The Texas hot rod scene encompasses the exhaust, speed, rust, and chrome beloved not just by greasers and gearheads but also by families and pinup girls, bikers and rockabilly dolls, rockers and regular Joes. The Lonestar Rod & Kustom Round Up, one of America's premier car shows, attracts hot rod and custom car fans from around the world, bringing them to Austin every spring. George Brainard began photographing the Round Up in 2003 on behalf of the show hosts, The Kontinentals Car Club. Finding himself interested as much in the crowd and the culture as in the cars, he began taking pictures of people at the show. All Tore Up presents portraits of these people, who are as distinctive as the cars they love. As Brainard observes, "Hot rods and customized cars are works of art. You take an old car, cut it into pieces, and put it back together following your own vision. You bring something to life that previously existed only in your imagination." The people who do this "are drawn to aesthetic expression, and they materialize it in their own selves, their clothes, and their bodies." Allowing his subjects to pose themselves against a plain white background and write their own captions for their photographs, Brainard cuts through the visual spectacle of the car show and finds the essence of the people who are a part of it, capturing a fascinating pop subculture of American life.

Ericson was motivated to begin photographing the Roma community during a visit to the southern part of Czech Republic where he witnessed vast discrimination. He has documented the lives of Roma people across multiple countries including Czech Republic, France, Sweden, Kosovo, Hungary, Serbia, Romania, Switzerland, Spain and Slovakia bearing witness to a group of people deprived of political, economical, cultural and social rights.

Whatever type of device you use to take pictures - whether a phone or a pro-spec digital camera - the most compelling subject is always other human beings. Portraiture is one of the most popular genres in photography, but it can also be one of the most daunting to undertake, especially when you're just starting out. In this comprehensive guide, Demetrius Fordham shares his real-life experiences from years of portrait sessions, using these examples to impart the tips, tricks and knowledge that will let you take your own amazing images of people. - Learn from real-life portraiture examples, shot by a top pro - Gain the skills needed to create a rapport with your subject - Get all the tips and tricks for perfect posing - Master every type of portraiture from casual-looking group shots to formal studio sessions - Discover techniques that will let you get amazing pictures of people in any situation

A vibrant celebration of surfers in and out of the water from an award-winning photographer Professional photographer Thom Gilbert spent four years among surfer royalty at the top of their game-in Spain, New York, California, and Hawaii-with his camera trained not only on tiny figures disappearing in the waves, but also on the surfers' faces and bodies back on land. He returned from the beaches with intimate portraits of the world's best-from the newest talent to the oldest and most revered-and also with dramatic action shots and revealing images of the culture around this sport and lifestyle. The book features not only 300 photographs, but some Q&As with, and hand-written contributions from, prominent figures in the scene. Ultimately, Waves is an ode to surfing and to the men and women who live it every day.

Learn to style for advertisements, magazines and portfolios and take your first steps into one of fashion communication's most dynamic and rewarding careers. With hands-on practical advice on working as part of a team, developing a visual vocabulary and managing a shoot, you'll be encouraged to experiment and develop your own original creative concepts. This revised edition includes a new chapter on the future of the industry, exploring how the role is changing and the stylist's position as an entrepreneur. There are also new interviews with professional stylists and 120 new images to demonstrate each technique.

The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics. Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture. Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze.

Become acquainted with 16 of the world's most talented and highly influential female tattoo artists through interviews and more than 600 photographs of their best work. Discover insights into their inspiration, artistic motifs, tattooing methods, and opinions on the state of tattoo culture today and the importance of social media and attending conventions worldwide. In a rare break from their hard work, these women reflect on their journeys toward achieving their dreams of becoming artists, and draw you into their universe of beauty and acceptance. Hailing from Australia, the Czech Republic, Germany, Minnesota, New York, Russia, Scotland, Slovakia, and beyond, these dedicated professionals aren't bothered by the fact that men still outnumber women in today's international tattoo industry. In fact, they embrace the imbalance and focus their energies instead on perfecting their techniques and connecting with their loyal customers.

There is no more gruesome and tragic record in the history of the 20th century than the photographs taken at the liberation of the concentration camps in Germany after World War II. These images are seared into our collective memory as brutal evidence of the atrocity of war and the evil of which humanity is capable. But the horrific content of these images has somewhat obscured their status as historical documents. This text reveals the unique significance of the concentration camp photographs - how they have become the basis of our memory of the Holocaust and how they have affected our presentations and perceptions of contemporary history's subsequent atrocities. Prior to the Holocaust, news reporters primarily told their stories in words, using photographs almost as an afterthought. When the camps were liberated, however, journalists and reporters turned to photography to bear witness to the unspeakable and indescribable scenes of the dead and dying. Through this process, the text argues, photographs earned a new legitimacy as tools of reporting. The author shows how, since the end of the war, the use of "atrocity photos" has fallen into patterns - or waves of memory - determined by the different roles that the photos occupy in the public imagination. Most recently, for example, the images from Bosnia hark back to the Holocaust imagery, an echo that can actually dilute our response to what happened both then and now.

If you get hold on texts, articles and interview featuring Ryan Gander, one word will pop-up in particular - storyteller. Through his work he always tries to narrate in form of objects or actions particular feelings or actions, pose questions and maybe sometimes give loose answers. His initial projects involved public lectures and performances, but lately it has evolved into creating articulated stories and emotions through the use of sculpture, real estate projects, architecture or (sometimes) technically complex installations. If you have seen his work for the latest dOCUMENTA in Kassel, Airflow-velocity Study for I Need Some Meaning I Can Memorise (the Invisible Pull), you are surely aware of the complexity of the questions his projects pose to the user, questioning the notions of language and knowledge, a reinvention of the modes of the appearance and creation of the artwork.

Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish "shtetlekh" of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened--not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of "Children of a Vanished World," seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children.
Selected and edited by the photographer's daughter, Mara Vishniac Kohn, and translator and coeditor Miriam Hartman Flacks, these images show children playing, children studying, children in the midst of a world that was about to disappear. They capture the daily life of their subjects, at once ordinary and extraordinary. The photographs are accompanied by a selection of nursery rhymes, songs, poems, and chants for children's games in both Yiddish and English translation. Thanks to Vishniac's visual artistry and the editors' choice of traditional Yiddish verses, a part of this wonderful culture can be preserved for future generations.
Earlier books of Roman Vishniac's photographs include "To Give Them Light: The Legacy of Roman Vishniac" (1995), "A Vanished World" (1983), and "Polish Jews" (1947).
A major exhibition titled "Children of a Vanished World: Photographs byRoman Vishniac" is scheduled at the Museum of Jewish Heritage in New York. The show will open to the public on March 7 and run through June 4, 2000.

Mathematicians is a remarkable collection of ninety-two photographic portraits, featuring a selection of the most impressive mathematicians of our time. Acclaimed photographer Mariana Cook captures the exuberance and passion of these brilliant thinkers. The superb images are accompanied by autobiographical texts written by each mathematician. Together, the photographs and words illuminate a diverse group of men and women dedicated to the absorbing pursuit of mathematics. The compelling black-and-white portraits introduce readers to mathematicians who are both young and old and from notably diverse backgrounds. They include Fields Medal winners, those at the beginning of major careers, and those who are long-established celebrities in the discipline. Their candid personal essays reveal unique and wide-ranging thoughts, opinions, and humor. The mathematicians discuss how they became interested in mathematics, why they love the subject, how they remain motivated in the face of mathematical challenges, and how their greatest contributions have paved new directions for future generations. Mathematicians in the book include Jean-Pierre Serre, Henri Cartan, Karen Uhlenbeck, David Blackwell, Eli Stein, John Conway, Timothy Gowers, Frances Kirwan, Peter Lax, William Massey, John Milnor, Cathleen Morawetz, John Nash, Pierre Deligne, and James Simons. This book conveys the beauty and joy of mathematics to readers outside the field as well as those in it. These pictures and their texts are an inspiration, and a perfect gift for those who love mathematics as well as for those who think they can't do it!

Best in Show is a collection of photographs of well-groomed and award-winning dogs by New York City-based photographer Dolly Faibyshev.

The images from the Westminster Kennel Club Dog Show and beyond focus on the unique-and often humorous-relationship between each dog and their handler.

Dolly Faibyshev focuses on kitsch, irony, and the larger than life human and canine characters that make up Best in Show. The result is a colorful, vibrant, campy, and satirical take on this specific slice of Americana.

• The colorful, closely cropped juxtapositions of each coiffed canine contestant and their dedicated human are both humorous and charming.
• Sure to delight fans of all breeds of dogs
• A universal and ideal gift for all canine lovers with a sense of humor

Best in Show captures a specific subculture of dog devotees primarily from the infamous Westminster Kennel Club Dog Show at Madison Square Garden in New York.

This title includes helpful, step-by step photo ideas & tips and an engaging voice that will inspire new parents and grandparents. In this beautiful book, acclaimed photographer Me Ra Koh shows new parents how to capture the story of their baby's first year with 40 easy 'photo recipes' anyone can do, with any camera. The first year of a baby's life is full of precious, fleeting moments and heart-tugging change. In this book, new parents and grandparents are inspired with easy, step-by-step photo ideas for capturing developmental milestones and special moments, from tiny yawns to first smiles, learning to sit up and much more. Unlike most books on photographing children, which are written by photographers for photographers, ours is written by a mother in a friendly, nontechnical voice. With helpful tips and an engaging parent-to-parent voice, Me Ra shows how easy taking great photos can be.

With this work, Gonzalez Miralles illustrates how people who grow up in a given culture unconsciously feel the need to follow a predetermined role and aims to question how societal standards, not only in Japan, but elsewhere, constrain human behaviour and the development of identity. Questions that affect us all, especially considering the obsession with self-projection in today's society.

Undoubtedly, a very special bond exists between dogs and their people. This delightful, first-of-its-kind composition reveals the unique relationship we enjoy with our beloved canine companions. Forty-two specially commissioned images of four- and two-legged animals showcase the incomparable dynamics of each bond; their body language revealing the magnetism that exists. Observed and presented from the dog's point of view, each photographic essay is accompanied by a didactic doggy thought; a perspicacious nugget of information that encapsulates their understanding of their person ...

Since the early 1980s, the photographs of Clegg & Guttmann have explored the representation of power and the codification of gestures. Famous for their images of powerful people or families inspired both by seventeenth-century Dutch painting and commissioned portraits for annual reports, they have developed various typologies of photographic portraiture over the past three decades. This volume examines two typological series in particular: "Portraits and Artworks" and "Collaborative Portraits." These series feature artist sitters such as Sari Carel, Joseph Kosuth, David Robbins, Christoph Schlingensief, Joseph Strau, Franz Erhard Walther and Franz West.

For years, when traveling, I found myself getting in conversations with people when I took their pictures, and started to consult with them-showing them the digital shot, then retaking it until we had one they were happy with. It gave us a reason to interact, and a way to do so, even when we shared no language in common. These portraits are the result of those extended sessions, those moments of accidental intimacy on the road. Readers of my three travel books (Drinking Mare's Milk on the Roof of the World, And the Monkey Learned Nothing, and The Kindness of Strangers) may recognize some of the people, because a number of them feature in those stories. But each stands on its own-each a testament to the human ability to connect across the fault lines that keep us precariously divided. And each is a tribute to the accidental intimacy of the road.

"I like depicting sexy, strong women - the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I've seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist." - Alejandra Guerrero. In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the "New York Times," the "Washington Post," "Time," and the "New Yorker," Friedman's grimly evocative black-and-white images--"intimate, behind-the-scenes photos" ("Time")--have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his "unflinching" lens and his intrepid reporting.
For his new collection of photographs, "Lyudmila and Natasha," Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, "Lyudmila and Natasha" powerfully evokes both a vital place and the people who call it home.

Jim Rubery presents approximately 100 finely-detailed period photographs of the locality from the world-famous Francis Frith archive. A full introduction is included, as well as extended captions to the pictures. A voucher for a free mounted print of any of the photographs in the book is also included.

Known for both her landscapes and portraits, Mary Randlett began documenting iconic Northwest artists like Mark Tobey and Morris Graves in 1949. In 1963, Theodore Roethke asked her to photograph him in his Seattle home--hers were the last pictures taken of the poet before his death, and they garnered international attention. In addition to Graves, Tobey, and Roethke, Mary Randlett Portraits includes renowned artists Jacob Lawrence and George Tsutuakawa; writers Tom Robbins, Henry Miller, and Colleen McElroy; arts patrons Betty Bowen and Richard Fuller; and more. Randlett's portraits are known for their effortless intimacy, illuminating her subjects as few ever saw them-something noted by many of those whom she photographed. The portraits are accompanied by biographical sketches written by Frances McCue, which blend life stories and reflections on the works with Randlett's own reminiscences. McCue also provides an essay on Randlett's life and professional career. Randlett's photographs represent an artistic and literary history of the Pacific Northwest. No other book brings together these important historical figures from the rich past and present of this region. A curated collection of ninety photographs from the more than six hundred portraits she took of Northwest artists, writers, and cultural luminaries, Mary Randlett Portraits documents the region's artistic legacy through one woman's camera lens. Watch the book trailer: https://www.youtube.com/watch?v=_5MZ6fRwfzU

Approximately 100 detailed period photographs from the Francis Frith archive with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes a voucher for a free mounted print of any photograph shown in the book.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work contains around 150 detailed photographs of the county of Kent, taken from the Frith archive. It features extended captions to pictures, a full introduction, and a voucher for a free mounted print