"Remarkable...compulsively absorbing."-- Ken Johnson, "The New York Times"

""Starstruck" unexpectedly celebrates the beauty of the amateur-one whose vocation is not driven by a hunger for money, but by love. The book is a breath of fresh air."--Warren Beatty

..".wildly entertaining...An obligatory purchase for all pop culture collections."--"Library Journal"

This pop culture classic unearths candid photos of the most famous superstars of the 60s and 70s alongside forgotten and cult personalities, captured through the lens of a monumentally obsessed fan. Gary Boas' tales of his interactions with the stars add to this fascinating document of a bygone era.

Untitled is the third volume of Diane Arbus's work and the only one devoted exclusively to a single project. The photographs were taken at residences for the mentally retarded between 1969 and 1971, in the last years of Arbus's life. Although she considered doing a book on the subject, the vast majority of these pictures remained unpublished prior to this volume. These photographs achieve a lyricism, an emotional purity that sets them apart from all her other accomplishments. "Finally what I've been searching for," she wrote at the time. The product of her consistently unflinching regard for reality as she found it, the images in this book have less in common with the documentary than with the mythic. Untitled may well be Arbus's most transcendent, most romantic vision. It is a celebration of the singularity and connectedness of each and every one of us. For Diane Arbus, this is what making pictures was all about. This is the first edition in which the image separations were created digitally; the files have been specially prepared by Robert J. Hennessey using prints by Neil Selkirk.

This book examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. To Nancy, the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. The book consists of two extended essays written a decade apart but in close conversation, in which Nancy considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial Introduction by Jeffrey Librett, which places Nancy's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. Though undergirded by a powerful grasp of the philosophical and psychoanalytic tradition that has rendered our sense of the subject so problematic, Nancy's book is at heart a delightful, unpretentious reading of three dozen portraits, from ancient drinking mugs to recent experimental or parodic pieces in which the artistic representation of a sitter is made from their blood, germ cultures, or DNA. The contemporary world of ubiquitous photos, Nancy argues, in no way makes the portrait a thing of the past. On the contrary, the forms of appearing that mark the portrait continue to challenge how we see the bodies and representations that dominate our world.

Candid and personal, dazzling with color and immediacy, this first and only monograph of a rising star of the photography scene features work from major labels and magazines, outtakes from shoots, and newly commissioned texts by Edward Enninful and Ekow Eshun on the importance of authentic diversity behind and in front of the camera. From major portraits of the likes of Kendall Jenner, FKA Twigs, and Tyler, the Creator to cover shoots for leading magazines such as Time, Rolling Stone, and Garage, Campbell Addy has quickly become one of the most in-demand photographers of his generation. The book opens with a foreword by British Vogue's editor-in-chief, Edward Enninful, discussing the powerful intersection of photography, race, beauty, and representation. This is followed by a broad selection of Addy's striking photographs, which range from prominent fashion and magazine commissions to candid portraiture. Featuring recognizable cover shots alongside unpublished outtakes and unseen photography, viewers are afforded insight into Addy's creative process on set. Quotes from leading Black figures including Naomi Campbell and Nadine Ijewere are woven between Addy's striking imagery, in which these trailblazing Black creatives reflect on the first time they felt seen in their industry. The book closes with a deeper exploration of Addy's more personal imagery and influences, paying tribute to the heritage of Black photographers through the work of Ajamu and James Barnor. In conversation with curator and writer Ekow Eshun, Addy balances his own experiences as a queer, Black photographer who left his Jehovah's Witness family home at sixteen with broader questions of identity, intimacy, and art which face many creatives today. Charged with energy, compassion and authenticity, this inaugural monograph signals a major talent whose influence and stature will only grow with time.

Georgia O'Keeffe remains an icon, continuing to inspire generations to break barriers and embrace the natural world in both art and life. Featuring sixty-four lush, full-color photographs, this stunning new work captures O'Keeffe as she neared her ninetieth birthday, showcasing her homes and companions at Ghost Ranch and Abiquiú and the landscapes that inspired her. While O'Keeffe and her environs have been the subject of many photographers' work, only Varon was specifically chosen by O'Keeffe to photograph her work in color. This book is the first collection of photographs to portray O'Keeffe and her surroundings in color. Varon includes an insightful reflection on his experiences with O'Keeffe in which he brings the photographs to life in an intimate way. Cody Hartley, the director of the Georgia O'Keeffe Museum, and Barbara Buhler Lynes, the foremost O'Keeffe scholar, provide further context to Varon's photographs.

Commemorating the bicentennial of Frederick Douglass's birthday and featuring images discovered since its original publication in 2015, this "tour de force" (Library Journal, starred review) reintroduced Frederick Douglass to a twenty-first-century audience. From these pages-which include over 160 photographs of Douglass, as well as his previously unpublished writings and speeches on visual aesthetics-we learn that neither Custer nor Twain, nor even Abraham Lincoln, was the most photographed American of the nineteenth century. Indeed, it was Frederick Douglass, the ex-slave-turned-abolitionist, eloquent orator, and seminal writer, who is canonized here as a leading pioneer in photography and a prescient theorist who believed in the explosive social power of what was then just an emerging art form. Featuring: Contributions from Henry Louis Gates, Jr., and Kenneth B. Morris, Jr. (a direct Douglass descendent) 160 separate photographs of Douglass-many of which have never been publicly seen and were long lost to history A collection of contemporaneous artwork that shows how powerful Douglass's photographic legacy remains today, over a century after his death All Douglass's previously unpublished writings and speeches on visual aesthetics

An honest and personal book about creating better portraits and becoming your best self. The most successful portraits take us well beyond the surface of how someone looks and show us the inner essence of who someone is. They reveal character, soul, and depth. They uncover hidden hopes and profound truths, revealing that authentic and deeply human light that shines within. And while technical expertise is undoubtedly important, it's not the light, camera, or pose that creates a great portrait. It's you, and it's the connection you create with the subject that makes all the difference. In Authentic Portraits, photographer Chris Orwig teaches you that the secret to creating meaningful portraits is simple: curiosity, empathy, kindness, and soul...plus a bit of technique. While Chris spends significant time on the fundamentals of "getting the shot"--working with natural light, nailing focus, dialing in the correct exposure, effectively posing and directing the subject, intentionally composing the frame--he also passionately discusses the need for personal development, creative collaboration, and connection with the subject. Because who you are directly and deeply affects what you create, and it is only through cultivating your own inner light that you will be able to bring it out in your subjects. Filled with instruction, insight, and inspiration, Authentic Portraits is an honest and personal book about creating better frames. It's also about becoming your best self. Take the journey, and you'll learn to find your vision and voice, bring intention to your photography and your life, embrace mystery, and understand the importance of gratitude and empathy. Along the way, you will teach the camera to see in a way that replicates how you feel, and you'll find you have all you need to create work of lasting significance. TABLE OF CONTENTS Part 1: The Foundation of Authentic Portraiture 01: Authentic Portraits 02: Beneath the Surface 03: The Paradox of Portraiture 04: Harmony and Discord 05: Thread 06: The Search Part 2: The Art of Authentic Portraiture 07: Light and Soul 08: Invisible Light 09: Defining and Cultivating Soul 10: Silence 11: Wabi Sabi Part 3: Mastering Technique, Gear, and Light 12: Finding the Perfect Portrait Lens 13: Exposure Settings 14: Seven Principles of Natural Light 15: Working with Natural Light Part 4: The Sitter and the Subject 16: Finding Subjects 17: Finding and Approaching People You Want to Photograph 18: Pre-Shoot Prep 19: Preparing Yourself 20: Photograph People, Not Labels Part 5: Posing, Directing, and Connecting 21: Defining Your Directorial Style 22: Practical Posing Tips 23: Connecting with the Subject 24: Unlikely Inspiration for Connecting 25: The Four-Step Approach Part 6: Camera Work 26: Composition 27: This to That Part 7: Stepping Up Your Game 28: The Other Side of the Lens 29: Courage 30: Inner Art 31: Gratitude 32: FAQ 33: The Journey Ahead Thanks Image Details Index

Photographer Deirdre O'Callaghan has produced an unsettling but ultimately engaging document of the residents at Arlington House, Europe's largest men's refuge. Built in the early 20th century for intinerant Irish workers, many of the residents have been displaced from their home country and suffer from mental and physical disabilities, largely alcoholism. O'Callaghan's work reveals the humour and companionship the men derive from their shared experience, both in the refuge and on their sponsored return trips to Ireland. This book won the ICP Infinity Award for best publication in 2003 and the Rencontres de la Photographie D'Arles award for best book. It was also included in the PDN Photography Annual 2003 in the best books category

This eye-opening study of Civil War photography traces the introduction of the camera into the battlefield and shows its influence on history and our responses to war Six hundred thousand lives were lost between 1861 and 1865, making the conflict between North and South the nation's deadliest war. If the "War Between the States" was the test of the young republic's commitment to its founding precepts, it was also a watershed in photographic history, as the camera recorded the epic, heartbreaking narrative from beginning to end-providing those on the home front, for the first time, with immediate visual access to the horrors of the battlefield. Photography and the American Civil War features both familiar and rarely seen images that include haunting battlefield landscapes strewn with bodies, studio portraits of armed Confederate and Union soldiers (sometimes in the same family) preparing to meet their destiny, rare multi-panel panoramas of Gettysburg and Richmond, languorous camp scenes showing exhausted troops in repose, diagnostic medical studies of wounded soldiers who survived the war's last bloody battles, and portraits of both Abraham Lincoln and his assassin, John Wilkes Booth. Published on the occasion of the 150th anniversary of the battle of Gettysburg (1863), this beautifully produced book features Civil War photographs by George Barnard, Mathew Brady, Alexander Gardner, Timothy O'Sullivan, and many others. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art(04/01/13-09/02/13) The Gibbes Museum of Art (09/27/13-01/05/14) New Orleans Museum of Art (01/31/14-05/04/14)

There have been many Marilyn Monroe photo books--but nothing like this.

Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers--Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others--to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty.

Among the highlights:

Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career.

Classic portraits and pinups in luscious full color, digitally restored from the original transparencies.

Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give.

Rare candids of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others.

Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others.

Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers--and including her last interview, in which she reflects on her life and fame--Marilyn Monroe: Metamorphosis is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.

Say no to silicone: The greatest natural breasts of our times Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes's The Outlaw and Frederick's of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World's Largest Natural Breasts. The 420 pages of this book contain the most beautiful and provocative black and white and color photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best. The editor: Dian Hanson is a twenty-five-year veteran of men's magazine publishing. She began her career at Puritan magazine in 1976 and went on to edit a variety of titles, including Partner, Oui, Hooker, Outlaw Biker, and Juggs magazines. In 1987 she took over the ?60s title Leg Show and transformed it into the world's best-selling fetishpublication. Most recently, she authored TASCHEN's Terryworld, Tom of Finland: The Comic Collection and History of Men's Magazines six-volume set.

Defying traditional portraiture, Wolfgang Strassl (*1956) has made a series of photographs which encapsulates the rich, varied, eclectic and diverse population of London as seen in the democratising space of a carriage on the London Underground. By omitting the face in these portraits, Strassl allows us an undistracted and genuine perusal of these passengers and the stories, which their visual appearances are telling. This also challenges our ability to see, recognise and understand these stories. It is a gentle yet pervasive look at the great sea of humanity travelling in subterranean London and the rich diversity in this contemporary metropolis. Text in English and German.

The photo book Like Birds by photographer Sven Jacobsen takes us back to a carefree time of youthful self-awareness, to a summer full of adventure. In their immediacy, a timeless dimension develops in his photographs of youngsters experimenting; exuberantly jumping into the water; clambering around on fences, poles, and dunes; being silly; kissing; skateboarding; or simply lying in the tall grass. In this way, the lakes, dunes, or apartments depicted become places in a collective memory. The spherical landscapes captured in this way-the snapshots of free youth with its beauty, its chaos, its silence, and its loudness-quickly develop a narrative pull. What looks like a light-hearted summer snapshot on the surface may suddenly touch deeper layers of the subconscious.

This is a selection of photographs taken from 1929 to 1942.

Whatever type of device you use to take pictures - whether a phone or a pro-spec digital camera - the most compelling subject is always other human beings. Portraiture is one of the most popular genres in photography, but it can also be one of the most daunting to undertake, especially when you're just starting out. In this comprehensive guide, Demetrius Fordham shares his real-life experiences from years of portrait sessions, using these examples to impart the tips, tricks and knowledge that will let you take your own amazing images of people. - Learn from real-life portraiture examples, shot by a top pro - Gain the skills needed to create a rapport with your subject - Get all the tips and tricks for perfect posing - Master every type of portraiture from casual-looking group shots to formal studio sessions - Discover techniques that will let you get amazing pictures of people in any situation

"So many people take those simple snapshots of life, but there's something about Eggleston that no one can match." -Sofia Coppola The eminent American photographer William Eggleston (b. 1939) was a pioneer in exploring the artistic potential of color photography. Eggleston made a name for himself with his eccentric, unexpected compositions of everyday life that were nonetheless rife with implied narrative, elevating the commonplace to art. This sumptuously illustrated book features Eggleston's masterful portraits, including the artist's first color photograph-a study of a young clerk pushing shopping carts at a supermarket-from his Los Alamos series. There are many other familiar and beloved images as well as some previously unseen photographs from his long and productive career. Many of Eggleston's poetic photographs portray life in his home state of Tennessee, and the people he encountered there. Eggleston frequented the 1970s Memphis club scene, where he met, befriended, and photographed musicians such as fellow Southerners Alex Chilton and Ike Turner. He also photographed celebrities including Dennis Hopper, Walter Hopps, and Eudora Welty, and became a fixture of Andy Warhol's Factory scene, dating the Warhol protege Viva. Over the past half century, he has created a powerful and enduring body of work featuring friends and family, musicians, artists, and strangers. In addition to the lavish reproductions of Eggleston's portraits, this volume includes an essay and chronology, plus an interview with Eggleston and his close family members that gives new insights into his images and artistic process.

Learn to style for advertisements, magazines and portfolios and take your first steps into one of fashion communication's most dynamic and rewarding careers. With hands-on practical advice on working as part of a team, developing a visual vocabulary and managing a shoot, you'll be encouraged to experiment and develop your own original creative concepts. This revised edition includes a new chapter on the future of the industry, exploring how the role is changing and the stylist's position as an entrepreneur. There are also new interviews with professional stylists and 120 new images to demonstrate each technique.

This title includes helpful, step-by step photo ideas & tips and an engaging voice that will inspire new parents and grandparents. In this beautiful book, acclaimed photographer Me Ra Koh shows new parents how to capture the story of their baby's first year with 40 easy 'photo recipes' anyone can do, with any camera. The first year of a baby's life is full of precious, fleeting moments and heart-tugging change. In this book, new parents and grandparents are inspired with easy, step-by-step photo ideas for capturing developmental milestones and special moments, from tiny yawns to first smiles, learning to sit up and much more. Unlike most books on photographing children, which are written by photographers for photographers, ours is written by a mother in a friendly, nontechnical voice. With helpful tips and an engaging parent-to-parent voice, Me Ra shows how easy taking great photos can be.

Rihanna, John Turturro, Angela Merkel, Martin Kippenberger, Mario Draghi, and Miss Piggy share two things: they are world famous, and they have all stood in front of the camera of Anatol Kotte. His unique portrait photographs have featured in publications such as Time, Die Zeit, Stern, or L’Uomo Vogue. But what makes Kotte’s photographs special? At first glance they are cool and distant, and at second glance emotional and dramatic. They permit those being portrayed to discover very different aspects of themselves. Kotte approaches them candidly, seeks a special gaze, an unexpected demeanor or environment—preferably in black and white, always moving. The portraits are also interspersed with surprising views of cities and landscapes. The world and individuals become icons, and we can take a very new look at them.

'One of the greatest music photographers of all time...this book is indispensable to anyone who is a fan of Morrissey, or of great photography ' Classic Pop magazine 'Unsurprisingly, given Cummin's history, the photographs are beautifully composed, from the live shots with their webbing of shredded shirts and outstretched arms to the lyrical portraits on staircases or Japanese streets' Q Magazine Taken by renowned photographer Kevin Cummins and featuring hundreds of previously unseen images, Alone and Palely Loitering chronicles Morrissey's world as he emerged from The Smiths and established himself as a solo artist. Breathtaking photographs cover chaotic live performances, intimate portrait sessions and snatched moments backstage and on tour over a ten-year period. Cummins provides insightful commentary on the art of photography and what it was like to work and travel with Morrissey. The book also includes portraits of from fans around the world with Morrissey-inspired tattoos, featuring an essay by literary academic Dr Gail Crowther exploring how this art form is used to display devotion to a unique musician.

One of a handful of artists to emerge from Andy Warhol's celebrity-focused Interview magazine, Matthew Rolston is a well-established icon of Hollywood photography. Alongside such luminaries as Herb Ritts and Greg Gorman, Rolston was a member of an influential group of photographers (among them, Bruce Weber, Annie Leibovitz, and Steven Meisel) who came from the 1980s magazine scene. Rolston helped define the era's take on celebrity image-making, gender bending, and much more. Edited by Los Angeles-based gallerist and curator David Fahey, this book, Rolston's fourth monograph, presents a stunning array of portraits that beautifully capture the decade and its myriad talents. From Michael Jackson and Madonna, to Prince, George Michael, and Cyndi Lauper, the images reflect a seamless blend of style, skill, and scintillation. This volume features over 100 mesmerising photographs selected from Rolston's extensive body of work, centering on his unforgettable portraits of the era's most famous personalities. With essays by authors Pat Hackett, Andy Warhol's longtime collaborator and diarist; Colin Westerbeck, noted photographic curator and expert on American photographer Irving Penn; and Charles Churchward, longtime creative director of Vogue and Vanity Fair and author of The Golden Hour, a definitive biography of Herb Ritts, Hollywood Royale: Out of the School of Los Angeles, paints a fascinating picture of an indelible image-maker and the film stars, models, and artists he immortalised during this period. Rolston's photographs recall the glamour of "Old Hollywood" with postmodern irony, helping to point the way towards the cult of fame we live with today.

Ericson was motivated to begin photographing the Roma community during a visit to the southern part of Czech Republic where he witnessed vast discrimination. He has documented the lives of Roma people across multiple countries including Czech Republic, France, Sweden, Kosovo, Hungary, Serbia, Romania, Switzerland, Spain and Slovakia bearing witness to a group of people deprived of political, economical, cultural and social rights.