Gullberg combines images of women bearing scars on their bodies with those of the natural world - hinting at both a sense of inevitability and our unrealistic dreams of perfection. These women expose themselves, putting on display what our culture seeks to forget - the imperfect, the ugly and the embarrassing. And yet we need to be loved as we are. Unravelled is made in the hope that the viewer will come to love themselves a little bit more. The expressive qualities of Gullberg's work are both intimate and edgy. Her viewers are given a raw, yet poetic, look at life. She looks for beauty, strength and pride where you would not always expect to find it. Gullberg says "I deliberately put myself in situations that make me vulnerable. It makes me remember what it's like to have pictures taken of yourself. That again helps me uncover the traces that bind us together."

In 1948, photographer Tom Kelley took a photograph of an out-of-work actress, a nude posed against a scarlet background. That actress was Marilyn Monroe, and a few years later, the photo became Playboy's first ever centrefold. This volume offers a complete look at Kelley's visionary colour nude photography of the 1940s-1970s.

Musical Ink is a portrait project from Toronto-based photographer Jon Blacker that spotlights 62 musicians and their tattoos. This exciting volume of imagery not only has something for every musical taste - featured artists range in genre from heavy metal to hip hop and opera - the tattoo styles include elaborate sleeves, creative one points, and traditional Japanese themes. Each portrait is photographed in black and white using a special infrared camera, which allows the tattoos to truly stand out from the skin because while infrared light largely reflects off of skin, it is absorbed by the tattoo ink, creating a great deal of contrast between the almost glowing, ethereal appearance of the skin and the deep blacks and greys of the tattoos. But Musical Ink goes more than skin deep and focuses on the personal meanings of the artists' body art, be it a deep personal reflection or simply a great funny story. This outstanding collection of images, including artists like Dave Navarro, Chad Smith, and Sammy Hagar, is ideal for music lovers, tattoo aficionados and artists, and photographers.

A moving and joyful celebration of not only survival but also resilience and joy, expressed through 90 black-and-white portraits of Holocaust survivors and personal stories of their postwar lives. The survivors, many photographed with their family members, share lessons they have learned and pass on the wisdom that comes from building a life of one's choosing out of the wreckage of despair. Van Sise, an award-winning 20-year veteran photojournalist, spent four years working with Holocaust museums and outreach organizations to compile these captivating images and textual vignettes. The result is an inspirational keepsake that readers will treasure. Completing the volume are essays by Dr. Mayim Bialik, Neil Gaiman, and Sabrina Orah Mark.

This richly illustrated book is the first monograph to explore the prolific career of the celebrated photographer Anthony Barboza. Anthony Barboza (b. 1944) is a celebrated artist and writer who has made thousands of photographs in the studio and on the street since 1963. A member of the Kamoinge collective of photographers in New York, Barboza is largely self-taught and has an inimitable, highly intuitive vision that he refers to as "eye dreaming," or "a state of mind that's almost like meditation." Throughout the years he has made countless commercial images, including celebrity portraits, advertisements, and album covers. His personal photographic projects illuminate his deep investment in the art and concerns of Black communities, not only in the United States but also around the globe. This lavishly illustrated volume follows Barboza's prolific career from his youth in New Bedford, Massachusetts, to his formative years in New York in the 1960s, to the present day. An introduction by renowned author and critic Hilton Als underscores Barboza's importance and impact. An essay by curator Aaron Bryant contextualizes Barboza's life and career as they map against major civil rights events in the United States. In an intimate interview between the artist and curator Mazie M. Harris, Barboza offers astute, humorous, and intimate musings on his long career, foundational influences, and artistic legacy. This monograph, the first on the artist, will appeal to aficionados of photography and Black art and culture.

Bologna Portraits is the portrait of one of the most charming and least well-known Italian cities portrayed through the faces of the people who live there today. It started during the artist's many stays in the town. Discovering Bologna little by little, Jacopo Benassi took pictures, like a sort of notebook, of the faces of the most interesting people he met during his time there. After a few months he already had a large portfolio of people which, like in a mosaic, built a bigger portrait of the whole city today. Bologna is probably the best-kept secret of the Italian cities with a great past. Large-scale tourism has never affected it, but in recent years it has been discovered by a growing group of sophisticated travellers passionate about art, culture, cinema and food. The portraits are a mix of young artists, writers, minor and great musicians, leading businessmen, famous bar tenders, tailors, professors at the local university (the oldest in the Western world), personalities and international artists such as Nino Migliori and Luigi Ontani. All of them born or living in Bologna. The whole book is a study of real faces that are able to be meaningful and to tell a story, and recall a tradition like the study of faces by Pier Paolo Pasolini in some of his films, or Andy Warhol's Screen Tests. But at the same time, they recall a masterpiece like Un Paese, the book produced by Paul Strand and Cesare Zavattini. The book includes a text by art critic Antonio Grulli.

Amelia is 14 years old. In many ways, she is your average American teenager: since she was three years old, she has been her mother's muse, and the subject of her photographs. However, not every mom is a world-class photographer with a predilection for photographing animals. And it's not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees and endless dogs, cats, and other animals--portraits that hang in the collections of major art museums around the world. "Amelia and the Animals" is Robin Schwartz's second monograph featuring this collaborative series dedicated to documenting her and Amelia's adventures among the animals. As Schwartz puts it, "Photography is a means for Amelia to meet animals. Until recently, she took these opportunities for granted. She didn't realize how unusual her encounters were until everyone started to tell her how lucky she was to meet so many animals." Nonetheless, these images are more than documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared mother-daughter journey into invented worlds.
Robin Schwartz (born 1957) earned an MFA in photography from Pratt Institute, and her photographs are held in the collections of The Metropolitan Museum of Art and The Museum of Modern Art, in New York; Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; Brooklyn Museum; Chrysler Museum of Art, Norfolk, Virginia; Bibliotheque Nationale, Paris; and Museum Folkwang, Essen, Germany. She is an assistant professor of photography at William Paterson University and lives in New Jersey with her husband, Robert Forman, daughter, Amelia, and five companion animals.

The magnificent costume of the Herero of Namibia, southern Africa, is a stark reminder of the country's tumultuous past. In the late 19th century, the influence of missionaries and traders in German Southwest Africa led to the adoption by the Herero of the European dress of the day. Over time, the voluminous gowns, completed by a cattle-horn-shaped headdress, came to represent the cultural identity of the Herero women. The men's ceremonial dress also harks back to colonial times: following the brutal war of 1904, the Herero adapted the uniforms of German soldiers for their own Otruppe ('troops') movement. In Conflict and Costume, acclaimed photographer Jim Naughten captures the colourful Herero attire in a series of spectacular portraits. Set against the Namibian landscape, these dramatic images show the striking costumes and their proud owners to full effect: men in elaborate, home-made paramilitary uniforms, and women in floor-length frocks with matching horns. Dr Lutz Marten contributes an insightful text that places the dress in its historical context.

Photographer Ryland Hormel traveled across the United States from Alaska to Florida, asking people “When do you feel free?� Respondents wrote down their answers on 3� x 5� index cards, then had their photographs taken with Hormel’s vintage Leica M6 analog camera. When Do You Feel Free? is a collection of over 100 hand-written responses, alongside photographs that put the answers in context. The pages contain answers of photographs of recent immigrants, former convicts, fishermen, cowboys—that all come together to create a collective conversation about freedom through the fragmented perspectives of individuals across America. When Do You Feel Free? makes the reader realize freedom isn’t a location, but a state of mind, one that can be uncovered at any time.

Photographing newborns is a uniquely special experience and capturing the beauty of a newborn baby requires specific skills. In this practical book, Melanie East, one of the UK's leading newborn photographers, shares her secrets, from preparing for the newborn session through to post-production work. Advice is given on posing newborn babies using tried and tested techniques, while emphasizing the baby's safety at all times. There are tips on lighting, textures and tones, and using props to create interest in the newborn portrait and ideas for taking beautiful and enchanting images that parents will adore. Also Melanie gives clear instruction on choosing and using equipment near babies. Supported by her inspiring images, it is invaluable reading for photographers new to the genre, as well as professionals wishing to hone their skills.

The life or death mask is in many ways the sculptural analogue of the photographic portrait. Both suggest direct traces from life, involve positive and negative, and evoke a mysterious connection between a living, breathing subject and a captured image. The drive to capture true likenesses in the early 19th century was partly generated by the pseudo- science of phrenology. As a by-product of this, cast collections such as those of the Edinburgh Phrenological Society, have preserved haunting likenesses via life and death masks from individuals living 150 to over 200 years ago.Through her photographs Joanna Kane has taken these subjects out of the categories and hierarchies of their phrenological context. They no longer appear as disembodied scientific specimens, but as photographically embodied portraits of individual men and women - many of whom lived before the invention or popular use of photography. The title, "The Somnambulists", is a reference to mesmerism and phreno-mesmerism, which were current at the time from which many of the casts originate from. The resulting portraits appear to exist in an ambiguous suspended state between life, death and sleep.

Taken over the course of more than a year of exclusive access, this work applies large format still life photography to the context of a unique prison community, E Wing at Kingston Prison in Portsmouth. For eight years this was Britain's only wing dedicated to holding elderly lifers: murderers, rapists, paedophiles and other violent criminals aged from their late 50s to over 80 years old. "Still Life: Killing Time", is not simply a reportage about a particular prison. Elements of metaphor, abstraction and documentary explore the experience of long term incarceration and the passage of time, and touch on how ageing and physical decline affect the prison environment. The claustrophobia of these close up, deliberate and regular compositions reflects both the nature of the place and the experience of working in E Wing.The recurring motifs - bars, squares, boxes, grids - show the segmentation and ordering of time and space that is fundamental to prison life, while the details of the inmates' possessions, notice-boards, walls, tables and bedsides suggest their state of mind and how they adapt to long term incarceration and getting old in an institution.

"...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them...I discovered what I believed was a subculture of chic and I thought it merited a story." Baron WolmanThe 1960s witnessed a huge cultural revolution. Music was at the heart of a new generation's rallying cry for love, peace and harmony - from small clubs to giant festivals like Woodstock. With men predictably dominating as musicians and performers, the women and girls backstage started to explore their own forms of liberation and self-expression. They became better known as the Groupies - offering their allegiance to the music, and the artists who made it.On February 15, 1969 Rolling Stone magazine released a 'Special Super-Duper Neat Issue' called 'THE GROUPIES and Other Girls' featuring the work of their chief photographer, Baron Wolman. It would turn out to be a sensational milestone, making instant celebrities of the women featured. With this single issue, the Groupies had arrived.They emerged as extraordinary women, whose lifestyles divided opinion and remain controversial.Some became models, actresses, writers, artists and musicians - the GTOs, the original 'Groupie band' admired and encouraged by Frank Zappa, is featured here. Others fell into obscurity.Now, over 45 years later, ACC and Iconic Images are proud to publish the photographs of Baron Wolman in a single volume for the first time. Groupies and Other Girls features more than 150 images, including previously unseen out-takes and contact sheets, and comes complete with the original Rolling Stone text, as well as interviews with several of the women today.

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel Garcia Marquez, Zadie Smith, and Colm Toibin "We've all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind's eye."-Laura Wilson Inspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O'Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography's shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin August 26, 2022-January 1, 2023

Vogue has always been on the cutting edge of popular culture, and Vogue x Music shows us why. Whether they're contemporary stars or classic idols, whether they made digital albums or vinyl records, the world's most popular musicians have always graced the pages of Vogue. In this book you'll find unforgettable portraits of Madonna beside David Bowie, Kendrick Lamar, and Patti Smith; St. Vincent alongside Debbie Harry, and much more. Spanning the magazine's 126 years, this breathtaking book is filled with the work of acclaimed photographers like Richard Avedon and Annie Leibovitz as well as daring, music-inspired fashion portfolios from Irving Penn and Steven Klein. Excerpts from essential interviews with rock stars, blues singers, rappers, and others are included on nearly every page, capturing exactly what makes each musician so indelible. Vogue x Music is a testament to star power, and proves that some looks are as timeless as your favorite albums.

In a follow-up to the popular The New Paris, Lindsey Tramuta explores the impact that the women of Paris have had on the rapidly evolving culture of their city   The New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness� in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.

Nuevo New York is a collection of portraits and interviews with influential Latin Americans who came to New York City to pursue their ambitions. The portraits are born out of a collaboration between two authors who made the journey from Latin America to New York themselves--photographer Hans Neumann (born in Peru), and fashion publicist Gabriel Rivera-Barraza (born in Mexico). Each figure included in Nuevo New York is an important player in the fields of fashion and the arts, having lived in New York City for at least five years and having gained recognition for their work. Neumann and Rivera-Barraza trace how their subjects came to be who they are today, and what role the city of New York has played in their trajectories. Interviewees include Andres Serrano, Candy Pratts Price, Carolina Herrera, Enrique Norten, Estrellita Brodsky, Francisco Costa, Jose Parla, Lazaro Hernandez, Maria Cornejo and Nina Garcia.

This book of Alan Grainger's photographs of convention-defying eccentrics illustrate that these people are not 'freaks' but non-conforming, creative, and self-determined. Featuring unique individuals like Lydia (the Vampire), Tom (the Leopard man), and impersonators of Clint Eastwood and King Arthur.