'A collection of intimate and heartfelt confessions of what love means, each with a wonderfully expressive colour portrait' Guardian 'Will restore your faith in the world' New York Post Award-winning journalist and documentary maker Stefania Rousselle had stopped believing in love. She had covered a series of bleak assignments, from terrorist attacks to the rise of the far right. Her relationship had fallen apart. Her faith in humanity was shaken. She decided to set out alone on a road trip across France, sleeping in strangers' homes, asking ordinary men and women the one question everyone wants to know the answer to: what is love? From a baker in Normandy to a shepherd in the Pyrenees, from a gay couple estranged from their families to a widow who found love again at 70, Amour is a treasure trove of poignant and profound stories about love, accompanied by beautiful photographs. 'Astonishing. Beautiful. Extraordinary. A couple of times I gasped and choked up. This was really worth reading' A Guardian reader response 'This is one of the best things I have read for a very long time. These wonderful stories really bring out what is important in life' A Guardian reader response 'Beautiful. Made me cry a little. Thank you for such honest, diverse and open stories' A Guardian reader response

The seventies in America were a time of social and cultural ferment, and Ira Resnick was there with his camera to capture it all. Now he is opening his archives to reveal hundreds of rare celebrity photos-many never seen since their original publication in magazines like Rolling Stone, People, and Us. Musicians like the Rolling Stones, Stevie Nicks, and James Taylor. Actors and directors like Sissy Spacek, Warren Beatty, and Martin Scorsese. Comedians like Steve Martin, Gilda Radner, and Bill Murray. Athletes like Muhammad Ali, Billie Jean King, and Kareem Abdul-Jabbar. Politicians like Jimmy Carter, Jerry Brown, and Bella Abzug. Resnick's dynamic shots are accompanied by personal anecdotes about his legendary subjects.

THE PERFECT CHRISTMAS GIFT FOR FANS OF ROYAL FASHION This beautiful book takes a photographic journey through Queen Elizabeth II's ten decades of colour-blocked style. The photographs, which span the colours of the rainbow and a century of style, are gloriously accessorised with captions and commentary by journalist and broadcaster Sali Hughes. From the dusky pinks the Queen wore in girlhood all the way through to #NeonAt90, by way of that hat she wore on the announcement of Brexit, and not forgetting her trusty Launer handbag ever at her side, this must-have collection celebrates the iconic fashion statements of our beloved, longest-reigning and most vibrant monarch.

This book examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. To Nancy, the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. The book consists of two extended essays written a decade apart but in close conversation, in which Nancy considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial Introduction by Jeffrey Librett, which places Nancy's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. Though undergirded by a powerful grasp of the philosophical and psychoanalytic tradition that has rendered our sense of the subject so problematic, Nancy's book is at heart a delightful, unpretentious reading of three dozen portraits, from ancient drinking mugs to recent experimental or parodic pieces in which the artistic representation of a sitter is made from their blood, germ cultures, or DNA. The contemporary world of ubiquitous photos, Nancy argues, in no way makes the portrait a thing of the past. On the contrary, the forms of appearing that mark the portrait continue to challenge how we see the bodies and representations that dominate our world.

Monograph commemorating German photojournalist Werner Bischof (1916-1954), who reported on devastation in Germany, France and the Netherlands after World War II. Featuring over 100 black-and-white photographs, this collection of Bischof's images conveys his sense of empathy and humanity. Text in English, Italian and French.

They are black-and-white images that bear Garcia Rodero's unmistakable mark. The viewer is captivated by the intense spirituality and the vibrant protagonism of the human body as it engages in religious rites, as captured by the photographer. In Garcia Rodero's own words: "For years, I've been trying to complete two facets of my work in which I always think jointly: body and spirit." In Lalibela, the author photographs the Coptic celbrations of Epipheny and Easter, portraying the Coptic Ethiopians, their rituals and the vehement religiosity of their praying bodies.

For the past fifteen years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social, and ethnic spectrum- and intensely attentive to their poses and gestures-he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one forty-five-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny, or harrowing, these revealing words are an integral part of the project, and the subject's statement accompanies each photograph in the book. Together, the words and images in Class Pictures offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.

This collection of 240 photographs depicts 224 of the twentieth century's top studio craft artists and designers working in fiber, clay, glass, metal, and wood. The photographs are by Paul J. Smith, Director Emeritus of the Museum of Arts and Design. Drawing on Smith's career of over fifty years as an arts administrator and curator, this book records his extensive interest in meeting art ists in their studios, as well as at con fer ences and national and international events. By reflecting his firsthand experience of the changing currents in twentieth-century craft, these images form a uniquely personal record that captures an important aspect of the history of the studio craft movement. Taken over a thirty-year period, these pho to graphs portray both the diversity and common threads of the craft movement, illustrating a community that shares knowl edge, friendships, and a passion for the handmade object.

Tattoo art has become a worldwide phenomenon. Increasing numbers of people are seeking high-quality tattoos --extensive designs that elevate tattoo work to an art form. In this book, Hungarian author Akos Banfalvi introduces readers to the most talented tattoo artists of our times. These men--and one woman--have become idols in the global tattoo community. In exclusive interviews with these 25 artists, Banfalvi uncovers the circumstances that drew them to tattooing and the ideas that inspire them. Through their stories, a larger picture emerges of the current trends and styles in tattooing and the growth of the industry. Paired with more than 1,500 new and rarely seen images of their work, this book presents a comprehensive view of the best and most creative tattoo art being done in countries including Russia, Poland, Lithuania, Italy, England, France, Germany, the United States, Venezuela and Estonia."

In the spring of 2017, Carla van de Puttelaar developed a new and timely series devoted to prominent and promising women in the art world, Artfully Dressed: Women in the Art World. While working on this ongoing project, Van de Puttelaar became even more impressed by the personalities and achievements of these women. United in their brilliance and strength, they represent a wide range of backgrounds, nationalities, careers, age and expertise. The women are dressed in amazing quality clothes by top designers, in period costumes or vintage clothes, or wrapped in stunning and luxurious fabrics. To date, over 400 women worldwide have participated in Van de Puttelaar's project,and the series continues to grow and has become an important document of the present time of women in the art world.

One of the earliest portrait photographs -- a daguerreotype -- represents the Danish artist Bertel Thorvaldsen. In spite of the fact that the photograph is signed and dated there has been doubts about the dating and the location of the taking of the picture. Starting from the photography itself as well as the historical facts the author sets the photography in its proper context. Written sources material and other pictures are presented to throw light on the photographer, the French businessman A C T Neubourg's work in Scandinavia. Furthermore, the reader gains an insight into the exposure as it is being reflected in the picture where an older conception of art meets the new age of photography. The book also contains an appendix by Jens Frederiksen (The Royal Academy of Fine Arts School of Architecture, Copenhagen) on A C T Neubourg's camera, lens and daguerreotypes.

As exploited and colonized people, California farmworkers have attracted such massive, overwhelming photographic scrutiny that today their story cannot be told, studied, or understood without engaging the photographic dimension. Although the work of Dorothea Lange and other photographers from the 1930s often comes to mind, virtually every photographer of consequence at some time, for some reason, photographed in the fields of the Golden State. This includes such unlikely twentieth-century artists as fashion photographer Richard Avedon and commercial photographer Max Yavno, along with the nineteenth-century masters Carleton E. Watkins and Eadweard Muybridge. Their work, however, does not unfold along neat, predictable lines. While it has both obscured the place of field hands in modern agriculture and made a case against the farm labor system as an instrument of poverty and oppression, the best of these photographs goes far beyond advertising and exposé, cutting through layers of ignorance and indifference and raising difficult moral questions that force us to reflect on the extent to which, as a society, we require the subservience of an entire class of people. This volume presents 282 of these important photographs.

The Congo Basin in Central Africa harbors approximately one quarter of the world's rainforest. In the heart of this forest is Odzala-Kokoua National Park, an ecological wonderland that is home to untold numbers of rare gorillas, forest elephants, and birds. It is also home to people who have lives vastly different from much of the rest of the world. In this stunning photographic series, Pieter Henket presents images of the children of Odzala- Kokoua telling the oral history of the Congo in enchanting and creative ways. Shot over the course of a month, Henket documented the children of this remote region as they designed, planned, created costumes for, and acted out a series of myths- about their tribes, their landscape, and the animals and plants that they live among. Their stories will educate others unfamiliar with a way of life that is so completely in harmony with nature. Filled with vibrant images that highlight the area's magnificent flora and fauna, this photographic project, which was three years in the planning and execution, offers an exciting opportunity to learn about nature and the environment and it delivers an optimistic message about trust, cooperation, and conservation for the next generation of policy makers.

Tein Lucasson loves ALL dogs. For this reason, the graphic designer, art director and producer uses photos of dogs sent to him by his fans and friends to create high-quality artistic images that look like paintings of old masters: from the Labrador in an aristocratic coat with a ruff to the promenade mix in a sailor's uniform. Each dog has its own unmistakable character, which Tein brings closer to its readers in witty, bizarre and thoughtful texts. After the success of Portraits of Eighty-Eight Cats and One Very Wise Zebra, Tein now presents his second illustrated book for teNeues: Lovingly designed, this book is a must for every dog lover's shelf. The perfect gift for all lovers of our four-legged companions. Text in English, German, French and Italian.

"The richness of David Drebin’s distinctive oeuvre defines him as a master in his area." — CelebMix In Before They Were Famous, multidisciplinary artist David Drebin gathers his best shots of world-famous celebrities, before they hit the big time — whether Charlize Theron before her Oscar win or Steve Jobs before the first iPod. Limited to 1,200 copies, the book is a delightful and fascinating collection of pre-digital era Polaroids, contact sheets, and many of Drebin’s most famous images before they were sold out — Central Park, Girl in the Red Dress, or I love you with Girl.  We see famous faces every day: campaign shoots, pro­motional pictures, and paparazzi photos plaster the pages of print and digital media. But how did these well­ known personalities present in front of the camera before they made it big, becoming the highly ­recognised celebrities of today? In Before They Were Famous, David Drebin has rummaged through his archive to curate some of his best pictures of today’s most familiar faces. Whether Charlize Theron before her Oscar win, John Legend before he stormed the charts, or Steve Jobs just before the introduction of the legendary first iPod, David Drebin photo­graphed them all on their path to fame. With this captivating line up, the New York City­ based mul­tidisciplinary artist not only offers an intimate and original look at now world­ famous celebrities, but also shares his own career beginnings presenting images before they were sold out. These limited edition photographs were all created before Drebin, too, became famous, providing a unique and rare document of his own creative journey. Alongside the portraits, the book also shows original works, from femmes fatales to landscapes, which would come to define his practice and are today sold as limited edition photographs in the finest galleries worldwide. Text in English and German.

Georgia O'Keeffe remains an icon, continuing to inspire generations to break barriers and embrace the natural world in both art and life. Featuring sixty-four lush, full-color photographs, this stunning new work captures O'Keeffe as she neared her ninetieth birthday, showcasing her homes and companions at Ghost Ranch and Abiquiú and the landscapes that inspired her. While O'Keeffe and her environs have been the subject of many photographers' work, only Varon was specifically chosen by O'Keeffe to photograph her work in color. This book is the first collection of photographs to portray O'Keeffe and her surroundings in color. Varon includes an insightful reflection on his experiences with O'Keeffe in which he brings the photographs to life in an intimate way. Cody Hartley, the director of the Georgia O'Keeffe Museum, and Barbara Buhler Lynes, the foremost O'Keeffe scholar, provide further context to Varon's photographs.

The age of the metrosexual is over. Dead and buried. In places as diverse as Seattle, Los Angeles, Austin, Richmond, Miami, and Charleston, modern American men are ushering in a new golden age of hirsute pursuits. Denouncing the baby-smooth standard that society has set, men from around the world are reembracing their face in its most natural state. A select group of these well-whiskered men and their faithful Whiskerinas have taken this dedication a step further through the formation of their very own competitive community. Backed by the jackpot of good genetics and a well-oiled care routine, this group of grooming enthusiasts competes all over the world in hopes of recognition in the art of pogonotrophy. Step inside this whimsical, wild, and often-misunderstood world of competitive bearding through the lens of David Sacks. Comb through his collection of over 200 portraits and see for yourself how beautifully weird the beard can be.

Fragments of a Jigsaw: Portraits of Artists and Writers of Wales is an unprecedented collection of photos by Bernard Mitchell who has compiled a gallery of notable characters within the Arts community in Wales. Fragments of a Jigsaw: Portraits of Artists and Writers of Wales is based on the on-going Welsh Arts Archive project. The project began in 1966 with a series of portraits of the Swansea friends of Dylan Thomas, including the artists Ceri Richards and Alfred Janes, the poet Vernon Watkins and the composer Daniel Jones. The collection kept growing: since 1990, Bernard Mitchell has added many artists who have since passed away, including, Will Roberts, Josef Herman, John Petts, Ivor Roberts Jones, John Elwyn, David Tinker and Ernest Zobole. The work continues with the artists working today. In 1999, a large exhibition of photographs of artists was held at the National Library of Wales, Aberystwyth. Photographs are also held in the collections of the National Portrait Gallery, London, The National Museum of Wales, Cardiff and the Glynn Vivian Gallery, Swansea. This is a unique collection of photo-portraits from the Welsh arts scene.For more information on the Welsh Arts Archive project, visit bernardmitchell. co.uk/welsharts-archive/.

From renowned photographers Ken Browar and Deborah Ory, the husband-and-wife team behind The Art of Movement, comes this book for fans of dance and fashion alike; it features today s greatest dancers wearing couture creations from today s most celebrated designers, and takes the relationship between fashion and dance as its subject. Leaping, spinning, lifting, and gliding, the astonishing dancers featured in these pages use the movement of their bodies to reflect and magnify the craft and artistry inherent in the clothes they re wearing. Whether a hot-off-the-runway couture gown from Oscar de la Renta or a Halston-designed costume pulled from the archives of the Martha Graham Dance Company, the dancers in these pages including Tiler Peck, Misty Copeland, Angelo Greco, Devon Teuscher, Charlotte Landreau, Daniil Simkin, and Calvin Royal III elevate the clothes they are wearing. Taking the viewer on a transcendent journey from the quotidian world of pointe shoes and barre class to a world of impossible beauty and glamour.

In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955-1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.

In Doctored, Tanya Sheehan takes a new look at the relationship between photography and medicine in American culture from the nineteenth century to the present. Sheehan focuses on Civil War and postbellum Philadelphia, exploring the ways in which medical models and metaphors helped strengthen the professional legitimacy of the city's commercial photographic community at a time when it was not well established. By reading the trade literature and material practices of portrait photography and medicine in relation to one another, she shows how their interaction defined the space of the urban portrait studio as well as the physical and social effects of studio operations. Integrating the methods of social art history, science studies, and media studies, Doctored reveals important connections between the professionalization of American photographers and the construction of photography's cultural identity.