A lavish celebration of the lives of a wonderful people. For ten years, photographer Deborah Shea Doyle traveled throughout Egypt--from bustling Cairo to remote parts of the Sinai region--to explore the landscape and learn about the lives of ordinary Egyptians, especially the Bedouins. She visited large cities and small villages and traversed through the country's inaccessible areas, which presented her with a gold mine of opportunities to capture and record interesting faces of people she encountered along the way. Her splendid collection of photographs of ordinary Egyptian men, women, and children as they work and play in their everyday lives invites readers to discover Egypt and its people as they have not been seen before. The humanity captured through her expert lens is matched by an engaging text and observations that give readers insight into the local customs and habits.

This title contains over 160 iconic, rare, and previously unpublished images of The Who. Tracing their progress from sharp-suited mods to psychedelic stars and pioneers of the rock opera through images of the band on the road, recording TV shows, performing at Monterey and the Isle of Wight, and in venues including Wembley Stadium, this is The Who as you've never seen them before.

In October of 1986, Ann Weiss entered a locked room at Auschwitz and came across an archive of over 2,400 photographs brought to the death camp by Jewish deportees from across Europe during the Holocaust. The photos, both candid snapshots and studied portraits, had been confiscated, but instead of being destroyed they were hidden at great risk and saved. In many cases these pictures are the only remnants left of entire families. In this revised edition of The Last Album there are over 400 of these remarkable photographs. The collection traces the story of how they arrived at Auschwitz-Birkenau and how the author came to see them through what was essentially a fortuitous accident. In the years that followed, Weiss identified as many people and places in the photos as possible, traveling around the world to track down remaining family members and friends, and listening to stories of the inmates' lives before they were removed to the camp. Many of these accounts are transcribed here. Although the photographs in this book were found at a death camp, they are bursting with life. We see babies; parents with their children; groups of teenagers; people at work, at school, at home, on vacation-normal people leading normal lives. The photographs and reminiscences gathered here offer a rare and intensely personal view of who these individuals were and, most importantly, how they chose to remember themselves.

Best in Show is a collection of photographs of well-groomed and award-winning dogs by New York City-based photographer Dolly Faibyshev.

The images from the Westminster Kennel Club Dog Show and beyond focus on the unique-and often humorous-relationship between each dog and their handler.

Dolly Faibyshev focuses on kitsch, irony, and the larger than life human and canine characters that make up Best in Show. The result is a colorful, vibrant, campy, and satirical take on this specific slice of Americana.

• The colorful, closely cropped juxtapositions of each coiffed canine contestant and their dedicated human are both humorous and charming.
• Sure to delight fans of all breeds of dogs
• A universal and ideal gift for all canine lovers with a sense of humor

Best in Show captures a specific subculture of dog devotees primarily from the infamous Westminster Kennel Club Dog Show at Madison Square Garden in New York.

"A lucid, smart, engaging, and accessible introduction to the impact of lynching photography on the history of race and violence in America. "--Grace Elizabeth Hale, author of "Making Whiteness: The Culture of Segregation in America, 1890-1940"
"With admirable courage, Dora Apel and Shawn Michelle Smith examine lynching photographs that are horrifying, shameful, and elusive; with admirable sensitivity they help us delve into the meaning and legacy of these difficult images. They show us how the images change when viewed from different perspectives, they reveal how the photographs have continued to affect popular culture and political debates, and they delineate how the pictures produce a dialectic of shame and atonement."--Ashraf H. A. Rushdy, author of "Neo-Slave Narratives and Remembering Generations"
"This thoughtful and engaging book offers a highly accessible yet theoretically sophisticated discussion of a painful, complicated, and unavoidable subject. Apel and Smith, employing complementary (and sometimes overlapping) methodological approaches to reading these images, impress upon us how inextricable photography and lynching are, and how we cannot comprehend lynching without making sense of its photographic representations."--Leigh Raiford, co-editor of "The Civil Rights Movement in American Memory"
"Our newspapers have recently been filled with photographs of mutilated, tortured bodies from both war fronts and domestic arenas. How do we understand such photographs? Why do people take them? Why do we look at them? The two essays by Apel and Smith address photographs of lynching, but their analysis can be applied to a broader spectrum of images presenting ritual orspectacle killings."--Frances Pohl, author of "Framing America: A Social History of American Art"

In 1947 and 1948, Van Johnson was MGM's top male box office draw. "On screen he was the Pied Piper; Elizabeth Taylor's lover, he was a war pilot with Spencer Tracy," writes his friend and decorator Carleton Varney in the introduction for Van Johnson's Hollywood: A Family Album. Along the way, his wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends some of Hollywood's most famous stars, such as Gary Cooper, Judy Garland, and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. She put together these casual and candid images in a family album that has never been published before. Their daughter, Schuyler adds her memories to this unique document of Hollywood's Golden Age.

Lena Connell was one of a new breed of young professional women who took up photography at the turn of the 20th century. She ran her own studio in North London, only employed women, and made her mark on history by creating compellingly modern portraits of women in the British suffrage movement. The women that Connell captured on film are as class-inclusive a group as you could find: whether they were factory workers, schoolteachers, or aristocrats, they joined the cause to make a difference for future generations of women, if not for themselves. Connell's portraits created a new kind of visibility for these activists as hard-working, unrelenting women, whose spirits rose above injustice. This book examines Connell's artistic career within the Edwardian suffrage movement. It discusses her body of portraits within the British suffrage movement's propagandistic efforts and its goals of sophisticated, professional representations of its members. It includes all of her known portraits of suffragettes through 1914.

Text in English & Hebrew. This handsome Haggadah is the first of its kind to use photography to illustrate the annual book of prayers and traditions used in over 6 million Jewish households across America each year. World-famous photographer Zion Ozeri, a Manhattan resident raised in Israel, is acclaimed by organisations around the world for capturing, the last Jewish communities in many countries. From India to Iran, he has travelled the world collecting priceless portraits of a people united by tradition. To illuminate the Haggadah, the annual retelling of the escape from Egypt, his photographs are paired with modern testament by noted Jewish scholar and Haggadah expert, Shoshana Silberman, whose A Family Haggadah I and II (Karben) are widely used in Reform and Conservative Jewish family Passover celebrations.