"...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them...I discovered what I believed was a subculture of chic and I thought it merited a story." Baron WolmanThe 1960s witnessed a huge cultural revolution. Music was at the heart of a new generation's rallying cry for love, peace and harmony - from small clubs to giant festivals like Woodstock. With men predictably dominating as musicians and performers, the women and girls backstage started to explore their own forms of liberation and self-expression. They became better known as the Groupies - offering their allegiance to the music, and the artists who made it.On February 15, 1969 Rolling Stone magazine released a 'Special Super-Duper Neat Issue' called 'THE GROUPIES and Other Girls' featuring the work of their chief photographer, Baron Wolman. It would turn out to be a sensational milestone, making instant celebrities of the women featured. With this single issue, the Groupies had arrived.They emerged as extraordinary women, whose lifestyles divided opinion and remain controversial.Some became models, actresses, writers, artists and musicians - the GTOs, the original 'Groupie band' admired and encouraged by Frank Zappa, is featured here. Others fell into obscurity.Now, over 45 years later, ACC and Iconic Images are proud to publish the photographs of Baron Wolman in a single volume for the first time. Groupies and Other Girls features more than 150 images, including previously unseen out-takes and contact sheets, and comes complete with the original Rolling Stone text, as well as interviews with several of the women today.

Hugs from Obama struck an emotional chord with Americans nostalgic for a First Family of strong character, warmth, and intelligence. For those citizens longing for the days when we had the compassionate integrity of First Lady Michelle Obama in the White House, Go High will be a much-needed trip down memory lane. With photos of Michelle Obama as First Lady, mother, wife, and activist, along with many of her wise and inspiring words, this book will be appeal to her millions of fans.

"Elvis who?" was photographer Alfred Wertheimer's response when, in early 1956, an RCA Victor publicist asked him to photograph an up-and-coming crooner from Memphis. Little did Wertheimer know that this would be the job of his life: just 21 years old, Elvis Presley was-as we now know-about to become a legend. Trailing Presley like a shadow, Wertheimer took nearly 3,000 photographs of Presley that year, creating a penetrating portrait of a man poised on the brink of superstardom. Extraordinary in its intimacy and unparalleled in its scope, Wertheimer's Elvis project immortalized a young man in the very process of making history. Elvis and the Birth of Rock and Roll collects Wertheimer's most remarkable Elvis shots from that magical year, along with a selection of his historic 1958 pictures of the star being shipped off to an army base in Germany. Each chapter is illustrated with a poster by Hatch Show Print, one of the oldest letterpress print shops in America, which created many early Elvis posters in the 1950s.

The Texas hot rod scene encompasses the exhaust, speed, rust, and chrome beloved not just by greasers and gearheads but also by families and pinup girls, bikers and rockabilly dolls, rockers and regular Joes. The Lonestar Rod & Kustom Round Up, one of America's premier car shows, attracts hot rod and custom car fans from around the world, bringing them to Austin every spring. George Brainard began photographing the Round Up in 2003 on behalf of the show hosts, The Kontinentals Car Club. Finding himself interested as much in the crowd and the culture as in the cars, he began taking pictures of people at the show. All Tore Up presents portraits of these people, who are as distinctive as the cars they love. As Brainard observes, "Hot rods and customized cars are works of art. You take an old car, cut it into pieces, and put it back together following your own vision. You bring something to life that previously existed only in your imagination." The people who do this "are drawn to aesthetic expression, and they materialize it in their own selves, their clothes, and their bodies." Allowing his subjects to pose themselves against a plain white background and write their own captions for their photographs, Brainard cuts through the visual spectacle of the car show and finds the essence of the people who are a part of it, capturing a fascinating pop subculture of American life.

A vibrant celebration of surfers in and out of the water from an award-winning photographer Professional photographer Thom Gilbert spent four years among surfer royalty at the top of their game-in Spain, New York, California, and Hawaii-with his camera trained not only on tiny figures disappearing in the waves, but also on the surfers' faces and bodies back on land. He returned from the beaches with intimate portraits of the world's best-from the newest talent to the oldest and most revered-and also with dramatic action shots and revealing images of the culture around this sport and lifestyle. The book features not only 300 photographs, but some Q&As with, and hand-written contributions from, prominent figures in the scene. Ultimately, Waves is an ode to surfing and to the men and women who live it every day.

Ericson was motivated to begin photographing the Roma community during a visit to the southern part of Czech Republic where he witnessed vast discrimination. He has documented the lives of Roma people across multiple countries including Czech Republic, France, Sweden, Kosovo, Hungary, Serbia, Romania, Switzerland, Spain and Slovakia bearing witness to a group of people deprived of political, economical, cultural and social rights.

Between 1908 and 1917, the American photographer and sociologist Lewis Hine (1874-1940) took some of the most memorable pictures of child workers ever made. Traveling around the United States while working for the National Child Labor Committee, he photographed children in textile mills, coal mines, and factories from Vermont and Massachusetts to Georgia, Tennessee, and Missouri. Using his camera as a tool of social activism, Hine had a major influence on the development of documentary photography. But many of his pictures transcend their original purpose. Concentrating on these photographs, Alexander Nemerov reveals the special eeriness of Hine's beautiful and disturbing work as never before. Richly illustrated, the book also includes arresting contemporary photographs by Jason Francisco of the places Hine documented. Soulmaker is a striking new meditation on Hine's photographs. It explores how Hine's children lived in time, even how they might continue to live for all time. Thinking about what the mill would be like after he was gone, after the children were gone, Hine intuited what lives and dies in the second a photograph is made. His photographs seek the beauty, fragility, and terror of moments on earth.

There is no more gruesome and tragic record in the history of the 20th century than the photographs taken at the liberation of the concentration camps in Germany after World War II. These images are seared into our collective memory as brutal evidence of the atrocity of war and the evil of which humanity is capable. But the horrific content of these images has somewhat obscured their status as historical documents. This text reveals the unique significance of the concentration camp photographs - how they have become the basis of our memory of the Holocaust and how they have affected our presentations and perceptions of contemporary history's subsequent atrocities. Prior to the Holocaust, news reporters primarily told their stories in words, using photographs almost as an afterthought. When the camps were liberated, however, journalists and reporters turned to photography to bear witness to the unspeakable and indescribable scenes of the dead and dying. Through this process, the text argues, photographs earned a new legitimacy as tools of reporting. The author shows how, since the end of the war, the use of "atrocity photos" has fallen into patterns - or waves of memory - determined by the different roles that the photos occupy in the public imagination. Most recently, for example, the images from Bosnia hark back to the Holocaust imagery, an echo that can actually dilute our response to what happened both then and now.

Become acquainted with 16 of the world's most talented and highly influential female tattoo artists through interviews and more than 600 photographs of their best work. Discover insights into their inspiration, artistic motifs, tattooing methods, and opinions on the state of tattoo culture today and the importance of social media and attending conventions worldwide. In a rare break from their hard work, these women reflect on their journeys toward achieving their dreams of becoming artists, and draw you into their universe of beauty and acceptance. Hailing from Australia, the Czech Republic, Germany, Minnesota, New York, Russia, Scotland, Slovakia, and beyond, these dedicated professionals aren't bothered by the fact that men still outnumber women in today's international tattoo industry. In fact, they embrace the imbalance and focus their energies instead on perfecting their techniques and connecting with their loyal customers.

The first comprehensive art book detailing the great studio photographers and the greatest stars of the 1930s through the 1950s, this large-scale book presents the work of Hollywood's great photographers, Clarence J. Bull, George Hurrell, Scotty Welborne, E.R. Richee, Robert Coburn, Ned Scott, and Bud Fraker photographing the likes of Clark Gable, Cary Grant, Humphrey Bogart, Errol Flynn, The Marx Brothers, The Three Stooges, Marlene Dietrich, Carole Lumbard, Veronica Lake, Boris Karloff, Great Garbo, Fred Astaire, Bette Davis, Jean Harlow, Bette Davis, Rita Hayworth, Ava Gardner, Lauren Bacall, Marilyn Monroe, Jane Russell, James Dean, Marlon Brando, Audrey Hepburn, and more.

With this work, Gonzalez Miralles illustrates how people who grow up in a given culture unconsciously feel the need to follow a predetermined role and aims to question how societal standards, not only in Japan, but elsewhere, constrain human behaviour and the development of identity. Questions that affect us all, especially considering the obsession with self-projection in today's society.

This title includes helpful, step-by step photo ideas & tips and an engaging voice that will inspire new parents and grandparents. In this beautiful book, acclaimed photographer Me Ra Koh shows new parents how to capture the story of their baby's first year with 40 easy 'photo recipes' anyone can do, with any camera. The first year of a baby's life is full of precious, fleeting moments and heart-tugging change. In this book, new parents and grandparents are inspired with easy, step-by-step photo ideas for capturing developmental milestones and special moments, from tiny yawns to first smiles, learning to sit up and much more. Unlike most books on photographing children, which are written by photographers for photographers, ours is written by a mother in a friendly, nontechnical voice. With helpful tips and an engaging parent-to-parent voice, Me Ra shows how easy taking great photos can be.

Between 1935 and 1938 the celebrated photographer Roman Vishniac explored the cities and villages of Eastern Europe, capturing life in the Jewish "shtetlekh" of Poland, Romania, Russia, and Hungary, communities that even then seemed threatened--not by destruction and extermination, which no one foresaw, but by change. Using a hidden camera and under difficult circumstances, Vishniac was able to take over sixteen thousand photographs; most were left with his father in a village in France for the duration of the war. With the publication of "Children of a Vanished World," seventy of those photographs are available, thirty-six for the first time. The book is devoted to a subject Vishniac especially loved, and one whose mystery and spontaneity he captured with particular poignancy: children.
Selected and edited by the photographer's daughter, Mara Vishniac Kohn, and translator and coeditor Miriam Hartman Flacks, these images show children playing, children studying, children in the midst of a world that was about to disappear. They capture the daily life of their subjects, at once ordinary and extraordinary. The photographs are accompanied by a selection of nursery rhymes, songs, poems, and chants for children's games in both Yiddish and English translation. Thanks to Vishniac's visual artistry and the editors' choice of traditional Yiddish verses, a part of this wonderful culture can be preserved for future generations.
Earlier books of Roman Vishniac's photographs include "To Give Them Light: The Legacy of Roman Vishniac" (1995), "A Vanished World" (1983), and "Polish Jews" (1947).
A major exhibition titled "Children of a Vanished World: Photographs byRoman Vishniac" is scheduled at the Museum of Jewish Heritage in New York. The show will open to the public on March 7 and run through June 4, 2000.

The lush and unique photography in this book represents National Geographic's Photo Ark, a major initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals-especially those that are endangered. His powerful message, conveyed with humor, compassion, and art: to know these animals is to save them. Sartore is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. With a goal of photographing every animal in captivity in the world, he has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the eloquent prose of veteran wildlife writer Douglas Chadwick, and an inspiring foreword from Harrison Ford, this book presents a thought-provoking argument for saving all the species of our planet.

For years, when traveling, I found myself getting in conversations with people when I took their pictures, and started to consult with them-showing them the digital shot, then retaking it until we had one they were happy with. It gave us a reason to interact, and a way to do so, even when we shared no language in common. These portraits are the result of those extended sessions, those moments of accidental intimacy on the road. Readers of my three travel books (Drinking Mare's Milk on the Roof of the World, And the Monkey Learned Nothing, and The Kindness of Strangers) may recognize some of the people, because a number of them feature in those stories. But each stands on its own-each a testament to the human ability to connect across the fault lines that keep us precariously divided. And each is a tribute to the accidental intimacy of the road.

The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Freres, Pascal Sebah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.

Long before he published "Alice's Adventures in Wonderland," Charles Lutwidge Dodgson ("Lewis Carroll" to the world) took up photography as a hobby. Unlike most of the other amateurs in his circle, he persevered to become a dedicated, prolific, and remarkably gifted photographer, creating approximately 3,000 images during his twenty-five years of photographic activity. This handsomely designed volume makes clear the remarkable extent and complexity of Carroll's photographic art. It publishes for the first time the world's finest and most extensive collection of Carroll photographs, many of which have never been reproduced before and are unknown even to committed Carroll enthusiasts.

Roger Taylor's thorough and sophisticated discussion of Carroll as a photographic artist and as a prominent member of Victorian society reveals the man as never before, illuminating his relationships with the children he photographed in light of the idealism and social conventions of the day. This text, illustrated with exquisite tritone plates, is followed by Edward Wakeling's fully illustrated and thoroughly annotated catalogue of the entire Princeton University Library collection. It features, in addition to a trove of loose prints, four rare albums made by Carroll himself to showcase his work to friends, family, and potential sitters. Reproduced in album order, these images offer new insight into how Carroll thought about his work--and how he wanted it to be seen.

Compelling portraits of Alice Liddell and other children are presented alongside those of eminent Victorians such as Alfred Tennyson and William Holman Hunt, as well as evocative landscapes, narrative tableaux, and wonderfully strange studies of anatomical skeletons. The catalogue is followed by a chronological register of every known Carroll photograph--a remarkable resource for anyone studying his career as a photographer.

This sumptuous volume is the definitive work on Carroll's photography. All who admire Carroll and his writing, as well as everyone interested in Victorian England or the history of photography, will find it both essential and irresistible.

Containing approximately 75 period photographs from the Francis Frith archive with extended captions and introduction, this work is suitable for tourists, local historians and general readers. It also includes a voucher for a free mounted print of any photograph shown in the book.

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the "New York Times," the "Washington Post," "Time," and the "New Yorker," Friedman's grimly evocative black-and-white images--"intimate, behind-the-scenes photos" ("Time")--have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his "unflinching" lens and his intrepid reporting.
For his new collection of photographs, "Lyudmila and Natasha," Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, "Lyudmila and Natasha" powerfully evokes both a vital place and the people who call it home.

In a follow-up to the popular The New Paris, Lindsey Tramuta explores the impact that the women of Paris have had on the rapidly evolving culture of their city   The New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness� in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.

Approximately 100 detailed period photographs from the Francis Frith archive with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes a voucher for a free mounted print of any photograph shown in the book.

An honest and personal book about creating better portraits and becoming your best self. The most successful portraits take us well beyond the surface of how someone looks and show us the inner essence of who someone is. They reveal character, soul, and depth. They uncover hidden hopes and profound truths, revealing that authentic and deeply human light that shines within. And while technical expertise is undoubtedly important, it's not the light, camera, or pose that creates a great portrait. It's you, and it's the connection you create with the subject that makes all the difference. In Authentic Portraits, photographer Chris Orwig teaches you that the secret to creating meaningful portraits is simple: curiosity, empathy, kindness, and soul...plus a bit of technique. While Chris spends significant time on the fundamentals of "getting the shot"--working with natural light, nailing focus, dialing in the correct exposure, effectively posing and directing the subject, intentionally composing the frame--he also passionately discusses the need for personal development, creative collaboration, and connection with the subject. Because who you are directly and deeply affects what you create, and it is only through cultivating your own inner light that you will be able to bring it out in your subjects. Filled with instruction, insight, and inspiration, Authentic Portraits is an honest and personal book about creating better frames. It's also about becoming your best self. Take the journey, and you'll learn to find your vision and voice, bring intention to your photography and your life, embrace mystery, and understand the importance of gratitude and empathy. Along the way, you will teach the camera to see in a way that replicates how you feel, and you'll find you have all you need to create work of lasting significance. TABLE OF CONTENTS Part 1: The Foundation of Authentic Portraiture 01: Authentic Portraits 02: Beneath the Surface 03: The Paradox of Portraiture 04: Harmony and Discord 05: Thread 06: The Search Part 2: The Art of Authentic Portraiture 07: Light and Soul 08: Invisible Light 09: Defining and Cultivating Soul 10: Silence 11: Wabi Sabi Part 3: Mastering Technique, Gear, and Light 12: Finding the Perfect Portrait Lens 13: Exposure Settings 14: Seven Principles of Natural Light 15: Working with Natural Light Part 4: The Sitter and the Subject 16: Finding Subjects 17: Finding and Approaching People You Want to Photograph 18: Pre-Shoot Prep 19: Preparing Yourself 20: Photograph People, Not Labels Part 5: Posing, Directing, and Connecting 21: Defining Your Directorial Style 22: Practical Posing Tips 23: Connecting with the Subject 24: Unlikely Inspiration for Connecting 25: The Four-Step Approach Part 6: Camera Work 26: Composition 27: This to That Part 7: Stepping Up Your Game 28: The Other Side of the Lens 29: Courage 30: Inner Art 31: Gratitude 32: FAQ 33: The Journey Ahead Thanks Image Details Index