The eight essays in "Beauty in Photography" provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.

A stunning full-color collection of photographs, old and new, by the renowned photographer and LGBTQIA+ activist Lola Flash Working at the forefront of genderqueer visual politics, celebrated photographer Lola Flash has become known for images that manage to both interrogate and transcend preconceptions about gender, sex, and race. Spurred by their experience as an active member of ACT UP and ART+ during the AIDS epidemic in New York City, their art is profoundly connected to their activism, fueling a lifelong commitment to visibility and preserving the legacy of queer communities, especially queer communities of color. The seventeenth volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic "Cross Colour" images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene. In all their images, their passion for photography and their belief in the medium's ability to provide agency and freedom and initiate change shine through. For the first time, Believable brings together the remarkable work of this queer art icon. Believable was designed by Emerson, Wajdowicz Studios (EWS).

A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants--many of whom fought to secure their freedom.

During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. "African American Faces of the Civil War" tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers.

Coddington discovers these portraits-- "cartes de visite," ambrotypes, and tintypes--in museums, archives, and private collections. He has pieced together each individual's life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. "African American Faces of the Civil War" makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.

"Any man that loves Bond will love to get this amazing book in their life." - Men's Journal "A great coffee table book filled with amazing photos of everyone's favourite spy." - Tom Lorenzo, Men's Journal "No fan of 007 will want to miss this coffee-table album..." - Michael Dirda, The Washington Post Terry O'Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O'Neill's association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O'Neill who captured gritty and roguish pictures of Connery on set, and it was O'Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O'Neill's casual, on-set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world's most recognisable spy. Terry O'Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O'Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly conducted interviews with a number of actors featured in O'Neill's photographs.

New York City subways - the century-old transit system has survived two World Wars, the Great Depression, and Hurricane Sandy. It and the millions of citizens that rely on it as their daily lifeline will also survive the COVID-19 pandemic. Subwaygram captures mobile phone street portraits of the diverse community of riders two years before and two years after the first case was confirmed in New York City and the commonalities in the fleeting moments of their journeys.

When Justin O'Neill and his wife separated after thirteen years of marriage, he was unsure how he would ever recover. From the vantage point of professional photographer and photo editor, and with camera in hand, he decided to channel his feelings into imagery, and turned his lens to the most important subject in his life - his daughter Stella. With just one click of the shutter release, he had sparked the creative collaboration between a father and daughter trying to navigate their new normal. On Stellar Rays is the personal exploration and interaction of Justin and Stella as they forged a path to a newly dynamic relationship. Through fifty stunning black-and-white photographs, this narrative is a visual representation of the many stages a parent and a child encounter when faced with divorce and their journey through it together - from mourning and loss to prospect and new beginnings. The profound emotional impact of these extraordinary photographs makes On Stellar Rays indispensable for those examining the effects of a family in crisis, including potential positive outcomes of a painful situation.

"When the pre-eminent portrait photographer of the day met the Cockney kid dominating the London film scene, magic was made." - Australian Women's Weekly Icons "Caine, the timeless gentleman." - Diego Armes, GQ Portugal "I had to be an actor," Michael Caine once said. "[...] And of course, you have to remember with me, the alternative was a factory." A working-class actor who broke through to stardom, Caine's screen-time involves standout performances across multiple genres. To this day, he is synonymous with a certain kind of urbane cool. No camera has captured this quality over the decades better than that of his collaborator and long-time friend, Terry O'Neill. Michael Caine: Photographed by Terry O'Neill offers an immersive visual journey through Michael Caine's career, immortalising Caine's charm both in and out of character. Caine occupies a landmark position in cinema and O'Neill was there from the early days of his stellar career. From the comedy of Dirty Rotten Scoundrels to the European drama of Seven Times A Woman; from the miasma of The Magus to the British cult classic Get Carter, this book combines black and white and colour images and includes never-before-seen contact sheets. Featuring the following films: Mona Lisa, Midnight in Saint Petersburg / Bullet to Beijing, Dirty Rotten Scoundrels, Blue Ice, Without a Clue, Get Carter, Deadfall, Magus, Woman Times Seven, Funeral in Berlin.

Before Bunny Yeager was old enough to be one, she fantasized about becoming a Pin-Up girl. She realized her dream and much more. After building a successful modeling career, she moved behind the camera, in the 1950s, to become one of the most renowned glamour photographers in the world. Her work has appeared in magazines, calendars, posters, and several books. This book is a celebration of all the emancipated young women with beautiful faces and figures who posed for her in the 1950s, just as she embarked on her career as a professional photographer. There are nearly 200 photographs, all reproduced as Bunny took them, including full color and beautiful black and white works. This book will delight aficionados of the Pin-Up, historians of photography, and admirers of the human form.

Get to know real queer kids from all over the country-these inspiring stories of LGBTQ+ youth, written in their own words, provide crucial snapshots of what it's really like to grow up trans or queer in America. Photographer and activist Maxwell Poth has traveled all over the United States, inviting LBGTQ+ youth to share their stories as part of Project Contrast, a nonprofit that amplifies these voices and connects kids and families with the resources they need to survive and thrive. This book collects the stories and portraits of 75 queer kids and teenagers from fifteen different states. In their own words, these young people share the challenges they've faced coming out or coming to terms with their own identities; they write about their families, their schoolmates, their teachers, and the queer community they've found throughout their journeys; and they offer messages of love and support to their LGBTQ+ peers. Featuring a foreword by trans actress and model Isis King, this book sends a powerful message to the many LGBTQ kids growing up in small towns who feel isolated: We see you, we love you, you are not alone.

Olivia Bee is celebrated for her dreamy, evocative portraits and landscapes rich with implied narratives of intimacy, freedom, and adventure. Olivia Bee: Kids in Love showcases two bodies of photographic work, including the series, Enveloped in a Dream, that first brought Bee recognition as a teenager. This first series offers a visual diary of girlhood friendship and the exploration of self, showcasing Bee’s unique ability to convey the bittersweet nostalgia of adolescence on the brink of adulthood and new possibilities. The second set of images, Kids in Love, is drawn from recent work and continues Bee’s photographic chronicle of her circle of friends and new loves, capturing both the pleasures and terrors of the fleeting passage of romanticized youth. While the work continues to evolve, what remains constant is her seductive use of color and photographic artifact, as well as the immediacy and charge of each image. Bee gives voice to the self-awareness and visual fluency of the millennial generation. Experiences are sharply felt, and easily communicated and shared, generating visual records that render these memories as significant as the moments themselves. Tavi Gevinson, founding editor of the online magazine Rookie and Bee’s frequent collaborator and model, writes about the work and about the role of images as social currency in today’s image-driven world.

Kary H. Lasch (1914 - 1993) was a Czech-born photographer who moved to Sweden in 1939 and whose international model scouting network was based in Stockholm. His photographic career spanned the 1950s through the 1980s, and he attended the Cannes Film Festival consecutively for over 30 years. He travelled widely, and is well known for his iconic images of Picasso, Dali, Fellini, Sofia Loren, and Brigitte Bardot. Lasch was known to do anything to get a scoop on the best photos. In a famous instance, when Sofia Loren was on her way to Stockholm by train from Copenhagen in 1955, Kary picked up the train she was on in Copenhagen, bribed the concierge, and photographed her while she was dressing in the train car. When they arrived in the Stockholm Central Station, the Swedish press were competing for the best position for a picture while Sofia and Kary were looking out of the train window. This 3-volume set (Vol. 1: Famous; Vol. 2: Cannes; Vol. 3: Humorous), brings together works from the extensive Kary Lasch Collection, which contains more than 600,000 images.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

A collection of wildly inventive portraits of musician Tom Waits, the result of a 30-year collaboration with photographer and illustrator Matt Mahurin This visually arresting book is a testament to the unique collaboration, going back three decades, between the photographer and illustrator Matt Mahurin and the musician Tom Waits. Having shot magazine portraits, album covers, and music videos of Waits, Mahurin was inspired to resurrect 100 dormant film negatives as a jumping off point to explore his own surreal, poetic, and occasion ally dark vision. The images vary from traditional por traits to ones that capture Waits in concert-but the majority are richly imagined scenes in which Waits is more muse than musician. In addition to the diverse images, the book includes a foreword by Waits, an essay by Mahurin on their longtime collaboration, and 20 original paintings, drawings, photographs, and digital images inspired by Waits's song titles.

Photographer, stylist and fashion editor Ferry van der Nat has worked for numerous fashion magazines and brands. Under the name Mr Polaroid, van der Nat began taking strong sculptural polaroids of male models. What started as a personal project evolved into a great collection of images and a celebration of male beauty. Mr Polaroid's first ever monograph contains over 200 of his best photographs. With contributions by Gert Jonkers (Fantastic Man) and Alan Prada (l'Uomo Vogue).

Renowned Finnish photographer Jaakko Heikkila has long been interested in small and minority communities around the world. In "Silent Talks "he meets people on the shores of the White Sea, in New York's Harlem, or on a Brazilian island. Empathy for his subjects appears in his intimate and poetic images.

Cabinet cards were America's main format for photographic portraiture throughout the last quarter of the nineteenth century. Standardized at 61/2 x 41/4 inches, they were just large enough to reveal extensive detail, leading to the incorporation of elaborate poses, backdrops, and props. Inexpensive and sold by the dozen, they transformed getting one's portrait made from a formal event taken up once or twice in a lifetime into a commonplace practice shared with friends. The cards reinforced middle-class Americans' sense of family. They allowed people to show off their material achievements and comforts, and the best cards projected an informal immediacy that encouraged viewers to feel emotionally connected with those portrayed. The experience even led sitters to act out before the camera. By making photographs an easygoing fact of life, the cards forecast the snapshot and today's ubiquitous photo sharing. Organized by senior curator John Rohrbach, Acting Out is the first ever in-depth examination of the cabinet card phenomena. Full-color plates include over 100 cards at full size, providing a highly entertaining collection of these early versions of the selfie and ultimately demonstrating how cabinet cards made photography modern. Published in association with the Amon Carter Museum of American Art. Exhibition dates: Amon Carter Museum of American Art: August 15-November 1, 2020 Los Angeles County Museum of Art (LACMA): August 8-November 7, 2021

In her international bestseller Strong Is the New Pretty (with 329,000 copies in print), the photographer Kate T. Parker changed the way we see girls by showing us their truest selves - fearless, messy, wild, stubborn, proud. Now it's time to talk about our boys. Prompted by #metoo, school shootings, bullying, and other toxic behaviour, there's a national conversation going on about what defines masculinity and how to raise sons to become good people. And Kate Parker is joining in by turning her lens to boys. The result is possibly even more moving, more eloquent, more surprising than Strong. The Heart of a Boy is a deeply felt celebration of boyhood as it's etched in the faces and bodies of dozens of boys, ages 5 to 18. There's the pensive look of a skateboarder caught in a moment between rides. The years of dedication in a ballet dancer's poise. The love of a younger brother hugging his older brother. The unself-conscious joy of a goofy grin with a missing tooth. The casual intimacy of two friends at a lemonade stand. The shyness of a lone boy and his model boat. The intensity in a football huddle. The proud, challenging gaze of a boy bald from alopecia - and the same kind of gaze, but wreathed in tenderness, of a boy a few years younger with flowing, almost waist-length hair. There are guitarists, fencers, wrestlers, star-gazers, a pilot - it's the world of our sons, in all their amazing variety and difference. The photographs feel spontaneous, direct, and with so much eye contact between the viewed and the viewer that it's impossible to turn away. And throughout, words from the boys themselves enrich every photo. What a gift for boys and anyone who is raising them.

In this book, photographs of celebrity impersonators are juxtaposed with past and present quotations from celebrities, exposing the true nature of this fixation on fame in a world where gossip blogs, supermarket tabloids and brazen paparazzi reign supreme.