Photographer Ryland Hormel traveled across the United States from Alaska to Florida, asking people “When do you feel free?� Respondents wrote down their answers on 3� x 5� index cards, then had their photographs taken with Hormel’s vintage Leica M6 analog camera. When Do You Feel Free? is a collection of over 100 hand-written responses, alongside photographs that put the answers in context. The pages contain answers of photographs of recent immigrants, former convicts, fishermen, cowboys—that all come together to create a collective conversation about freedom through the fragmented perspectives of individuals across America. When Do You Feel Free? makes the reader realize freedom isn’t a location, but a state of mind, one that can be uncovered at any time.

Featuring 100 of the best photographs ever captured on camera, Look At This If You Love Great Photography is a must read for anyone who appreciates the power of the image. In this beautiful guide to some of the most compelling photographs ever taken, photography journalist Gemma Padley offers concise, insightful summaries of just what it is that makes each one so special. Having written for some of the most important publications on modern photography, Gemma draws on her expert knowledge to reveal the fascinating stories behind these incredible pictures, focusing in on why each image chosen represents such a high point in photographic history. Uniquely curated to offer a fresh perspective on the medium, expect to see pictures from legends of the art form, including Ansel Adams and Martin Parr, alongside cutting-edge examples from the studios of the most creative photographers operating today. Whether it's gut-punching photojournalism that changed public opinion and made us question who we are, or images that rewrite the rules of photography and blur the lines between other art forms, this is a penetrating rundown of the pictures that really matter and you need to see them.

This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness-its producers, subjects, viewers, and pictorial forms-and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.

Born like Venus on the half shell from the centuries-long tradition of the nude in painting, the nude first appeared as a subject matter in photography with the introduction of the medium itself, between 1837 and 1840, and has continued as an ever-evolving theme through changing technical developments and cultural mores to the present day. This volume surveys the subject of nudity from the earliest surviving photographs of Greek and Roman sculpture through studies of living nude models for aesthetic or scientific purposes to the burgeoning practice of exploring the human body as pure form. The seventy-eight works, selected from the extensive collection of the J. Paul Getty Museum and further contextualized here in the essay Masterworks of the Nude, span the entire arc of the history of photography in a manner that is both fresh and illuminating. Among the sixty-four photographers included are nineteenth-century masters Julia Margaret Cameron, Edgar Degas, and Thomas Eakins; early-twentieth-century artists Man Ray, Alfred Stieglitz, and Edward Weston; mid-twentieth-century innovators Bill Brandt, Harry Callahan, and Minor White; late-twentieth-century image makers Diane Arbus, Robert Mapplethorpe, and Herb Ritts; and contemporary artists Chuck Close, Timothy Greenfield-Sanders, and Mona Kuhn.

Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, sideshows. It is a personal documentation of friends and people Clayton Anderson encountered in his daily life while working and traveling in his family's food business. Shot on black and white film and developed by author while on the road, after hours.

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities. Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern United States, elaborate masquerades are staged that celebrate and keep alive the history and memory of African slaves and their creole or mixed-race descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters - ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations. Charles Freger's work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Capture the perfect portrait--even if it's with a selfie--in this updated edition of a trusted classic, now with all-new photography. Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Understanding Portrait Photography, renowned photographer Bryan Peterson shows how to spot those "aha!" moments and capture them forever. Rather than relying on pure luck and chance to catch those moments, Peterson's approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and joy of everyday moments. This updated edition includes new sections on capturing the perfect selfie, how to photograph in foreign territory while being sensitive to cultures and customs, how to master portraiture on an iPhone, and the role of Photoshop in portraiture. Now with brand-new photography, Understanding Portrait Photography makes it easy to create indelible memories with light and shadow.

"The only thing we have to fear is fear itself??????nameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance. In every dark hour of our national life a leadership of frankness and vigor has met with that understanding and support of the people themselves which is essential to victory. I am convinced that you will again give that support to leadership in these critical days." ??????FDR, from his First Inaugural Address Franklin Delano Roosevelt followed in the footsteps of the political career blazed by his cousin (and uncle by marriage), President Theodore Roosevelt. Beginning with local politics, he went on to serve a stint in Washington, then became governor of New York, and then won the presidency. His was a charisma similar to that of TR, but derived from his Delano side. His sunny disposition carried him through many trials, including disabling paralysis. As president his was a fearsome task, with two principal thrusts??????restoring hope to an America mired in the Great Depression and leading the nation to victory in the Second World War. FDR became an American icon. The hundreds of photos in Historic Photos of Franklin Delano Roosevelt, from the collections of the FDR presidential library, portray him throughout his life and career, revealing a presidency marked by the twin struggles for economic recovery and military victory. FDR's life in pictures, published here in striking black and white, captioned and with introductions, is sure to enthrall every reader interested in the biography of this renowned American leader.

Three decades of fashion brought together in one Collection, worn as originally intended by the Collector herself, and developed over five years by established fashion and portrait photographer Frederic Aranda: this is Electric Fashion. But why is it electric? It is the story of how the Collector, Christine Suppes, blazed an indelible trail into online fashion editorial whilst developing a unique collection in the heart of Silicon Valley. Electric Fashion is essential viewing, punctuated with academic perspective, comprehensive technical references, and archival text from the collection's accompanying website, fashionlines.com. This timeless tome boasts a double vantage point; on the one hand, each garment is photographed in a studio setting to enhance critical academic understanding, whilst on the other, worn by the collector herself at locations around the world to depict the garments as they were originally intended to be worn. The finished product is a 360 degree view of fashion, from historical, cultural, and practical standpoints.

The complete, comprehensive resource for any photographer seeking the best poses, this book features one thousand images, specially selected to help photographers position models in an array of different poses. Photographs and poses are placed in context within the text, with reasons why they do (or sometimes don't) work. A handful of poses are also accompanied by lighting diagrams, to give an understanding of how the photo was created. The content is organised into sub-sections, including standing and seated poses, bodywork, movement, exaggerated poses, and expressions, for easy navigation when preparing shots. Photographing Models features both models and non-models of different ages, shot using different lighting rigs and settings, making this book suitable for a vast range of commercial and editorial applications.

This practical book explains the basic rules of portraiture, as well as covering more complex ideas of image making. Set out in chronological order as a photographer would approach a shoot, it explains each step of the process, including post-production and printing.

# 1 Best Seller in Photography Lighting ─ The Secrets to Creating Amazing PhotosLearn the secrets to composition: There's a common misconception that composition is mysterious and that only certain people have that natural gift for the techniques involved. The truth is that composition involves a set of skills that you can master. Just as you can use cookbook recipes to make your favorite meal―you don't have to be a famous French chef―you also can take amazing photos by just following a recipe! Easy-to-follow photography composition recipes: Marc Silber has spent years studying the works of masters and interviewing some of the biggest names in photography. Now he can provide you with simple and easy-to-follow recipes for creating photographs that you and others will love! The Secrets to Creating Amazing Photos puts at your fingertips ideas for improving your skills by giving you easy-to-follow "recipes" that will improve your photography right now! Take your photography to the next level: Composition is one of the biggest keys to creating photos that others will love. No matter what kind of camera or smartphone you're using, you can take your photography to the next level and beyond by learning composition tools and secrets known to the masters of the art. Carry The Secrets to Creating Amazing Photos in your camera bag: The book is compact in size and easy to carry with you, so you can flip to the look you want and follow the recipe for creating an image that inspires you. Use it when you're out photographing to get new ideas and inspiration. You'll be able to rapidly up you photography game by learning the skills in Picture Perfect Processes. Key benefits of owning The Secrets to Creating Amazing Photos include: Taking better photographs today by learning the keys to composition Having quick and easy to follow "recipes" for composition at your fingertips Learning the secrets of composition from the masters of classical art and photography

Executive Order is a trenchant look at corporate America, featuring portraits and office interiors shot during the 1970s in Los Angeles and the Mountain West. A daring critique of wealth and power, Ressler wields photography with humor and insight, and her work is especially relevant today. Susan Ressler is an internationally renowned photographer, author and educator. An NEA fellow, her work is in the Smithsonian American Art Museum and the Library Archives of Canada, among other important collections. Mark Rice is an award-winning author and the founding chair of the American Studies Department at St. John Fisher College near Rochester, New York.

For over 30 years, Nan Goldin has created photographs that are intimate and compelling: they tell personal stories of relationships, friendships and identity, while chronicling different eras and exposing the passage of time. Eden and After is a new collection of photographs of childhood by the highly influential contemporary photographer, capturing the energy, emotion and mystery of childhood. The book features an introduction from Goldin's close friend and art dealer, Guido Costa.

"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life." ELTON JOHN Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time. O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions. "I'm so glad he was with us throughout the madness: in his evocative and stylish photos he captured those moments as no other photographer could." ELTON JOHN

A stunning full-color collection of photographs, old and new, by the renowned photographer and LGBTQIA+ activist Lola Flash Working at the forefront of genderqueer visual politics, celebrated photographer Lola Flash has become known for images that manage to both interrogate and transcend preconceptions about gender, sex, and race. Spurred by their experience as an active member of ACT UP and ART+ during the AIDS epidemic in New York City, their art is profoundly connected to their activism, fueling a lifelong commitment to visibility and preserving the legacy of queer communities, especially queer communities of color. The seventeenth volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic "Cross Colour" images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene. In all their images, their passion for photography and their belief in the medium's ability to provide agency and freedom and initiate change shine through. For the first time, Believable brings together the remarkable work of this queer art icon. Believable was designed by Emerson, Wajdowicz Studios (EWS).

A lavish account of pioneering polar photography and modern portraiture, "Face to Face: Polar Portraits" brings together in a single volume both rare, unpublished treasures from the historic collections of the Scott Polar Research Institute (SPRI), University of Cambridge, 'face to face' with cutting-edge modern imagery from expedition photographer Martin Hartley.This unique book by Huw Lewis-Jones is the first to examine the history and role of polar exploration photography, and showcases the very first polar photographs of 1845 through to images from the present day. It features the first portraits of explorers, some of the earliest photographs of the Inuit, the first polar photographs to appear in a book, and rare images never before published from many of the Heroic-Age Antarctic expeditions. Almost all the historic imagery - daguerreotypes, magic lantern slides, glass plate negatives and images from private albums - that have been rediscovered during research for this book have never been before the public eye.Set within a 'gallery' of 100 double page-spreads are 50 of the world's finest historic polar portraits from the SPRI collection alternated with 50 modern-day images by Martin Hartley, who has captured men and women of many nations, exploring, working, and living in the Polar Regions today. Each gallery spread, dedicated to a single individual, gives a sense of the isolation and intense personal experience each 'face' has had in living or travelling through the polar wilderness, whether they be one of the world's greatest explorers, or a humble cook.In addition to this remarkable collection is a foreword written by Sir Ranulph Fiennes; a fascinating exploration into 'photography then' - the history of photography and its role in shaping our vision of the polar hero by historian and curator of art at SPRI, Dr Huw Lewis-Jones; a discussion between Dr Lewis-Jones and Martin Hartley about 'photography now', focusing on the essential role that photography plays in modern polar adventuring; and an afterword entitled 'The Boundaries of Light' by the best-selling author Hugh Brody.Does an explorer need to appear frostbitten and adventurous to be seen as heroic, and do we need faces like these to imagine their achievement?Sir John Franklin is the first. The sun is high. He adjusts his cocked hat, bound with black silk, and gathers up his telescope. He shifts uncomfortably in his chair, positioned on the deck of the stout ship Erebus, as she wallows at her moorings in the London docks. It is 1845. The photographer, Richard Beard, urges the explorer to stay still for just a moment longer. He removes the lens cap, he waits, another minute, and then swiftly slots it back in place. The first polar photographic portrait is secured.Other senior officers of the exploration ships Erebus and Terror had their photographs taken that day, optimistic and ever hopeful. They appear to us now as if frozen in time. So too they followed Sir John Franklin as he led them in search of a navigable northwest passage, into the maze of islands and straits which forms the Canadian Arctic.'Mr Beard, at Franklin's request, supplied the expedition with a complete photographic apparatus, which was safely stowed aboard the well-stocked ship alongside other technological marvels: portable barrel-organs, tinned meat and soups, scientific equipment, the twenty-horse-power engines loaned from the Greenwich railway, and a library of over twelve hundred volumes. The camera now formed part of the kit thought essential to travel to the limits of the known world. Weighed down with stores, yet buoyant with Victorian confidence, the expedition sailed from the Thames on 19 May. The ships were last seen in late July, making their way northward in Baffin Bay, before vanishing without a trace - Huw Lewis-Jones,from the essay 'Photography Then' in "Face to Face".This title is available in both hardback and soft-cover. It features placement: photography, exploration, travel. It contains 288 pages in full-colour, including images that have never before been published. The South Pole was an awful place to be on 18 January 1912. Captain Scott and his four companions - Wilson, Bowers, Oates, and Evans - had just found that the Norwegian explorer Amundsen had beaten them to the prize one month earlier. The photograph that the men took that day speaks volumes for their achievement, of course, but there could be no truer record of their total disappointment. The men look absolutely broken; a photograph on top of everything else seems like a punishment. They are utterly devastated. A life's ambition has been snatched from their grasp. Now 800 miles from their base, they dragged themselves northward into the mouth of a raging blizzard. Their photographs and letters home, recovered with their bodies some time later, tell the sad tale of their sacrifice - Sir Ranulph Fiennes.

The magnificent costume of the Herero of Namibia, southern Africa, is a stark reminder of the country's tumultuous past. In the late 19th century, the influence of missionaries and traders in German Southwest Africa led to the adoption by the Herero of the European dress of the day. Over time, the voluminous gowns, completed by a cattle-horn-shaped headdress, came to represent the cultural identity of the Herero women. The men's ceremonial dress also harks back to colonial times: following the brutal war of 1904, the Herero adapted the uniforms of German soldiers for their own Otruppe ('troops') movement. In Conflict and Costume, acclaimed photographer Jim Naughten captures the colourful Herero attire in a series of spectacular portraits. Set against the Namibian landscape, these dramatic images show the striking costumes and their proud owners to full effect: men in elaborate, home-made paramilitary uniforms, and women in floor-length frocks with matching horns. Dr Lutz Marten contributes an insightful text that places the dress in its historical context.

Taken over the course of more than a year of exclusive access, this work applies large format still life photography to the context of a unique prison community, E Wing at Kingston Prison in Portsmouth. For eight years this was Britain's only wing dedicated to holding elderly lifers: murderers, rapists, paedophiles and other violent criminals aged from their late 50s to over 80 years old. "Still Life: Killing Time", is not simply a reportage about a particular prison. Elements of metaphor, abstraction and documentary explore the experience of long term incarceration and the passage of time, and touch on how ageing and physical decline affect the prison environment. The claustrophobia of these close up, deliberate and regular compositions reflects both the nature of the place and the experience of working in E Wing.The recurring motifs - bars, squares, boxes, grids - show the segmentation and ordering of time and space that is fundamental to prison life, while the details of the inmates' possessions, notice-boards, walls, tables and bedsides suggest their state of mind and how they adapt to long term incarceration and getting old in an institution.