A startlingly powerful collaboration reimagines female beauty What is beauty without pain? Compromise is what our culture offers women: cinching, pinching, cutting, shaving, scraping, starving, and, of course, lifting and separating, all in service of one sharply circumscribed model purported to be pleasing-but not to most, if any, women. This extraordinary book reimagines beauty at its most provocative and fetishized locus: the female breast. Artist, writer, and scholar Joanna Frueh scrutinizes ideals of beauty and sensuality, often motivated by her experiences with breast cancer. Frances Murray, her friend and collaborator for more than thirty years, documents Frueh's journey of unapologetic beauty in a series of intimate, dazzlingly original photographs before and after her bilateral mastectomy and chemotherapy. Reflecting with insight, directness, and humor-and with contributions from a breast surgeon, an oncologist, and artists and scholars who have had breast cancer-Frueh arrives at a new, liberating view of beauty and of the sensual pleasure found in transformative self-acceptance. Central to this reckoning is her documentation and critique of the notion of hyperbeauty (the flash of flesh appeal, hyperthin, hyperfeminine, hyperbosomy, hypersexy, and hyperyoung sold at the global 24/7 beauty bazaar) and her playful, inventive presentation of tools for remaking minds and hearts disfigured by self-denying ideals. In its bracing critique, passionate argument, and compelling narrative-all illustrative of its own unapologetic beauty-this collaboration is a performance of startling power, stirring to consider and a pleasure to behold.

From 2015, this Chinese photographer has been dedicated to shooting the best portraits possible of international masters of photography. Through his lens he has captured the faces of many of the world's contemporary photographers: Sebastiao Salgado, William Klein, Robert Frank, Bruno Barbey, Bernard Faucon. At present, there are more than 60 portraits included in Zhong Weixing's 'Contemporary Photography Masters', and the programme is still ongoing. Jean-Luc Monterosso, former director of the world-renowned Maison Europe enne de la Photographie, describes these works by Zhong Weixing as a 'pantheon of photography masters'. The well-known photographer Bruno Barbey has praised them as representing a 'Bible of photographic history'.

In 1978 two of Joseph Szabo's high school students invited him to join them at a Rolling Stones concert at JFK Stadium in Philadelphia. Sensing a promising photo opportunity, Szabo agreed, packing three 35mm cameras and plenty of black-and-white film. Some 90,000 Rolling Stones fans converged on the stadium for the concert, where Szabo captured them drinking, kissing, smoking, dancing and hanging out. Their young subjects transported by the music, the drugs, the alcohol and the community, Szabo's Rolling Stones Fans photographs show unguarded moments of absorption and abandon in the sublimity of the rock and roll gig. Szabo recently returned to these contact sheets; an earlier edition of this work, published in 2007, is now highly collectible. Joseph Szabo: Rolling Stones Fans reprints photographs from this series, selected by Szabo, in a luxurious new edition. Joseph Szabo (born 1944) has been called the quintessential photographer of the teenager. He is best known for his photographs of adolescents taken in and around the halls of Malverne High School in Long Island, where he taught photography from 1972 to 1999, which were published in the photobook classic Teenage (Greybull, 2003). Turning his camera on his students to get their attention, Szabo captured the anxiety and bravado of the American teenager in classic documentary style black-and-white photographs that quickly attained cult status in the fashion world. In Szabo's own words, his images capture the years of restless desire and blossoming sexuality. The world of high school, parking lots and street corners, and the uniquely American culture in which all of us have grown up.

Charles Fréger has photographed a series of portraits of Breton women of every generation from every region, wearing costumes and headdresses of endless variety: from high starched towers to elaborately pinned, tucked and embroidered confections of handmade lace, as delicate as they are distinctive. Marie Darrieussecq, winner of the Prix Medicis and twice nominated for the Prix Goncourt, has contributed a foreword. Some fifty headdresses are introduced and described in a separate reference section, accompanied by specially commissioned illustrations. Charles Fréger’s exceptional photographs demonstrate a wealth of pride, ingenuity and personal expression that make this book uniquely compelling.

This is a one-of-a-kind book, which will motivate generations of girls and women for years to come, The Female Lead is a collection of portraits - in their own words - of over 50 inspirational women who changed the world around them. With stunning photography and heartfelt, personal interviews, this will inspire a whole generation of young women. 'A truly inspirational book' -- ***** Reader review 'Beautifully written and illustrated' -- ***** Reader review 'A beautiful, inspiring book' -- ***** Reader review 'Loved it! Truly inspiring!' -- ***** Reader review 'Inspiring and motivating with beautiful images' -- ***** Reader review ************************************************************************************************ Over fifty inspirational women, from many walks of life. All have changed the world in a variety of fields. Among them are politicians and artists, journalists and teachers, engineers and campaigners, fire fighters and film stars. Together they form an arresting gallery of portraits, each one illustrated with original photography by Brigitte Lacombe. Some have led their professions; some have broken new ground for women; some have inspired changes through relentless endeavour. All were chosen for their ambitions and achievements and all tell their stories in their own words. Includes portraits from Meryl Streep, Tina Brown, Lena Dunham, Jo Malone, Laura Bates, Yeonmi Park, Lucy Bronze, Julie Bentley and Michaela DePrince, amongst many others. For girls, it can be hard to identify role models in our society. This book will help and inspire women everywhere to realize their hopes and ambitions.

For the past fifteen years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social, and ethnic spectrum- and intensely attentive to their poses and gestures-he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one forty-five-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny, or harrowing, these revealing words are an integral part of the project, and the subject's statement accompanies each photograph in the book. Together, the words and images in Class Pictures offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.

Emily Wilding Davison's image has been frozen in time since 1913. On the 4 June of that year, Emily was struck by the king's horse, Anmer, during the Epsom Derby. She died four days later. She, unlike her fellow Militant Suffragettes, did not live to write her memoirs in a more enlightened and tolerant era. In the aftermath of the Epsom protest, her family and her northern associates were caught between two very powerful factions: the Government's spin doctors and the very efficient publicity machine of Mrs Pankhurst's W.S.P.U. In response, Emily's family and associates closed ranks around her mother, Margaret Davison, and her young cousins. For almost a century, their silence has guarded Emily's story. Now, at the centenary of Emily's death, her family have come together to share Emily's side of the story for the first time. Drawing on the Davison family archives, and filled with more than 100 rare photographs, this volume explores the true cost of women's suffrage, revolutionizing in the process our understanding of one of the defining events of the twentieth century.

Phillip Toledano believes that we are at the vanguard of a period of human-induced evolution. A turning point in history where we are beginning to define not only our own concept of beauty, but of physicality itself. * Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make? * Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon's hand? * When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?

The seventies in America were a time of social and cultural ferment, and Ira Resnick was there with his camera to capture it all. Now he is opening his archives to reveal hundreds of rare celebrity photos-many never seen since their original publication in magazines like Rolling Stone, People, and Us. Musicians like the Rolling Stones, Stevie Nicks, and James Taylor. Actors and directors like Sissy Spacek, Warren Beatty, and Martin Scorsese. Comedians like Steve Martin, Gilda Radner, and Bill Murray. Athletes like Muhammad Ali, Billie Jean King, and Kareem Abdul-Jabbar. Politicians like Jimmy Carter, Jerry Brown, and Bella Abzug. Resnick's dynamic shots are accompanied by personal anecdotes about his legendary subjects.

THE PERFECT CHRISTMAS GIFT FOR FANS OF ROYAL FASHION This beautiful book takes a photographic journey through Queen Elizabeth II's ten decades of colour-blocked style. The photographs, which span the colours of the rainbow and a century of style, are gloriously accessorised with captions and commentary by journalist and broadcaster Sali Hughes. From the dusky pinks the Queen wore in girlhood all the way through to #NeonAt90, by way of that hat she wore on the announcement of Brexit, and not forgetting her trusty Launer handbag ever at her side, this must-have collection celebrates the iconic fashion statements of our beloved, longest-reigning and most vibrant monarch.

Whether in his sumptuous images for advertising or his soft-hued nudes, Paul Outerbridge (1896-1958) was an alchemist of desire. Color was integral to his aesthetic allure, embracing the complex tri-color-carbro process to create a seductive surface of texture and tone. His quest was for "artificial paradises"-a perfection of form, with a surreal edge. This concise monograph introduces Outerbridge's unique aesthetic and its commercial and artistic trajectory, from his professional peak as New York's highest-paid commercial photographer through to his retreat to Hollywood in the 1940s after a scandal over his erotic photography. With key examples from his oeuvre, the book explores Outerbridge's innovative style through Cubist still life images, magazine photographs, and his controversial nudes, as well as his interaction with other avant-garde photographers, such as Alfred Stieglitz, Paul Strand, and Man Ray. Along the way, we recognize Outerbridge's particular ability to transform everyday objects into a quasi-abstract composition and his pioneering role in championing the expressionistic, as much as commercial, potential of color photographs.

Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship-one that included Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin. Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike.

This collection of 240 photographs depicts 224 of the twentieth century's top studio craft artists and designers working in fiber, clay, glass, metal, and wood. The photographs are by Paul J. Smith, Director Emeritus of the Museum of Arts and Design. Drawing on Smith's career of over fifty years as an arts administrator and curator, this book records his extensive interest in meeting art ists in their studios, as well as at con fer ences and national and international events. By reflecting his firsthand experience of the changing currents in twentieth-century craft, these images form a uniquely personal record that captures an important aspect of the history of the studio craft movement. Taken over a thirty-year period, these pho to graphs portray both the diversity and common threads of the craft movement, illustrating a community that shares knowl edge, friendships, and a passion for the handmade object.

Monograph commemorating German photojournalist Werner Bischof (1916-1954), who reported on devastation in Germany, France and the Netherlands after World War II. Featuring over 100 black-and-white photographs, this collection of Bischof's images conveys his sense of empathy and humanity. Text in English, Italian and French.

In the spring of 2017, Carla van de Puttelaar developed a new and timely series devoted to prominent and promising women in the art world, Artfully Dressed: Women in the Art World. While working on this ongoing project, Van de Puttelaar became even more impressed by the personalities and achievements of these women. United in their brilliance and strength, they represent a wide range of backgrounds, nationalities, careers, age and expertise. The women are dressed in amazing quality clothes by top designers, in period costumes or vintage clothes, or wrapped in stunning and luxurious fabrics. To date, over 400 women worldwide have participated in Van de Puttelaar's project,and the series continues to grow and has become an important document of the present time of women in the art world.

One of the earliest portrait photographs -- a daguerreotype -- represents the Danish artist Bertel Thorvaldsen. In spite of the fact that the photograph is signed and dated there has been doubts about the dating and the location of the taking of the picture. Starting from the photography itself as well as the historical facts the author sets the photography in its proper context. Written sources material and other pictures are presented to throw light on the photographer, the French businessman A C T Neubourg's work in Scandinavia. Furthermore, the reader gains an insight into the exposure as it is being reflected in the picture where an older conception of art meets the new age of photography. The book also contains an appendix by Jens Frederiksen (The Royal Academy of Fine Arts School of Architecture, Copenhagen) on A C T Neubourg's camera, lens and daguerreotypes.

"Elvis who?" was photographer Alfred Wertheimer's response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was-as we now know-about to become a legend. Trailing Presley like a shadow, Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its scope, Wertheimer's Elvis project immortalized a young man in the very process of making history. Elvis and the Birth of Rock and Roll collects Wertheimer's most remarkable Elvis shots from that magical year, along with a selection of his historic 1958 pictures of the star being shipped off to an army base in Germany. Each chapter is illustrated with a poster by Hatch Show Print, one of the oldest letterpress print shops in America, which created many early Elvis posters in the 1950s.

In Fireflies, Keith Carter presents a magical gallery of photographs of children and the world they inhabit. The collection includes both new work and iconic images such as "Fireflies," "The Waltz," "Chicken Feathers," "Megan's New Shoes," and "Angel" selected from all of Carter's rare and out-of-print books. When making these images, Carter often asked the children, "do you have something you would like to be photographed with?" This creative collaboration between photographer and subject has produced images that conjure up stories, dreams, and imaginary worlds. Complementing the photographs is an essay in which Carter poetically traces the wellsprings of his interest in photographing children to his own childhood experiences in Beaumont, Texas. As he recalls days spent exploring in the woods and creeks, it becomes clear that his art flows from a deep reservoir of sights and sounds imprinted in early childhood.

A lyrical meditation on the joys, wonders, and anxieties of childhood, Fireflies brings us back to the small truths that are often pushed aside or forgotten when we become adults.

Known for both her landscapes and portraits, Mary Randlett began documenting iconic Northwest artists like Mark Tobey and Morris Graves in 1949. In 1963, Theodore Roethke asked her to photograph him in his Seattle home--hers were the last pictures taken of the poet before his death, and they garnered international attention. In addition to Graves, Tobey, and Roethke, Mary Randlett Portraits includes renowned artists Jacob Lawrence and George Tsutuakawa; writers Tom Robbins, Henry Miller, and Colleen McElroy; arts patrons Betty Bowen and Richard Fuller; and more. Randlett's portraits are known for their effortless intimacy, illuminating her subjects as few ever saw them-something noted by many of those whom she photographed. The portraits are accompanied by biographical sketches written by Frances McCue, which blend life stories and reflections on the works with Randlett's own reminiscences. McCue also provides an essay on Randlett's life and professional career. Randlett's photographs represent an artistic and literary history of the Pacific Northwest. No other book brings together these important historical figures from the rich past and present of this region. A curated collection of ninety photographs from the more than six hundred portraits she took of Northwest artists, writers, and cultural luminaries, Mary Randlett Portraits documents the region's artistic legacy through one woman's camera lens. Watch the book trailer: https://www.youtube.com/watch?v=_5MZ6fRwfzU

The Congo Basin in Central Africa harbors approximately one quarter of the world's rainforest. In the heart of this forest is Odzala-Kokoua National Park, an ecological wonderland that is home to untold numbers of rare gorillas, forest elephants, and birds. It is also home to people who have lives vastly different from much of the rest of the world. In this stunning photographic series, Pieter Henket presents images of the children of Odzala- Kokoua telling the oral history of the Congo in enchanting and creative ways. Shot over the course of a month, Henket documented the children of this remote region as they designed, planned, created costumes for, and acted out a series of myths- about their tribes, their landscape, and the animals and plants that they live among. Their stories will educate others unfamiliar with a way of life that is so completely in harmony with nature. Filled with vibrant images that highlight the area's magnificent flora and fauna, this photographic project, which was three years in the planning and execution, offers an exciting opportunity to learn about nature and the environment and it delivers an optimistic message about trust, cooperation, and conservation for the next generation of policy makers.