Focusing on the presence of the photographer’s gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.Fully updated to take into account advances in creative work and photographic technology, this second edition also includes stunning new visuals and a discussion on the role of social media in the practice of portraiture.Each chapter includes a practical assignment, designed to help you explore various kinds of portrait photography and produce a range of different styles for your creative portfolio.

FEATURED IN THE NEW YORKER: The Faces of Americans Living in Debt Finalist for the Dorothea Lange/Paul Taylor Prize in Documentary. Featured on Politico, in the Washington Post, the Daily Mail, and the Huffington Post, USA Today, Business Insider, Refinery29, and Fast Company. Based on the popular online photo series and now published in print for the first time, The Debt Project collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame. Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers. The Debt Project, with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.

Toba Tucker's expressive portraits honouring Pueblo artists were made over a two-and-a-half year sojourn in the Southwest. These photographs form a record for history and art at the end of the twentieth century and portray Tucker's interest in the individuals and families who pass their artistic traditions from one generation to the next. The portraits reflect the sense of belonging that she so evidently found among the people who welcomed her into their homes, and they attest to her abiding respect and deep appreciation for the native traditions that continue to carry the Pueblo spirit.

Randal Ford now focuses his portraiture lens on the one species that has been by our side for millennia: our best friend. Good Dog captures the warmth, humor, and unconditional love that is at the heart of every dog. From mutts beaming with charisma and charm to show dogs exuding grace and elegance, Ford s 150 dog portraits bring out the dog lover in all of us. With a compelling essay by W. Bruce Cameron, this warm, tender, playful, and heartfelt collection of dog portraits gives us a beautiful look into the lives of our most cherished companions.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to own portraits of themselves. Each of the books in the series contains two hundred images chosen from a visually rich vein of social history. Their covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument."
"Women & Hats" explores the remarkable range found in the world of millinery, from outrageous Edwardian creations to the inventive austerities of World War II. Each of these unique and visually stunning books give a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike.

This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context. This book examines the selfie as a social and technological phenomenon but also engages with digital self-portraiture as representation: as work that is committed to rigorous object-based analysis. The scholars in this volume consider the topic of online self-portraiture-both its social function as a technology-driven form of visual communication, as well as its thematic, intellectual, historical, and aesthetic intersections with the history of art and visual culture. This book will be of interest to scholars of photography, art history, and media studies.

Renowned photographer Bunny Yeager was a magnet for beautiful models in the 1960s. She adorned them with beautiful bikinis and carefully photographed them in exotic and unexpected places, in playful poses that are simultaneously sweet and sexy. Here is a wonderful, reminiscent look at feminine beauty, 1960s style, by one of the key characters who defined it. More than 150 swimsuit models are represented.

An unprecedented volume of photography from the Condé Nast Archive, illustrating the history, art, and fashion of their famous magazine brands Chronorama: Photographic Treasures of the 20th Century is an impressive photography volume curated by Condé Nast. Chrono—referring to space-time—and rama—referring to sight—are the cornerstones of this notable art record that depicts the third decade of the 21st century, a decade that had the potential to be another Roaring Twenties, and during which, Condé Nast Publications experienced meteoric growth. Taken from the pages of Vogue, Vanity Fair, House & Garden, GQ, and Glamour, the nearly 400 stunning original vintage prints and illustrations within this tome are by top photographers such as Irving Penn, Helmut Newton, Edward Steichen, Cecil Beaton, Eduardo Garcia Benito, Horst P. Horst, George Hoyningen-Huene, and Arthur Elgort—resulting in an unprecedented showcase of some of the most important works ever to be produced for the magazine page. Organized by decade, the book opens with the 1910s and ends with the 1970s, and the backstories of each decade are told through the art and historical context of the times, firmly situating the prevalence of the works in the minds of the readers. An exclusive collection of full-color, vivid, exquisite, and memorable images, Chronorama is not only a landmark in the history of photography and illustrated books, but also a pivotal time in the history of fashion, design, and the arts.

Kary H. Lasch (1914 - 1993) was a Czech-born photographer who moved to Sweden in 1939 and whose international model scouting network was based in Stockholm. His photographic career spanned the 1950s through the 1980s, and he attended the Cannes Film Festival consecutively for over 30 years. He travelled widely, and is well known for his iconic images of Picasso, Dali, Fellini, Sofia Loren, and Brigitte Bardot. Lasch was known to do anything to get a scoop on the best photos. In a famous instance, when Sofia Loren was on her way to Stockholm by train from Copenhagen in 1955, Kary picked up the train she was on in Copenhagen, bribed the concierge, and photographed her while she was dressing in the train car. When they arrived in the Stockholm Central Station, the Swedish press were competing for the best position for a picture while Sofia and Kary were looking out of the train window. This 3-volume set (Vol. 1: Famous; Vol. 2: Cannes; Vol. 3: Humorous), brings together works from the extensive Kary Lasch Collection, which contains more than 600,000 images.

Lewis Carroll's photographs of young girls, Julia Margaret Cameron's photographs of Madonnas and the photographs of Hannah Cullwick, "maid of all work", pictured in masquerade - Carol Mavor addresses the erotic possibilities of these images, exploring not ony the sexualities of the girls, maids and Madonnas, but the pleasures taken - by the viewer, the photographer, the model - in imagining these sexualities.

To celebrate the acquisition of the Tom Phillips archive, the Bodleian Library has asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, 'ordinary' people could afford to own their portraits. Readers shows people reading (or pretending to read) a wide variety of material from the Bible to Film Fun, either in the photographer's studio, in their own home or holidaying on the beach. Each book contains 200 images chosen with the eye of a leading artist from a visually rich vein of social history. Their covers will also feature a thematically linked painting, especially created for each title, from Tom Phillips' signature work, A Humument.

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived-chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts' surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines-working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences-and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts' life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.

Platinum Jubilee edition 'Full of gems ... Angela Kelly is a jewel in the crown' Daily Telegraph 'Entertaining and beautifully illustrated' The Sunday Times 'For real intel, [The Crown] can't come close to The Other Side of the Coin by Angela Kelly' The New York Times 'When Angela Kelly and The Queen are together, laughter echoes through the corridors of Buckingham Palace.' Angela worked with The Queen and walked the corridors of the Royal Household for twenty-eight years, initially as Her Majesty's Senior Dresser and then latterly as Her Majesty's Personal Advisor, Curator, Wardrobe and In-house Designer. As the first person in history to hold this title, she shared a uniquely close working relationship with The Queen. Her Majesty personally gave Angela her blessing to share their extraordinary bond with the world. Whether it was preparing for a formal occasion or brightening Her Majesty's day with a playful joke, Angela's priority was to serve and support. Sharing never-before-seen photographs - many from Angela's own private collection - and charming anecdotes of their time spent together, this revealing book provides memorable insights into what it was like to work closely with The Queen, to curate her wardrobe and to discover a true and lasting connection along the way. Revised and updated to mark The Queen's Platinum Jubilee, this special edition of The Other Side of the Coin contains chapters covering the Royal Household's isolation during the pandemic, Angela's own devotion to service to keep the monarch safe, and the light and laughter that was shared behind closed doors, even in the darkest moments.

For 45 years I've chronicled the Royal Family for the Sun newspaper with my camera. I've witnessed their triumphs and disasters, their laughter and tears, when they've found love and when their relationships splinter. I'm there when they emerge from the maternity wing as wailing newborns and I'm there again when they marry before a joyous nation. And when they're laid to rest on those solemn occasions that this country marks so well, I'm on hand to capture history being made. Arthur Edwards has been the Sun's Royal Photographer for over 45 years; the longest-serving of any newspaper. Originally from the East End of London, he is the man behind the most iconic photographs of the most famous family in the world. With commensurate skill and unprecedented access, he has captured the candid moments when protocol is put aside, revealing the true personalities behind the Crown. This beautiful book is a treasure trove of glorious photography, along with Arthur's own warm recollections of the stories behind his iconic shots. It is the perfect glimpse behind the scenes of the last 50 years of the British monarchy, from a truly unique perspective.

Pablo Picasso andy Warhol, Frida Kahlo . . . so many great artists have shared one very special love: the companionship of cats. Gathered here for the first time are behind-thescenes stories of more than 50 famous artists and their feline friends. From Salvador Dali's pet ocelot Babou to John Lennon and Yoko Ono's menagerie of cats, including Salt (who was black) and Pepper (who was white), Artists and Their Cats captures these endearing friendships in charming photographs and engaging text and reveals what creative souls and the animals best known for their independent spirits have in common. In this clever compilation, art aficionados will discover a softer side of their favourite artists and cat lovers will enjoy a whole new way to celebrate their favourite furry friends.

In November 2020, Depeche Mode were inducted into the Rock & Roll Hall of Fame, and Dave Gahan, accepting the honour, said: "I'd like to thank Anton Corbijn who thank God came in at the right time and actually made us look cool." Also in the fall of 2020, TASCHEN released the limited edition Depeche Mode by Anton Corbijn (81-18) signed by Depeche Mode and Anton Corbijn, and it became one of the fastest selling collector's editions in the publishing company's history. This equally epic, but more wallet friendly XL edition, is a testament to Corbijn's unique vision, and indeed "cool" as Gahan acknowledged so movingly in his speech; a detailed illustrated history of how Corbijn, who became in 1986 the band's de facto creative director, and helped cement Depeche Mode's reputation as the biggest cult band in the world. Featuring over 500 photographs from Corbijn's extensive archives, some never seen before, including formal and informal portraits from places such as Madrid, Hamburg, the California desert, Prague and Marrakech (some taken during the making of iconic videos such as "Enjoy the Silence" and "Personal Jesus"); a multitude of off-the-cuff, candid images; and stunning live shots from all their tours since 1988. In addition to the photographs, there are sketches and designs for stage sets and album covers, Corbijn's handwritten captions throughout the book, placing the reader right in the middle of the shoots, and an extended interview with the Dutch master. Created with the full collaboration of the band, who share some insights on working with Corbijn, Depeche Mode by Anton Corbijn (81-18) trumpets how one man's original aesthetic, that has encompassed all of their photography, most of their music videos, album graphics and set designs, helped shape the band's enduring popularity. Reflecting on his role in Depeche, Corbijn recalls in the book's introduction: "A lot of it came down to me, and I wanted it to be right for them. I wanted to think for them. To be great for them." This book is a tribute to the depth and breadth of that greatness, a celebration of one of the most creative and enduring collaborations in rock history.

In 2002, Tabitha Soren first began photographing a group of minor league draft picks for the Oakland A's-young men coming into the major league farm system straight from high school or college. Since then, she has followed the players through their baseball lives, an alternate reality of long bus rides, on-field injuries, friendships and marriages entered and exited, constant motion, and very hard work, often for very little return. Some of the subjects, like Nick Swisher and Joe Blanton, have gone on to become well-known, respected players at the highest level of the game. Some left baseball to pursue other lines of work, such as selling insurance and coal mining. Others have struggled with poverty and even homelessness. Fifteen years after that first shoot, Fantasy Life portrays a selection of these stories, gathering together a richly textured series of photographs taken on the field and behind the scenes at games, along with commentaries by each of the players and memorabilia from their lives-from kindergarten-age baseball cards to x-rays of player injuries. Dave Eggers contributes a five-part short story that compellingly condenses the roller-coaster ride of the minor-league everyman, from youthful pursuit of stardom through the slog of endless hardscrabble games, to that moment of realization that success may not be just around the corner after all. Additonally, a number of the featured players add their own real-life experiences of trying to make it to "The Show." Together, these elements evoke the enduring spirit of this quintessential American fantasy of making it in the major leagues.

Toba Tucker's expressive portraits honouring Pueblo artists were made over a two-and-a-half year sojourn in the Southwest. These photographs form a record for history and art at the end of the twentieth century and portray Tucker's interest in the individuals and families who pass their artistic traditions from one generation to the next. The portraits reflect the sense of belonging that she so evidently found among the people who welcomed her into their homes, and they attest to her abiding respect and deep appreciation for the native traditions that continue to carry the Pueblo spirit.

A celebration of the timeless act of reading - as seen through the lens of one of the world's most beloved photographers Young or old, rich or poor, engaged in the sacred or the secular, people everywhere read. This homage to the beauty and seductiveness of reading brings together a collection of photographs taken by Steve McCurry over his nearly four decades of travel and is introduced by award-winning writer, Paul Theroux. McCurry's mesmerizing images of the universal human act of reading are an acknowledgement of - and a tribute to - the overwhelming power of the written word.

It was the amazing statistic which got Chris Steele-Perkins attention. There are 10,000 people aged over 100 in the UK and that number is growing rapidly. The Office of National Statistics predicts that 5% of the people alive today in the UK will live to be over 100. That is 3 million people. However, this book is not about statistics and the implications, it is about the people. In Fading Light Chris creates a portrait of this new generation. They are a mixed bunch of people who have seen many changes throughout their lives and have many stories to tell. Fading Light is a moving book showing the increasing number of centenarians and their miraculous ability to survive until the great age of 100.

*** 'Are you aging fabulously? Here's how.' Anna Murphy, The Times 'A lovely book celebrating female beauty over 40.' Top Sante 'You become what you see. What you see determines what you believe - and the most powerful way of inspiring people is with images. My goal with AndBloom is to motivate women to embrace life without fear. To provide examples of women between the age of 40 and, currently, 100, so that any woman can open this book and see themselves recognized.' Denise Boomkens launched the AndBloom project on Instagram in 2018, to create a 'happy place for women over 40' - a community where women can be themselves and where aging is celebrated instead of feared. In this, her first book, she shares her own experiences of aging and brings together portraits and interviews with more than 100 extraordinary 'ordinary' women to create both a gloriously illustrated celebration of female beauty over 40 and an empowering handbook to aging happily.

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Weddings" captures all the excitement and drama of the stages of the ceremony from preparations to wedding vehicles to family and friends in lively scenes in churches and homes. These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

Cecil Beaton (1904-1980) is one of the most celebrated British Portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers. Beaton used his camera, his ambition and his larger-than-life personality to mingle with a flamboyant and rebellious group of artists, writers, socialites and partygoers. These 'Bright Young Things' captured the spirit of the roaring twenties and thirties as they cut a dramatic swathe through the epoch. Beaton quickly developed a reputation for his beautiful, often striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. More than a photographer, Beaton became a society fixture in his own right. In a series of themed chapters, covering Beaton's first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 60 leading figures who sat for him are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton's socialite sisters Baba and Nancy Beaton, Stephen Tennant, the Mitfords, Siegfried Sassoon, Evelyn Waugh and Daphne Du Maurier. Beaton's photographs are complemented by a wide range of letters, drawings and ephemera and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb.