly, Black is a group of large-scale black-and-white landscapes made in 2017 in Ohio that reimagine sites where the Underground Railroad once operated. The book is introduced by an essay exploring the series' place within Bey's wider body of work, as well as their relationships to the past, the present, and each other. Additional essays investigate the works' evocations of race, history, time, and place, addressing the particularities of and resonances between two series of photographs that powerfully reimagine the past into the present. Published in association with the San Francisco Museum of Modern Art Exhibition Schedule: San Francisco Museum of Modern Art (February 15-October 12, 2020) High Museum of Art, Atlanta (November 7, 2020-March 14, 2021) Whitney Museum of American Art, New York (April 16-October 3, 2021)

Another volume in the series of the Soper kids. Lots of fun moments in full color.

Axle Contemporary has assembled an exhibition which includes many of the most compelling photographers working now in New Mexico. The participants include photographers known for diverse genres: Landscape, portraiture, architectural, commercial, fashion, environmental, conceptual, journalism, abstract, and wedding photography. We've invited these artists to exhibit works of self-portraiture. Process ranges from 8x10 view cameras to smartphone photos, from split-toned waxed callotype to digitally manipulated inkjet prints, collage, and monoprinting. For many of the artists, this exhibition has provided an opportunity for experimentation and reflection, outside of the artist's established oeuvre. The result is a rich portrait of a community of artists-photographers working in New Mexico at this time, by the photographers themselves. Photographers are: V. Amore, Henry Aragoncillo, Laurie Archer, Phillip Augustin, Brad Bealmear, Jonathan Blaustein, Gay Block, Iscah Hunsden Carey, Matthew Chase-Daniel, Carola Clift, William Clift, Eric Cousineau, Guy Cross, Ungelbah Davilla, Antone Dolezal, Dianne Duenzl, Jennifer Esperanza, Steve Fitch, Patricia Galagan, Kirk Gittings, Lydia Gonzales, Sondra Goodwin, Meggan Gould, Lauren Greenwald, James Hart, Sol Hill, Megan Jacobs, Jen Judge, David Michael Kennedy, Lisa Law, Willis F. Lee, Louis Leray, Patti Levey, Tamara Lichtenstein, Herbert Lotz, Jessamyn Lovell, Richard Lowenberg, Helen Maringer, Gabriella Marks, Elliot McDowell, Nick Merrick, Philip Metcalf, Lia Moldovan, Duane Monczewski, Delilah Montoya, Sarah Moore, Jonathan Morse, Joseph Mougel, Teresa Neptune, Nic Nicosia, Clay Peres, Jane Phillips, Daniel Quat, Dave Reichert, Meridel Rubenstein, Janet Russek, Kate Russell, Ward Russell, Tara Raye Russo, Key Sanders, Celia Luz Santos, Suzanne Sbarge, David Scheinbaum, Jennifer Schlesinger Hanson, Andrea Senutovitch, Frances Seward, Laura Shields, Brandon Soder, Catie Soldan, Nancy Sutor, Anne Staveley, Sharon Stewart, Jamey Stillings, Robert Stivers, Dianne Stromberg, Jim Stone, Martin Stupich, Carrie Tafoya, Laurie Tumer, Lisa Tyrrell, Marion Wasserman, Melanie West, Will Wilson, Baron Wolman, Francesca Yorke, Joan Zalenski, and Zoe Zimmerman. Introduction by Matthew Chase-Daniel and Jerry Wellman, Axle Contemporary, Santa Fe, New Mexico.

With Editorial Revision By Sara E. H. Lockwood.

If you get hold on texts, articles and interview featuring Ryan Gander, one word will pop-up in particular - storyteller. Through his work he always tries to narrate in form of objects or actions particular feelings or actions, pose questions and maybe sometimes give loose answers. His initial projects involved public lectures and performances, but lately it has evolved into creating articulated stories and emotions through the use of sculpture, real estate projects, architecture or (sometimes) technically complex installations. If you have seen his work for the latest dOCUMENTA in Kassel, Airflow-velocity Study for I Need Some Meaning I Can Memorise (the Invisible Pull), you are surely aware of the complexity of the questions his projects pose to the user, questioning the notions of language and knowledge, a reinvention of the modes of the appearance and creation of the artwork.

In March, 2012, Axle Contemporary produced a 10-day project in Santa Fe, New Mexico. We rigged our mobile gallery as a portrait studio, and photographed all who stopped by in 11 locations around the city over the course of 10 days. Photos were distributed free on-site, pasted to the side of the mobile gallery, and projected in an exhibition at SITE Santa Fe. All the photos were composited at the end of the project, creating one image that represents all 566 participants. All the photos as well as essays about the project are collected here in this book.

"Cindy Sherman's work is structured into series, the best known of which are History Portraits and Untitled Film Stills (1977-1980), which led to Cindy Sherman's artistic breakthrough. In History Portraits, the artist carries out radical transformations of Old Master paintings. Using make-up, cloth drapes, and prostheses, she photographs herself in the poses in which the Old Masters portrayed women.
Christa Schneider presents an art-historical analysis of the History Portraits. Identifying a clear model for every single portrait (e.g. Botticelli and Rubens, Francois Boucher and Jacques-Louis David), she reveals Sherman's extremely precise and enigmatic method of working in which the artistic media employed by Sherman--photography and acting--are surprisingly compatible with painting."
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The Puppet Mitten by the Puppet Folk is based on a Ukrainian folktale. The puppets wear authentic colorful costumes from the Carpathian mountains in the vibrant photographs of the live puppet show. This fun children's book tells the story about a man, his dog, his mitten and their adventure in the woods. A mouse, a frog, a rabbit, a fox, a wolf, a boar, and a bear claimed the mitten. But the dog challenged them all. Read the book to find out who won

A book of photographs and biographies of current and former members of the Island Illustrators Society in Victoria, BC during the society's 25th anniversary. The photographs are almost all in the members studios. Some members have added 'textual snapshots' about the society.

With Editorial Revision By Sara E. H. Lockwood.