Since moving to New York from Kuwait City Maha Alasaker learned that the everyday American has no conception of what daily life is like for women in modern-day Kuwait. Seeking to address this, Alasaker began making portraits of women in their bedrooms and asking them about their lives. This intimate collection of environmental portraits provides a never-before-seen look at what it means to be a young woman in Kuwait.

India's emerging LGBTQ community depicted in a groundbreaking series of gorgeous, full-colour photographs, in affordable and stylish paperback. Delhi offers a stunning series of more than 150 full-color documentary photographs and companion first-person texts, which together offer an unprecedented portrait of LGBTQ people's lives in India today. Focusing on Delhi, noted photographers Sunil Gupta and Charan Singh chronicle the halting emergence of networks of men and women living under the shadow of stigma and criminalized behavior.

Love, Daddy: Letters from My Father examines the complexities of father-and-son relationships through letters and photographs. Willie Morris wrote scores of letters to his only son, David Rae Morris, from the mid-1970s until Willie's death in 1999. From David Rae's perspective, his father was often emotionally disconnected and lived a peculiar lifestyle, often staying out carousing well into the night. But Willie Morris was an eloquent and accomplished writer and began to write his son long, loving, and supportive letters when David Rae was still in high school. An aspiring photographer, David Rae was confused and befuddled by his father's warring personalities and began photographing Willie using the camera as a buffer to protect him and his emotions. The collection begins in early 1976 and continues for more than twenty years as David Rae moved about the country, living in New York, Massachusetts, Texas, Mississippi, Tennessee, and Minnesota, before finally settling in Louisiana. "All the while my father was writing to me I somehow managed to save his letters," David Rae wrote. "I left them in storage and in boxes and in piles of clutter on desks and in basements. They were kind, offering a love that he found difficult to express openly and directly. He simply was more comfortable communicating through letters." The letters cover topics ranging from writing, the weather, Willie's return to Mississippi in 1980, the Ole Miss football season, and local town gossip to the fleas on the dog to just life and how it's lived. Likewise, the photographs are portraits, documentary images of daily life, dinners, outings, and private moments. Together they narrate and illuminate the complexities of one family relationship, and how, for better or worse, that love endures the passage of time.

From the early days of The Rolling Stones, with a relatively baby-faced 'Keef' sporting a hounds-tooth jacket, to his heroic piratical look of the present day, rock's indestructible hero has been photographed by many people over half a century. Featuring more than 300 photographs in colour and black-and-white.Among those who took the pictures in this book are legendary photographers Jim Marshall, Terry O'Neill, Deborah Feingold, Neil Preston and Mark Seliger.If many of Keith Richards' adventures have passed into folklore, never before has there been quite such a comprehensive collection of portraits and candid shots collected to match the passing moments: police busts, global superstardom, a legendary Glastonbury set, a satisfying appearance in the Pirates Of The Caribbean movie franchise and an unlikely 2008 advertising stint as a lifestyle icon for Louis Vuitton, as photographed by Annie Leibowitz.Beautifully produced and elegantly designed, Keith Richards: A Life In Pictures is simply the must-have book of the year.

A celebration of the timeless act of reading - as seen through the lens of one of the world's most beloved photographers Young or old, rich or poor, engaged in the sacred or the secular, people everywhere read. This homage to the beauty and seductiveness of reading brings together a collection of photographs taken by Steve McCurry over his nearly four decades of travel and is introduced by award-winning writer, Paul Theroux. McCurry's mesmerizing images of the universal human act of reading are an acknowledgement of - and a tribute to - the overwhelming power of the written word.

Recent events have pushed artists to visualize ideas of closeness in a new light. Kinship, published on the occasion of the National Portrait Gallery's tenth "Portraiture Now" exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture, and performance. Contemporary portraiture offers a way to consider the mutable yet enduring qualities of familial relationships and the internal and external forces that affect our bonds with others. For example, interpretations of distance - whether emotional, physical, or geographical - have recently become more fraught. By recognizing the transformations that occur in the genre of portraiture and the threads that today's portraits share, we can better understand the universality and specificity of kinship. List of artists: Njideka Akunyili Crosby, Jess T. Dugan, LaToya Ruby Frazier, Jessica Todd Harper, Thomas Holton, Sedrick Huckaby, Anna Tsouhlarakis

For over 30 years, Nan Goldin has created photographs that are intimate and compelling: they tell personal stories of relationships, friendships and identity, while chronicling different eras and exposing the passage of time. Eden and After is a new collection of photographs of childhood by the highly influential contemporary photographer, capturing the energy, emotion and mystery of childhood. The book features an introduction from Goldin's close friend and art dealer, Guido Costa.

Platinum Jubilee edition 'Full of gems ... Angela Kelly is a jewel in the crown' Daily Telegraph 'Entertaining and beautifully illustrated' The Sunday Times 'For real intel, [The Crown] can't come close to The Other Side of the Coin by Angela Kelly' The New York Times 'When Angela Kelly and The Queen are together, laughter echoes through the corridors of Buckingham Palace.' Angela worked with The Queen and walked the corridors of the Royal Household for twenty-eight years, initially as Her Majesty's Senior Dresser and then latterly as Her Majesty's Personal Advisor, Curator, Wardrobe and In-house Designer. As the first person in history to hold this title, she shared a uniquely close working relationship with The Queen. Her Majesty personally gave Angela her blessing to share their extraordinary bond with the world. Whether it was preparing for a formal occasion or brightening Her Majesty's day with a playful joke, Angela's priority was to serve and support. Sharing never-before-seen photographs - many from Angela's own private collection - and charming anecdotes of their time spent together, this revealing book provides memorable insights into what it was like to work closely with The Queen, to curate her wardrobe and to discover a true and lasting connection along the way. Revised and updated to mark The Queen's Platinum Jubilee, this special edition of The Other Side of the Coin contains chapters covering the Royal Household's isolation during the pandemic, Angela's own devotion to service to keep the monarch safe, and the light and laughter that was shared behind closed doors, even in the darkest moments.

When eminent photographer Stefan Ruiz stumbled across a treasure trove of old mug shots in a market in Mexico, he began a mission to explore these timeworn photographs and drawings, unique and surreal examples of portrait photography. Here the pictures are beautifully published for the first time.

This latest volume in the critically-acclaimed Double Exposure series presents a range of photographic styles by celebrated photographers as well as snapshots by unknown amateurs. It also features photos by, amongst many others, Wayne F. Miller, Arthur Rothstein, Charles "Teenie" Harris, Al Pereira, Frank . Stewart, Jeanne Moutoussamy-Ashe and Dawoud Bey, who has just been named as MacArthur Foundation 2017 `Genius' Grant Winner. There are remarkable images by African American photographer John Johnson- whose plate glass negatives offer a rare glimpse into the everyday life of African Americans in Lincoln, Nebraska before World War I-and studio portraits by the Calvert Brothers of Nashville, Tennesse, and William J. Kuebler, Jr. of Philadelphia, Pennsylvania, from the early twentieth century. Personal reflections by photographers Builder Levy and Zun Lee, and contributions from collector Adreinne Waheed and curator Rhea L. Combs are new features in this series.

Executive Order is a trenchant look at corporate America, featuring portraits and office interiors shot during the 1970s in Los Angeles and the Mountain West. A daring critique of wealth and power, Ressler wields photography with humor and insight, and her work is especially relevant today. Susan Ressler is an internationally renowned photographer, author and educator. An NEA fellow, her work is in the Smithsonian American Art Museum and the Library Archives of Canada, among other important collections. Mark Rice is an award-winning author and the founding chair of the American Studies Department at St. John Fisher College near Rochester, New York.

Putting a new spin on old histories as my ten year old daughter stands in for a youthful me-the one I remember and the one I was never quite allowed to be-"Stories, 1986-88" pairs deadpan portraits with short narrative texts to bring the past into the present as we relive and rewrite my childhood stories through a restorative approach to image-making and storytelling.

Through the Childen of the Light project by the Greek photographer Calliope, places of astounding beauty come to mind, as well as the freshness, intensity, drama and extraordinary features of Greek youth as seen through Calliope's eyes and camera. She defines her work as a labour of love and a cultural document for the generations to come and for all of us, because it can remind us who we really are.

Terence Donovan was one of the foremost photographers of his generation - among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist's widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.

100 women bare all in an empowering collection of photographs and interviews about Womanhood. Vagina, vulva, lady garden, pussy, beaver, cunt, fanny... whatever you call it most women have no idea what's 'down there'. Culturally and personally, no body part inspires love and hate, fear and lust, worship and desecration in the same way. From smooth Barbie dolls to internet porn, girls and women grow up with a very narrow view of what they should look like, even though in reality there is an enormous range. Womanhood departs from the 'ideal vagina' and presents the gentle un-airbrushed truth, allowing us to understand and celebrate our diversity. For the first time, 100 brave and beautiful women reveal their bodies and stories on their own terms, talking about how they feel about pleasure, sex, pain, trauma, birth, motherhood, menstruation, menopause, gender, sexuality and simply being a woman.

This book examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. To Nancy, the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. The book consists of two extended essays written a decade apart but in close conversation, in which Nancy considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial Introduction by Jeffrey Librett, which places Nancy's work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. Though undergirded by a powerful grasp of the philosophical and psychoanalytic tradition that has rendered our sense of the subject so problematic, Nancy's book is at heart a delightful, unpretentious reading of three dozen portraits, from ancient drinking mugs to recent experimental or parodic pieces in which the artistic representation of a sitter is made from their blood, germ cultures, or DNA. The contemporary world of ubiquitous photos, Nancy argues, in no way makes the portrait a thing of the past. On the contrary, the forms of appearing that mark the portrait continue to challenge how we see the bodies and representations that dominate our world.

One of a handful of artists to emerge from Andy Warhol's celebrity-focused Interview magazine, Matthew Rolston is a well-established icon of Hollywood photography. Alongside such luminaries as Herb Ritts and Greg Gorman, Rolston was a member of an influential group of photographers (among them, Bruce Weber, Annie Leibovitz, and Steven Meisel) who came from the 1980s magazine scene. Rolston helped define the era's take on celebrity image-making, gender bending, and much more. Edited by Los Angeles-based gallerist and curator David Fahey, this book, Rolston's fourth monograph, presents a stunning array of portraits that beautifully capture the decade and its myriad talents. From Michael Jackson and Madonna, to Prince, George Michael, and Cyndi Lauper, the images reflect a seamless blend of style, skill, and scintillation. This volume features over 100 mesmerising photographs selected from Rolston's extensive body of work, centering on his unforgettable portraits of the era's most famous personalities. With essays by authors Pat Hackett, Andy Warhol's longtime collaborator and diarist; Colin Westerbeck, noted photographic curator and expert on American photographer Irving Penn; and Charles Churchward, longtime creative director of Vogue and Vanity Fair and author of The Golden Hour, a definitive biography of Herb Ritts, Hollywood Royale: Out of the School of Los Angeles, paints a fascinating picture of an indelible image-maker and the film stars, models, and artists he immortalised during this period. Rolston's photographs recall the glamour of "Old Hollywood" with postmodern irony, helping to point the way towards the cult of fame we live with today.

Back in the late fifties and into the sixties Manchester was a happening centre of popular music, rivalling Liverpool and London. Local lad Brian Smith saw it happen. In the mid-1950s Brian was introduced to skiffle, early rock and roll and the blues boom. A keen amateur photographer, Brian soon became known to door staff as 'the fan with the camera' and along with his friends went backstage to meet musicians, chat, and take photographs. Brian took a keen interest in the emerging blues scene after seeing Muddy Waters in 1958 and over the next decade Brian saw and photographed most of the big American blues musicians who played in Manchester. There is an acknowledged irony that black blues artists began to enjoy a cult following in Britain and Europe while they were still largely unknown or acknowledged back home. Brian began frequenting venues such as the famous Twisted Wheel Club and after the start of Roger Eagle's legendary r'n'b allnighters there in 1963 (which later led to the birth of Northern Soul), the ground-breaking music magazine R & B Scene was launched. Brian became their main photographic contributor until the magazine folded. Brian produced images with a real presence and quality, and managed to capture a unique and relatively short lived scene in fascinating detail. Not only on-stage, but back in the dressing rooms, he photographed these giants of the blues relaxing with a beer and a pack of cards, or posing for souvenir pictures with British fans, male and female. A remarkable cultural melting pot considering that many of the musicians themselves could not even travel next to whites in some States back home at that time. Most of Brian's photographs were forgotten until recently when they began to be sought out by CD compilers. Yet until now nobody has published a full collection of his work. Easy On The Eye have had unique access to Brian's extensive archives, working directly from surviving negatives and prints which have been newly scanned for the book. The photographs are annotated and fully captioned. ARTISTS INCLUDE: Johnny Guitar Watson, Big Joe Turner, Chuck Berry, Screaming Jay Hawkins, Little Richard, Bo Diddley, Jimmy Reed, Hubert Sumlin, Howlin Wolf, Buddy Guy, John Lee Hooker, The Rolling Stones, Carl Perkins and many more.

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities. Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern United States, elaborate masquerades are staged that celebrate and keep alive the history and memory of African slaves and their creole or mixed-race descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters - ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations. Charles Freger's work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Slim Aarons: Women explores the central subject of Slim Aarons's career-the extraordinary women from the upper echelons of high society, the arts, fashion and Hollywood. The book presents the women who most influenced Slim's life and work-and the other remarkable personalities he photographed along the way, including Audrey Hepburn, Jackie Kennedy, Diana Vreeland and Marilyn Monroe, all featured in unforgettable photographs. The collection contains more than 200 images, the majority of which have not appeared in previous books, along with detailed captions written by one of Slim's closest colleagues. Showcasing beautiful women at their most glamorous in some of the most dazzling locations across the globe, Slim Aarons: Women is a fresh look at the acclaimed photographer through the muses who inspired his most incredible photographs.