George Hurrell (1904-1992) was the creator of the Hollywood glamour portrait, the maverick artist who captured movie stars of the most exalted era in Hollywood history with bold contrast and seductive poses. This lavishly illustrated book spans Hurrell's entire career, from his beginnings as a society photographer to his finale as the celebrity photographer who was himself a celebrity, and a living legend. From 1929 to 1944 Hurrell was the Rembrandt of Hollywood," creating portraits of Marlene Dietrich, Norma Shearer, Bette Davis, Carole Lombard, and Joan Crawford that were a blend of the ethereal and the erotic. His photos of Jane Russell sulking in a haystack made the unknown girl a star,without a film credit to her name. He immortalized leading males stars of the day from the Barrymores to Clark Gable and Gary Cooper. Latter photo shoots magnified the glamour of the likes of Warren Beatty and Sharon Stone. Through newly acquired photos and in-depth research, photographer and historian Mark A. Vieira, author of Hurrell's Hollywood Portraits , offers not only a wealth of new images but a compelling sequel to the story presented in his earlier book on Hurrell. Hurrell was himself a star,rich, famous, successful. Then, at the height of his career, he suffered a vertiginous fall from grace. George Hurrell's Hollywood recounts, for the first time anywhere, Hurrell's rise from the ashes,how movie-still collectors and art dealers pulled the elderly artist into a nefarious world of theft and fraud how his undiminished powers gave him a second career and how his mercurial nature nearly destroyed it. The photographs that motivate this tale are luminous, powerful, and timeless. This book showcases more than four hundred, most of which have not been published since they were created. George Hurrell's Hollywood is the ultimate work on this trailblazing artist, a fabulous montage of fact and anecdote, light and shadow.

"The star-studded images are one thing, but their candid context is what makes them special." - Joy Ling, Esquire Singapore "...many famous names have stepped in front of his camera, captured quickly in his distinctive, clean style, with the images featuring in magazines and newspapers, galleries and exhibitions, and even earning him an MBE from Queen Elizabeth II for services of his photography." - Chris Anderson, Air Magazine "Andy's contact-sheets give us what feels like a VIP pass to spend time with his subjects. We see their beauty, their flaws, charisma, humanity and even a glimpse into their thoughts and process. We see the person in these people and are touched by their being." Kylie Minogue "Above all Andy Gotts allows his subjects to shine through, untouched. His artistry does not come afterwards, in Photoshop and all the supposedly flattering trickery technology has taught us to expect. His skill is there in each frame, each moment, in the relationship he has built with his sitter, no matter how short a time they have shared, and the trust he has engendered in them because he is, quite simply, a good man. Anyone who encounters him can sense immediately his openness and kindness and I think this book is most of all a testament to those qualities." Alan Cumming " With this amazing book, you will see why Andy is as much a star as his subjects." Gene Simmons A 90-second shoot with Stephen Fry in 1989 launched the career of Andy Gotts, photographer to the stars. Through grift and graft and raw, honed talent, Gotts has become one of the most in-demand celebrity photographers working the circuits of Hollywood, British media, and the music industry. Gotts's dramatic black-and-while style turns faces into artworks of shadow and light, while his colour portraits capture his subjects' ineffable humanity. For the first time Andy Gotts reveals the incredible depth of his archive, showing his most famous portraits and many rare images alongside. The book focuses on Andy's contact sheets, which reveal the process behind capturing the perfect image. Accompanying texts from Andy shed light on his craft and delve into the stories behind these captivating photographs. This really is the definitive, career spanning book, produced to the highest standards. The book also contains personal testaments from a cross-section of the celebrities who Gotts has worked with: Alan Cumming, Gene Simmons, Ian McKellen, Jeff Bridges, Kylie Minogue, Michael Caine, Peter Capaldi and Simon Pegg.

In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.

'Brother|Sister' tells the story of Edvard and Bergit Bjelland who grew up with their parents and siblings on a small farm in a remote part of Norway on the south-west coast. The farmhouse itself dated back to 1800s and is now a listed building. Edvard was the fourth generation of his family to have owned the farm and had kept horses, cows, pigs, hens and over one hundred sheep. When Elin Hoyland first met him, his sister Berjit had recently died, most of the livestock had been sold off and the land rented out. He now lived alone looking after just a handful of sheep. Edvard had been the only one to stay on the homestead, though his sister Bergit eventually moved back into the farnhouse with him, after living several years in the city of Stavanger. In the late 1970s she moved out again, but this time to a new house that she had built just a stone's throw from her childhood home. Bergit died in 2011 and Edvard now looks after her house. This is a story of two very different lives, lived within a matter of yards of each other. Whilst the physical distance separating Edvard and Bergit may have been minimal, their emotional and lifestyle choices are so far apart. Through her photographs Hoyland explores these choices, the different dreams and needs that the brother and sister sought to fulfill, whilst award winning Norwegian novelist and poet, Gaute Heivoll provides a short fictional piece inspired by the images. The collaboration is both absorbing and moving.

One of the most intriguing mysteries about the rise of history s most despised dictator is just how utterly ordinary he once seemed. A chubby child, a mummy s boy, a failed artist, a face in the crowd the early images of Adolf Hitler give no hint of the demonic spirit that consumed him. Only later in his tortured life came the metamorphosis, and the mask fell away to reveal the manic monster lurking beneath. The aim of this book is to trace this dramatic process in photographs some iconic, some rare and intimate covering the life of a man whose destructive legacy still touches us today. The images, many from the author s own historic collection, demonstrate the mesmerising power that Hitler wielded not only over the German public but also statesmen, industrialists and global media. For the captions to many of the original photographs are reverential in their descriptions of Herr Hitler the German Chancellor , the person Time magazine chose as its 1938 Man of the Year . The fascination with the cataclysmic events he caused involving 61 countries, three-quarters of the world s population and more than 50 million dead remains as strong as ever today. The mystery of how one man could exert so much power that he was able to plunge the whole world into war remains unanswered. But the subtly changing images of Adolf Hitler, portrayed in this book from pampered baby to bar-room rabble-rouser to ranting megalomaniac, provide a graphic insight into the mind of a monster and the instigator of history s bloodiest conflict.

Recent events have pushed artists to visualize ideas of closeness in a new light. Kinship, published on the occasion of the National Portrait Gallery's tenth "Portraiture Now" exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture, and performance. Contemporary portraiture offers a way to consider the mutable yet enduring qualities of familial relationships and the internal and external forces that affect our bonds with others. For example, interpretations of distance - whether emotional, physical, or geographical - have recently become more fraught. By recognizing the transformations that occur in the genre of portraiture and the threads that today's portraits share, we can better understand the universality and specificity of kinship. List of artists: Njideka Akunyili Crosby, Jess T. Dugan, LaToya Ruby Frazier, Jessica Todd Harper, Thomas Holton, Sedrick Huckaby, Anna Tsouhlarakis

"I like depicting sexy, strong women - the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I've seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist." - Alejandra Guerrero. In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

North Dakotan Shane Balkowitsch's first personal camera was not an Instamatic Kodak or a point-and- shoot Nikon, but rather a large format wet plate camera. As a self-taught 'image-maker' and one of the fewer than 1,000 wet plate collodion artists practicing around the world, Balkowitsch has fully devoted himself to mastering the obsolete photographic technology since 2012. Approaching the historically embedded technique from a contemporary perspective, Balkowitsch's process transforms the limitations of the medium - its labour and time sensitive nature - into opportunities for creative explorations. Northern Plains Native Americans: A Modern Wet Plate Perspective presents a selection from Balkowitsch's photographic project which aims to capture 1000 wet plate portraits of Native Americans. His photographs highlight the dignity of his subjects, depicting them not as archetypes, but individuals of contemporary identities and historical legacies.

Compelling and prophetic, Dorothy Day is one of the most enduring icons of American Catholicism. In the depths of the Great Depression and guided by the Works of Mercy, Day, a journalist at the time, published a newspaper, the Catholic Worker, and co-founded a movement dedicated to the poorest of the poor, while living with them and sharing their poverty. In 1955, Vivian Cherry, a documentary photographer known for her disturbing and insightful work portraying social issues, was given unprecedented access to the Catholic Worker house of hospitality in New York City, its two farms, and to Day herself. While much has been written about Day, the portrait that emerges from Cherry's intimate lens is unrivaled. From the image of the line of men waiting for soup outside St. Joseph's on Chrystie Street to pictures of Day and others at work and in prayer, Cherry's photographs offer a uniquely personal and poetic glimpse into the life of the movement and its founder. In this beautiful new book, more than sixty photographs-many published here for the first time-are accompanied by excerpts of Day's writings gleaned from her column "On Pilgrimage" and other articles published in the Catholic Worker between 1933 and 1980. The result is a powerful visual and textual memoir capturing the life and times of one of the most significant and influential North American Catholics of the twentieth century. The aptly paired images and words bring new life to Day's political and personal passions and reflect with clarity and simplicity the essential work and philosophies of the Catholic Worker, which continue to thrive today. The Introduction and additional commentary by Day's granddaughter Kate Hennessy provides rich contextual information about the two women and what she sees as their collaboration in this book. In 2000, twenty years after her death, Archbishop of New York John J. O'Connor of New York City opened the cause for Dorothy Day's canonization, and the Vatican conferred on her the title of Servant of God. The Catholic Worker continues to flourish, with more than 200 affiliated houses in the United States and overseas. The miracle of this enduring appeal lies in Day's unique paradigm of vision, conscience, and a life of sacrifice that is one not of martyrdom but of joy, richness, and generosity-vividly portrayed through these photographs and excerpts.

Through the Childen of the Light project by the Greek photographer Calliope, places of astounding beauty come to mind, as well as the freshness, intensity, drama and extraordinary features of Greek youth as seen through Calliope's eyes and camera. She defines her work as a labour of love and a cultural document for the generations to come and for all of us, because it can remind us who we really are.

Dreams, fears, projects, desires. Turning 18, with your future in front of you: it's a special time, which the talented photographer, Anne-Catherine Chevalier, has tried to capture. Her sensitive lens is matched by the delicate writing of Genevieve Damas: the result is a selection of 50 exceptional portraits. Text in English, French and Dutch.

A little more than 30,000 men of the Wehrmacht and SS qualified to wear the famed Fallschirmschutzenabzeichen, or Paratrooper Badge, between 1936 and 1944. The badges they wore, and the images of the men who wore them, are avidly sought by collectors and historians around the world today. The authors have assembled over 300 indoor and outdoor posed portrait photographs of the Fallschirmjager for this volume, most never before published, providing a fascinating representation of the photographers art in World War II and a superb study of their uniforms, badges and insignia. In poses ranging from fierce to thoughtful and even poignant, the German paratroops of World War II are seen here in perfect focus, as they wanted to be seen, preserved in deliberate portraiture for posterity.

The age of the metrosexual is over. Dead and buried. In places as diverse as Seattle, Los Angeles, Austin, Richmond, Miami, and Charleston, modern American men are ushering in a new golden age of hirsute pursuits. Denouncing the baby-smooth standard that society has set, men from around the world are reembracing their face in its most natural state. A select group of these well-whiskered men and their faithful Whiskerinas have taken this dedication a step further through the formation of their very own competitive community. Backed by the jackpot of good genetics and a well-oiled care routine, this group of grooming enthusiasts competes all over the world in hopes of recognition in the art of pogonotrophy. Step inside this whimsical, wild, and often-misunderstood world of competitive bearding through the lens of David Sacks. Comb through his collection of over 200 portraits and see for yourself how beautifully weird the beard can be.

Shedding light on a rare style of performance, this autobiographical study centers on Bridge Markland, a Berlin-based artist who has been inspired by the expressionist and grotesque dance of the early 20th century. The account reveals Markland's multi-talented reputation, demonstrating how she is proficient in all forms of performance art including dance, grotesque, slapstick, transgender performance, cabaret, and poetry. Showcasing a personality who has been active on the German capital's cultural scene for many years, this narrative reveals a fascinating artisan in her many forms and guises.