Dreams, fears, projects, desires. Turning 18, with your future in front of you: it's a special time, which the talented photographer, Anne-Catherine Chevalier, has tried to capture. Her sensitive lens is matched by the delicate writing of Genevieve Damas: the result is a selection of 50 exceptional portraits. Text in English, French and Dutch.

"Remarkable...compulsively absorbing."-- Ken Johnson, "The New York Times"

""Starstruck" unexpectedly celebrates the beauty of the amateur-one whose vocation is not driven by a hunger for money, but by love. The book is a breath of fresh air."--Warren Beatty

..".wildly entertaining...An obligatory purchase for all pop culture collections."--"Library Journal"

This pop culture classic unearths candid photos of the most famous superstars of the 60s and 70s alongside forgotten and cult personalities, captured through the lens of a monumentally obsessed fan. Gary Boas' tales of his interactions with the stars add to this fascinating document of a bygone era.

"It's about the underlying impulse that goes into perceiving a photographic moment and the techniques that support both this perception and the process of capturing these instances in a manner that is not just technically adept, but creatively original." -D. Donovan, Midwest Book Review This book is a visual feast, an offering both for those who love fine art and those who recognise the thought behind its creation. It is in addition, a book for photographers seeking to learn how to make their own photographs more artistic. The goal of this book is to offer readers a guide for those seeking to take fine, interpretive photographs and a joyful thought-provoking journey that the photographs in this book will inspire.

This wonderful photographic record of the last year at the site of the New Covent Garden Flower Market, occupied since the 1960s before it moved to its new, more modern premises, captures the essence and heart of what makes a market: its amazing product - the exuberant blooms and foliage - along with the different characters that bring it life as they work there or visit it, as sellers and buyers and porters meet, trade, hustle and bustle, and share a joke. Simon Lycett has bought flowers for his floristry business from this Market for over 30 years, and it has become an essential, and much loved, part of his daily life. The market traders have become like family. Each day there, throughout the year, is different, as the ever-changing seasonal flowers and foliage of spring, summer, then autumn and finally Christmas arrives in the Market hall.

'A collection of intimate and heartfelt confessions of what love means, each with a wonderfully expressive colour portrait' Guardian 'Will restore your faith in the world' New York Post Award-winning journalist and documentary maker Stefania Rousselle had stopped believing in love. She had covered a series of bleak assignments, from terrorist attacks to the rise of the far right. Her relationship had fallen apart. Her faith in humanity was shaken. She decided to set out alone on a road trip across France, sleeping in strangers' homes, asking ordinary men and women the one question everyone wants to know the answer to: what is love? From a baker in Normandy to a shepherd in the Pyrenees, from a gay couple estranged from their families to a widow who found love again at 70, Amour is a treasure trove of poignant and profound stories about love, accompanied by beautiful photographs. 'Astonishing. Beautiful. Extraordinary. A couple of times I gasped and choked up. This was really worth reading' A Guardian reader response 'This is one of the best things I have read for a very long time. These wonderful stories really bring out what is important in life' A Guardian reader response 'Beautiful. Made me cry a little. Thank you for such honest, diverse and open stories' A Guardian reader response

This work features approximately 100 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship-one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike.

This eye-opening study of Civil War photography traces the introduction of the camera into the battlefield and shows its influence on history and our responses to war Six hundred thousand lives were lost between 1861 and 1865, making the conflict between North and South the nation's deadliest war. If the "War Between the States" was the test of the young republic's commitment to its founding precepts, it was also a watershed in photographic history, as the camera recorded the epic, heartbreaking narrative from beginning to end-providing those on the home front, for the first time, with immediate visual access to the horrors of the battlefield. Photography and the American Civil War features both familiar and rarely seen images that include haunting battlefield landscapes strewn with bodies, studio portraits of armed Confederate and Union soldiers (sometimes in the same family) preparing to meet their destiny, rare multi-panel panoramas of Gettysburg and Richmond, languorous camp scenes showing exhausted troops in repose, diagnostic medical studies of wounded soldiers who survived the war's last bloody battles, and portraits of both Abraham Lincoln and his assassin, John Wilkes Booth. Published on the occasion of the 150th anniversary of the battle of Gettysburg (1863), this beautifully produced book features Civil War photographs by George Barnard, Mathew Brady, Alexander Gardner, Timothy O'Sullivan, and many others. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art(04/01/13-09/02/13) The Gibbes Museum of Art (09/27/13-01/05/14) New Orleans Museum of Art (01/31/14-05/04/14)

Untitled is the third volume of Diane Arbus's work and the only one devoted exclusively to a single project. The photographs were taken at residences for the mentally retarded between 1969 and 1971, in the last years of Arbus's life. Although she considered doing a book on the subject, the vast majority of these pictures remained unpublished prior to this volume. These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. "Finally what I've been searching for," she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic. Untitled may well be Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us. For Diane Arbus, this is what making pictures was all about. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

Monograph commemorating German photojournalist Werner Bischof (1916-1954), who reported on devastation in Germany, France and the Netherlands after World War II. Featuring over 100 black-and-white photographs, this collection of Bischof's images conveys his sense of empathy and humanity. Text in English, Italian and French.

A CBC New Brunswick Book List Selection"The same stage, but different actors," explains Wilson. "There is something interesting to me about separating people from their environment, about keeping the focus on the individual."James Wilson's studio portraits capture subjects from all walks of life. They document soldiers and street people, builders and bakers, artists and labourers. There is an intimate intensity in his photographs, which together form a timeless collage of life and faces from the early twenty-first century.Wilson's portraits are also the product of a purposeful gaze, distinctive observations in black-and-white. All window-lit, all photographed in his studio, all with the same black background, these photographic portraits open a door into the worlds and at times the unguarded emotions of the individual subjects.James Wilson: Social Studies accompanies an exhibition that will open at the Beaverbrook Art Gallery in Fredericton, NB, in June 2020.

"I like depicting sexy, strong women - the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I've seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist." - Alejandra Guerrero. In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

Street Culture is a stunning collection of photographs representing women and men of colour who exhibit a unique style. Seleen Saleh's photographs reveal individuality, fearlessness, and creativity in the most vibrant beings who collectively represent street style. This style is as varied as the people; it is a personal expression that changes day to day. It is an expression of a person's culture, mood, influences, and aesthetics. Street style originated in the street where top designers look for inspiration for their next collections. The book preserves the integrity of street style and features some of the muses that have been forgotten or were never acknowledged. In the book Seleen combines photographs from her work at Essence Magazine with new images of jaw-dropping, creative and colourful moments. As a lover of fashion, art, and people, Seleen brings out the authentic nature of these known and unknown muses. Each person depicted here can be considered a brilliant artist in his or her own right. These portraits were taken in New York City - the perfect global destination - diverse and open and where people are not afraid to tell you who they are. There is an underfed audience for this book; the world is waking up and wants to see more diversity and more eclectic styles.

"A lucid, smart, engaging, and accessible introduction to the impact of lynching photography on the history of race and violence in America. "--Grace Elizabeth Hale, author of "Making Whiteness: The Culture of Segregation in America, 1890-1940"
"With admirable courage, Dora Apel and Shawn Michelle Smith examine lynching photographs that are horrifying, shameful, and elusive; with admirable sensitivity they help us delve into the meaning and legacy of these difficult images. They show us how the images change when viewed from different perspectives, they reveal how the photographs have continued to affect popular culture and political debates, and they delineate how the pictures produce a dialectic of shame and atonement."--Ashraf H. A. Rushdy, author of "Neo-Slave Narratives and Remembering Generations"
"This thoughtful and engaging book offers a highly accessible yet theoretically sophisticated discussion of a painful, complicated, and unavoidable subject. Apel and Smith, employing complementary (and sometimes overlapping) methodological approaches to reading these images, impress upon us how inextricable photography and lynching are, and how we cannot comprehend lynching without making sense of its photographic representations."--Leigh Raiford, co-editor of "The Civil Rights Movement in American Memory"
"Our newspapers have recently been filled with photographs of mutilated, tortured bodies from both war fronts and domestic arenas. How do we understand such photographs? Why do people take them? Why do we look at them? The two essays by Apel and Smith address photographs of lynching, but their analysis can be applied to a broader spectrum of images presenting ritual orspectacle killings."--Frances Pohl, author of "Framing America: A Social History of American Art"