Executive Order is a trenchant look at corporate America, featuring portraits and office interiors shot during the 1970s in Los Angeles and the Mountain West. A daring critique of wealth and power, Ressler wields photography with humor and insight, and her work is especially relevant today. Susan Ressler is an internationally renowned photographer, author and educator. An NEA fellow, her work is in the Smithsonian American Art Museum and the Library Archives of Canada, among other important collections. Mark Rice is an award-winning author and the founding chair of the American Studies Department at St. John Fisher College near Rochester, New York.

A stunning full-color collection of photographs, old and new, by the renowned photographer and LGBTQIA+ activist Lola Flash Working at the forefront of genderqueer visual politics, celebrated photographer Lola Flash has become known for images that manage to both interrogate and transcend preconceptions about gender, sex, and race. Spurred by their experience as an active member of ACT UP and ART+ during the AIDS epidemic in New York City, their art is profoundly connected to their activism, fueling a lifelong commitment to visibility and preserving the legacy of queer communities, especially queer communities of color. The seventeenth volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic "Cross Colour" images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene. In all their images, their passion for photography and their belief in the medium's ability to provide agency and freedom and initiate change shine through. For the first time, Believable brings together the remarkable work of this queer art icon. Believable was designed by Emerson, Wajdowicz Studios (EWS).

Photographer of excellence, and among the most appreciated in the contemporary art scene, the Dutch photographer Erwin Olaf (1959) is to be considered one of the greatest interpreters of modern portrait photography: he is known all over the world for a photographic style dominated by mysterious and contemplative atmospheres, for his mise en scène and theatrical compositions. In his shots Olaf weaves complex and dramatic narratives. His works are striking in their strangeness, their will to provoke, their sense of solitude and restlessness: they catch glimpses of truth, which reveal the imperfection and the fictitious nature of an apparently perfect world. This rich catalogue represents a journey through the artist's entire production, offering a complete overview of his work: from the beginning with Chessmen, the series that made him internationally famous, awarded at the Young European Photographer competition in 1988, up to the recent Palm Springs project (2018). The volume includes a critical text by Walter Guadagnini and a conversation with the artist. Text in English and Italian.

In 1948, photographer Tom Kelley took a photograph of an out-of-work actress, a nude posed against a scarlet background. That actress was Marilyn Monroe, and a few years later, the photo became Playboy's first ever centrefold. This volume offers a complete look at Kelley's visionary colour nude photography of the 1940s-1970s.

A surprise discovery in the 1980s unearthed the remarkable early twentieth century photographs of Berry & Co., now held in Te Papa's collection. Amongst the thousands of mystery images are more than a hundred of ordinary First World War servicemen, taken directly before the men left to fight. But who were they? A heartfelt public response has helped reunite many soldiers with their identities, and careful research has brought more to light. Though these soldiers represent only a tiny fraction of the thousands of men who departed to join the fighting overseas, through their poignant stories we are granted a remarkable lens on New Zealanders' experiences - their hope, anxiety, fear, pride and love - over the span of the Frist World War. Published alongside the TVNZ documentary, Berry Boys features the full collection of beautifully reproduced portraits, accompanied by the unique stories of the soldiers and their loved ones. Some died overseas, others lived long after the war and all were changed by it. Although they are only a fraction of the thousands of men who served, they offer a potent snapshot of the New Zealand of the time - and the changing face of the First World War itself.

Photographer Ryland Hormel traveled across the United States from Alaska to Florida, asking people “When do you feel free?” Respondents wrote down their answers on 3” x 5” index cards, then had their photographs taken with Hormel’s vintage Leica M6 analog camera. When Do You Feel Free? is a collection of over 100 hand-written responses, alongside photographs that put the answers in context. The pages contain answers of photographs of recent immigrants, former convicts, fishermen, cowboys—that all come together to create a collective conversation about freedom through the fragmented perspectives of individuals across America. When Do You Feel Free? makes the reader realize freedom isn’t a location, but a state of mind, one that can be uncovered at any time.

Gullberg combines images of women bearing scars on their bodies with those of the natural world - hinting at both a sense of inevitability and our unrealistic dreams of perfection. These women expose themselves, putting on display what our culture seeks to forget - the imperfect, the ugly and the embarrassing. And yet we need to be loved as we are. Unravelled is made in the hope that the viewer will come to love themselves a little bit more. The expressive qualities of Gullberg's work are both intimate and edgy. Her viewers are given a raw, yet poetic, look at life. She looks for beauty, strength and pride where you would not always expect to find it. Gullberg says "I deliberately put myself in situations that make me vulnerable. It makes me remember what it's like to have pictures taken of yourself. That again helps me uncover the traces that bind us together."

Before Bunny Yeager was old enough to be one, she fantasized about becoming a Pin-Up girl. She realized her dream and much more. After building a successful modeling career, she moved behind the camera, in the 1950s, to become one of the most renowned glamour photographers in the world. Her work has appeared in magazines, calendars, posters, and several books. This book is a celebration of all the emancipated young women with beautiful faces and figures who posed for her in the 1950s, just as she embarked on her career as a professional photographer. There are nearly 200 photographs, all reproduced as Bunny took them, including full color and beautiful black and white works. This book will delight aficionados of the Pin-Up, historians of photography, and admirers of the human form.

A moving and joyful celebration of not only survival but also resilience and joy, expressed through 90 black-and-white portraits of Holocaust survivors and personal stories of their postwar lives. The survivors, many photographed with their family members, share lessons they have learned and pass on the wisdom that comes from building a life of one's choosing out of the wreckage of despair. Van Sise, an award-winning 20-year veteran photojournalist, spent four years working with Holocaust museums and outreach organizations to compile these captivating images and textual vignettes. The result is an inspirational keepsake that readers will treasure. Completing the volume are essays by Dr. Mayim Bialik, Neil Gaiman, and Sabrina Orah Mark.

Musical Ink is a portrait project from Toronto-based photographer Jon Blacker that spotlights 62 musicians and their tattoos. This exciting volume of imagery not only has something for every musical taste - featured artists range in genre from heavy metal to hip hop and opera - the tattoo styles include elaborate sleeves, creative one points, and traditional Japanese themes. Each portrait is photographed in black and white using a special infrared camera, which allows the tattoos to truly stand out from the skin because while infrared light largely reflects off of skin, it is absorbed by the tattoo ink, creating a great deal of contrast between the almost glowing, ethereal appearance of the skin and the deep blacks and greys of the tattoos. But Musical Ink goes more than skin deep and focuses on the personal meanings of the artists' body art, be it a deep personal reflection or simply a great funny story. This outstanding collection of images, including artists like Dave Navarro, Chad Smith, and Sammy Hagar, is ideal for music lovers, tattoo aficionados and artists, and photographers.

"It reveals a unique look into the profession of photography." -Gerd Ludwig Photography Charles Moriarty, Stills department manager for Star Wars and photographer for Amy Winehouse, presents Photographers on the Art of Photography: a series of intimate conversations with some of the most highly regarded names in photography. From celebrity portraitists such as Terry O'Neill, to famed fashion photographers like Jerry Schatzberg and wildlife specialists Tim Flach and Sue Flood, this book offers a unique insight into all angles of the profession. Twenty celebrated photographers discuss how they got started, as well as their favoured techniques, motivations, inspirations and greatest accomplishments. Discover each artist's vision in their own words and reflect on what makes their talents unique. Interviews from: Ed Caraeff (music); Terry O Neill (celebrity portraiture); Norman Seeff (music); Johnathan Daniel Pryce (fashion); Douglas Kirkland (Hollywood); Gerd Ludwig (National Geographic); Slava Mogutin (queer fine art); Jerry Schatzberg (fashion, film, music, portraiture); Tim Flach (wildlife); Richard Phibbs (fashion, commercial, portraiture); Eva Sereny (Hollywood, celebrity portraiture); Sue Flood (wildlife); Tom Stoddard (photojournalism).

Intimate photo essays of thirty-eight important writers, including Margaret Atwood, Gabriel Garcia Marquez, Zadie Smith, and Colm Toibin "We've all seen writers on the dust jackets of their books. These portraits, it seemed to me, generally failed to convey either character or personality. Writers deserve better. I wanted to make compelling pictures that would stick in the mind's eye."-Laura Wilson Inspired by the classic photo essays that once appeared in Life magazine, renowned photographer Laura Wilson presents dynamic portraits of thirty-eight internationally acclaimed writers. Through her photos and accompanying texts, she gives us vivid, revealing glimpses into the everyday lives of such luminaries as Rachel Cusk, Edwidge Danticat, David McCullough, Haruki Murakami, and the late Carlos Fuentes and Seamus Heaney, among others. Margaret Atwood works in her garden. Tim O'Brien performs magic tricks for his family. And Louise Erdrich, who contributes an introduction, speaks with customers in her Minneapolis bookstore. At once inviting and poignant, the book reflects on writing and photography's shared concerns with invention, transformation, memory, and preservation. With 220 duotone images, The Writers: Portraits will appeal to fans of literature and photography alike. Published in association with the Harry Ransom Center at The University of Texas at Austin Exhibition Schedule: Harry Ransom Center at The University of Texas at Austin August 26, 2022-January 1, 2023

Amelia is 14 years old. In many ways, she is your average American teenager: since she was three years old, she has been her mother's muse, and the subject of her photographs. However, not every mom is a world-class photographer with a predilection for photographing animals. And it's not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees and endless dogs, cats, and other animals--portraits that hang in the collections of major art museums around the world. "Amelia and the Animals" is Robin Schwartz's second monograph featuring this collaborative series dedicated to documenting her and Amelia's adventures among the animals. As Schwartz puts it, "Photography is a means for Amelia to meet animals. Until recently, she took these opportunities for granted. She didn't realize how unusual her encounters were until everyone started to tell her how lucky she was to meet so many animals." Nonetheless, these images are more than documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared mother-daughter journey into invented worlds.
Robin Schwartz (born 1957) earned an MFA in photography from Pratt Institute, and her photographs are held in the collections of The Metropolitan Museum of Art and The Museum of Modern Art, in New York; Smithsonian American Art Museum, Washington, D.C.; San Francisco Museum of Modern Art; Brooklyn Museum; Chrysler Museum of Art, Norfolk, Virginia; Bibliotheque Nationale, Paris; and Museum Folkwang, Essen, Germany. She is an assistant professor of photography at William Paterson University and lives in New Jersey with her husband, Robert Forman, daughter, Amelia, and five companion animals.

When eminent photographer Stefan Ruiz stumbled across a treasure trove of old mug shots in a market in Mexico, he began a mission to explore these timeworn photographs and drawings, unique and surreal examples of portrait photography. Here the pictures are beautifully published for the first time.

FEATURED IN THE NEW YORKER: The Faces of Americans Living in Debt Finalist for the Dorothea Lange/Paul Taylor Prize in Documentary. Featured on Politico, in the Washington Post, the Daily Mail, and the Huffington Post, USA Today, Business Insider, Refinery29, and Fast Company. Based on the popular online photo series and now published in print for the first time, The Debt Project collects 99 portraits of debt across the United States, featuring people of all different backgrounds and stories, to recontextualize an often stigmatized experience. In 2013, Brittany Powell made the difficult decision to file for bankruptcy for her photography business. In the years following the 2008 economic collapse, she found herself in a significant amount of debt, a position many Americans across the country still share, a common yet isolating and private experience often steeped in shame. Her personal experience, bolstered by the We Are the 99% slogan that came out of the Occupy movement, brought her to start The Debt Project, an exploration of the role debt and finance plays in our personal identity and social structure. This book presents an intimate look into 99 different lives: each shares an arrestingly honest portrait in the person’s home, surrounded by all their belongings, accompanied by a handwritten note of the amount of debt that person is in and the story behind the numbers. The Debt Project, with a foreword by writer and filmmaker Astra Taylor plus resources at the back of the book to support people in debt, examines the social and personal hold financial debt has on us and invites others into a private world, while at the same empowering people to share their stories and overcome the shame they may feel.

The life or death mask is in many ways the sculptural analogue of the photographic portrait. Both suggest direct traces from life, involve positive and negative, and evoke a mysterious connection between a living, breathing subject and a captured image. The drive to capture true likenesses in the early 19th century was partly generated by the pseudo- science of phrenology. As a by-product of this, cast collections such as those of the Edinburgh Phrenological Society, have preserved haunting likenesses via life and death masks from individuals living 150 to over 200 years ago.Through her photographs Joanna Kane has taken these subjects out of the categories and hierarchies of their phrenological context. They no longer appear as disembodied scientific specimens, but as photographically embodied portraits of individual men and women - many of whom lived before the invention or popular use of photography. The title, "The Somnambulists", is a reference to mesmerism and phreno-mesmerism, which were current at the time from which many of the casts originate from. The resulting portraits appear to exist in an ambiguous suspended state between life, death and sleep.