Back in the late fifties and into the sixties Manchester was a happening centre of popular music, rivalling Liverpool and London. Local lad Brian Smith saw it happen. In the mid-1950s Brian was introduced to skiffle, early rock and roll and the blues boom. A keen amateur photographer, Brian soon became known to door staff as 'the fan with the camera' and along with his friends went backstage to meet musicians, chat, and take photographs. Brian took a keen interest in the emerging blues scene after seeing Muddy Waters in 1958 and over the next decade Brian saw and photographed most of the big American blues musicians who played in Manchester. There is an acknowledged irony that black blues artists began to enjoy a cult following in Britain and Europe while they were still largely unknown or acknowledged back home. Brian began frequenting venues such as the famous Twisted Wheel Club and after the start of Roger Eagle's legendary r'n'b allnighters there in 1963 (which later led to the birth of Northern Soul), the ground-breaking music magazine R & B Scene was launched. Brian became their main photographic contributor until the magazine folded. Brian produced images with a real presence and quality, and managed to capture a unique and relatively short lived scene in fascinating detail. Not only on-stage, but back in the dressing rooms, he photographed these giants of the blues relaxing with a beer and a pack of cards, or posing for souvenir pictures with British fans, male and female. A remarkable cultural melting pot considering that many of the musicians themselves could not even travel next to whites in some States back home at that time. Most of Brian's photographs were forgotten until recently when they began to be sought out by CD compilers. Yet until now nobody has published a full collection of his work. Easy On The Eye have had unique access to Brian's extensive archives, working directly from surviving negatives and prints which have been newly scanned for the book. The photographs are annotated and fully captioned. ARTISTS INCLUDE: Johnny Guitar Watson, Big Joe Turner, Chuck Berry, Screaming Jay Hawkins, Little Richard, Bo Diddley, Jimmy Reed, Hubert Sumlin, Howlin Wolf, Buddy Guy, John Lee Hooker, The Rolling Stones, Carl Perkins and many more.

Since moving to New York from Kuwait City Maha Alasaker learned that the everyday American has no conception of what daily life is like for women in modern-day Kuwait. Seeking to address this, Alasaker began making portraits of women in their bedrooms and asking them about their lives. This intimate collection of environmental portraits provides a never-before-seen look at what it means to be a young woman in Kuwait.

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities. Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern United States, elaborate masquerades are staged that celebrate and keep alive the history and memory of African slaves and their creole or mixed-race descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters - ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations. Charles Freger's work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Enshrined in Hollywood's golden age is the iconic image of Holly Golightly peering provocatively from beneath the wide saucer brim of her fabulous black Chapeau du Matin, the boa-length pink hatband declaring an unmistakable independence of spirit. Quintessentially elegant, Hepburn's status as a global style icon owes as much to an endless assortment of fabulous headwear, as it does to her body of work. Hepburn and her hats were a match made in heaven and for decades she not only graced the silver screen but the cover of every glossy magazine throughout the world, rarely captured without her signature accessory.

This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs-precisely through their uncanniness-to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book's historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.

"...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them...I discovered what I believed was a subculture of chic and I thought it merited a story." Baron WolmanThe 1960s witnessed a huge cultural revolution. Music was at the heart of a new generation's rallying cry for love, peace and harmony - from small clubs to giant festivals like Woodstock. With men predictably dominating as musicians and performers, the women and girls backstage started to explore their own forms of liberation and self-expression. They became better known as the Groupies - offering their allegiance to the music, and the artists who made it.On February 15, 1969 Rolling Stone magazine released a 'Special Super-Duper Neat Issue' called 'THE GROUPIES and Other Girls' featuring the work of their chief photographer, Baron Wolman. It would turn out to be a sensational milestone, making instant celebrities of the women featured. With this single issue, the Groupies had arrived.They emerged as extraordinary women, whose lifestyles divided opinion and remain controversial.Some became models, actresses, writers, artists and musicians - the GTOs, the original 'Groupie band' admired and encouraged by Frank Zappa, is featured here. Others fell into obscurity.Now, over 45 years later, ACC and Iconic Images are proud to publish the photographs of Baron Wolman in a single volume for the first time. Groupies and Other Girls features more than 150 images, including previously unseen out-takes and contact sheets, and comes complete with the original Rolling Stone text, as well as interviews with several of the women today.

The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics. Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture. Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze.

"All the photos of David Bowie you could possibly ever need. The most noteworthy collection of David Bowie images ever accumulated. Whether you want to own the book as a collector's item or display it on your coffee table, this definitive work is a tribute fit for an icon." - Interview magazine David Bowie: Icon gathers the greatest photographs of one of the greatest stars in history, into a single, luxurious volume. The result is the most important anthology of David Bowie images that has ever been compiled. With work by many of the most eminent names in photography, this book showcases a stunning portfolio of imagery, featuring the iconic, the awe inspiring, the candid and the surprising. An astonishing 25 photographers from around the world have contributed to this celebration. Their images are accompanied by personal essays and reflections about working with this astonishing artist. From memories of the earliest days at the Arts Lab in Beckenham to what it was like touring the world with Bowie, each contributor shares their experiences of working with - and knowing - this most extraordinary figure. From portraits and album covers, performances and rehearsals, to rarely seen private moments and candid snapshots, this collection is at once powerful, sentimental and inspiring. The thoughts and reminiscences of the photographers, many sharing their memories for the first time, give us an insight into this artist unlike any other. Photography and text by: Fernando Aceves, Brian Aris, Philippe Auliac, Alec Byrne, Kevin Cummins, Chalkie Davies, Justin de Villeneuve, Vernon Dewhurst, Gavin Evans, Gerald Fearnley, Lynn Goldsmith, Greg Gorman, Andrew Kent, Markus Klinko, Geoff MacCormack, Janet Macoska, Terry O'Neill, Denis O'Regan, Norman Parkinson, Mick Rock, John Scarisbrick, Steve Schapiro, Barry Schultz, Masayoshi Sukita and Ray Stevenson. Features an introduction by Bowie's life-long friend, the artist George Underwood. When David Bowie passed away on 10 January 2016, the world lost a musical hero. But his legacy lives on. While his sound and style evolved throughout his career - from Ziggy to the Thin White Duke - two facts never changed: he was an innovator; and photographers adored him. This book pays homage to this ultimate icon.

In a follow-up to the popular The New Paris, Lindsey Tramuta explores the impact that the women of Paris have had on the rapidly evolving culture of their city   The New Parisienne focuses on one of the city’s most prominent features, its women. Lifting the veil on the mythologized Parisian woman—white, lithe, ever fashionable—Lindsey Tramuta demystifies this oversimplified archetype and recasts the women of Paris as they truly are, in all their complexity. Featuring 50 activists, creators, educators, visionaries, and disruptors—like Leïla Slimani, Lauren Bastide, and Mayor Anne Hidalgo—the book reveals Paris as a blossoming cultural center of feminine power. Both the featured women and Tramuta herself offer up favorite destinations and women-owned businesses, including beloved shops, artistic venues, bistros, and more. The New Parisienne showcases “Parisianness� in all its multiplicity, highlighting those who are bucking tradition, making names for themselves, and transforming the city.

"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life." ELTON JOHN Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time. O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions. "I'm so glad he was with us throughout the madness: in his evocative and stylish photos he captured those moments as no other photographer could." ELTON JOHN

This is the story of Joseph Markovitch, a vulnerable old man with a great sense of humour who has lived in Hoxton for his entire life. Dealing with quintessential subject matter such as childhood, art, work, relationships and religion in a playful but touching way, Joseph unknowingly provides a thought-provoking commentary on the state of the modern world.

On two cold grey days in 1966, LS Lowry was joined by a young photographer on one of his first assignments for Nova Magazine. Clive Arrowsmith had been commissioned to photograph Lowry at home. Perhaps it was Arrowsmith's youthful exuberance that resulted in him taking as many photographs as possible, so that by the end of the two days the range of images was considerable. Views of Lowry inside and outside his home in Mottram-in-Longdendale - described as "going dilapidated at the corners" by Barrie Sturt-Penrose, Nova's art critic - were joined by others taken on the streets of Salford. When the shoot was finished, Nova chose the pictures they wanted and, due to Arrowsmith's subsequent career in fashion photography, the others were forgotten. In 2016, their chance discovery in Arrowsmith's attic revealed a treasure trove of unseen pictures, which gives us a fascinating insight into the life of one of Britain's best-known artists.

Shakespeare by McBean collects 300 images, many never before published, taken by the renowned photographer Angus McBean. Incorporating images from every one of Shakespeare’s plays performed at the RSC, with some from the Old Vic, between the years 1945–62, it is a veritable who’s who of the British stage. Richard Burton, Vivien Leigh, Robert Donat, Alec Guiness, Michael Redgrave, Peggy Ashcroft, Laurence Olivier, Edith Evans, Paul Scofield, Diana Rigg, Anthony Quayle, Charles Laughton, John Gielgud, Peter O’Toole and Dorothy Tutin are just some of the names that appear. Angus McBean was an exceptional talent, whether he was transforming the photography of rehearsals, inspiring the Beatles, or entertaining his admireres with his light-hearted espousal of surrealism in portraiture. In a career lasting half a century his influence can be seen in everything from advertising to pop culture. -- .

Photographs and stories of 500 women from around the world, based on the author's hugely popular website. Since 2013 Mihaela Noroc has travelled the world with her backpack and camera taking photos of everyday women to showcase the diversity and beauty all around us. The Atlas of Beauty is a collection of her photographs that celebrates women from fifty countries across the globe and shows that beauty is everywhere, regardless of money, race or social status, and comes in many different sizes and colours. Mihaela's portraits feature women in their native environments, from the Amazon rain forest to markets in India, London city streets and parks in Harlem, creating a mirror of our varied cultures and proving that beauty has no rules. 'Stunning . . . aims to challenge the ideals of beauty dictated by the women's fashion magazine industry' Independent 'A startling and revealing project' Daily Mail 'Scrolling through "The Atlas of Beauty", beauty becomes not a universal standard, but a complicated tapestry' Huffington Post

A joyful and poignant collection of photographs of children from around the world by internationally renowned and award-winning photographer Mario Marino. This homage to the future of humanity (and our planet) captures the laughter and joy of children, but also their insecurities and fears. The sense of trust between the subject and the photographer is evident, as if they had known each other for years. The photographs are imbued with this gift of trust, and of mutual respect, resulting in images that are moving, often humorous, and always eloquent. The internationally renowned and award-winning photographer Mario Marino has been travelling the world with his camera for several decades and has long been considered a luminary in the field of portrait photography. His previously published books of portrait photography from Africa and India have won several prizes. "Empathy and instinct is key to my work. I try to read people's lives, the circumstances in which they live. I am fascinated by their cultural background and identity." - Mario Marino Text in English and German.

"Remarkable...compulsively absorbing."-- Ken Johnson, "The New York Times"

""Starstruck" unexpectedly celebrates the beauty of the amateur-one whose vocation is not driven by a hunger for money, but by love. The book is a breath of fresh air."--Warren Beatty

..".wildly entertaining...An obligatory purchase for all pop culture collections."--"Library Journal"

This pop culture classic unearths candid photos of the most famous superstars of the 60s and 70s alongside forgotten and cult personalities, captured through the lens of a monumentally obsessed fan. Gary Boas' tales of his interactions with the stars add to this fascinating document of a bygone era.

Containing approximately 75 period photographs from the Francis Frith archive with extended captions and introduction, this work is suitable for tourists, local historians and general readers. It also includes a voucher for a free mounted print of any photograph shown in the book.

Allen Wheatcroft's first monograph, Body Language, explores the balance between connection and dislocation, which he observes while roaming city streets, camera in hand. Taken in Chicago, Sweden, Los Angeles, Berlin, and Paris, the book includes an introduction by renown New York City street photographer Jeff Mermelstein. The photographs emphasize gestures, movements, and expressions; a visual language without words. The viewer comes to wonder about, and empathize with, the loners and bankers, doormen and gym rats, tourists and sun bathers - eager, perplexed, hurting - who inhabit our cities. This project, which focuses on tension, loneliness, and synchronicity in contemporary life, uses the universal language of the body in the street.