Enshrined in Hollywood's golden age is the iconic image of Holly Golightly peering provocatively from beneath the wide saucer brim of her fabulous black Chapeau du Matin, the boa-length pink hatband declaring an unmistakable independence of spirit. Quintessentially elegant, Hepburn's status as a global style icon owes as much to an endless assortment of fabulous headwear, as it does to her body of work. Hepburn and her hats were a match made in heaven and for decades she not only graced the silver screen but the cover of every glossy magazine throughout the world, rarely captured without her signature accessory.

SHORTLISTED FOR THE BRITISH BOOK AWARDS ‘Beautiful, haunting, thought-provoking … A book I will return to again and again’ Bernardine Evaristo A gorgeously produced, hugely original examination of Black Britishness in the 21st century What is Black Britain? In 2021, award-winning poet Roger Robinson and acclaimed photographer Johny Pitts rented a red Mini Cooper and decided to follow the coast clockwise in search of an answer to this question. Leaving London, they followed the River Thames east towards Tilbury, where the Empire Windrush docked in 1948. Too often, that is where the history told about Black Britain begins and ends – but Robinson and Pitts continued out of London, following the coast clockwise through Margate to Land’s End, Bristol to Blackpool, Glasgow to John O’Groats and Scarborough to Southend on Sea. Here, the authors found not only Black British culture long overlooked in official narratives of Britain, but also the history of Empire and transatlantic slavery to which every Briton is tethered. Home Is Not a Place is the spectacular result of the journey they documented: a free-form composition of photography, poetry and essays that offers a book-length reflection upon Black Britishness – its complexity, strength and resilience – at the start of a new decade. ‘Masterful … A thing of brilliance’ Caleb Azumah Nelson, author of Open Water

Love, Daddy: Letters from My Father examines the complexities of father-and-son relationships through letters and photographs. Willie Morris wrote scores of letters to his only son, David Rae Morris, from the mid-1970s until Willie's death in 1999. From David Rae's perspective, his father was often emotionally disconnected and lived a peculiar lifestyle, often staying out carousing well into the night. But Willie Morris was an eloquent and accomplished writer and began to write his son long, loving, and supportive letters when David Rae was still in high school. An aspiring photographer, David Rae was confused and befuddled by his father's warring personalities and began photographing Willie using the camera as a buffer to protect him and his emotions. The collection begins in early 1976 and continues for more than twenty years as David Rae moved about the country, living in New York, Massachusetts, Texas, Mississippi, Tennessee, and Minnesota, before finally settling in Louisiana. "All the while my father was writing to me I somehow managed to save his letters," David Rae wrote. "I left them in storage and in boxes and in piles of clutter on desks and in basements. They were kind, offering a love that he found difficult to express openly and directly. He simply was more comfortable communicating through letters." The letters cover topics ranging from writing, the weather, Willie's return to Mississippi in 1980, the Ole Miss football season, and local town gossip to the fleas on the dog to just life and how it's lived. Likewise, the photographs are portraits, documentary images of daily life, dinners, outings, and private moments. Together they narrate and illuminate the complexities of one family relationship, and how, for better or worse, that love endures the passage of time.

When eminent photographer Stefan Ruiz stumbled across a treasure trove of old mug shots in a market in Mexico, he began a mission to explore these timeworn photographs and drawings, unique and surreal examples of portrait photography. Here the pictures are beautifully published for the first time.

Recent events have pushed artists to visualize ideas of closeness in a new light. Kinship, published on the occasion of the National Portrait Gallery's tenth "Portraiture Now" exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture, and performance. Contemporary portraiture offers a way to consider the mutable yet enduring qualities of familial relationships and the internal and external forces that affect our bonds with others. For example, interpretations of distance - whether emotional, physical, or geographical - have recently become more fraught. By recognizing the transformations that occur in the genre of portraiture and the threads that today's portraits share, we can better understand the universality and specificity of kinship. List of artists: Njideka Akunyili Crosby, Jess T. Dugan, LaToya Ruby Frazier, Jessica Todd Harper, Thomas Holton, Sedrick Huckaby, Anna Tsouhlarakis

Through the Childen of the Light project by the Greek photographer Calliope, places of astounding beauty come to mind, as well as the freshness, intensity, drama and extraordinary features of Greek youth as seen through Calliope's eyes and camera. She defines her work as a labour of love and a cultural document for the generations to come and for all of us, because it can remind us who we really are.

Terence Donovan was one of the foremost photographers of his generation - among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist's widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.

This latest volume in the critically-acclaimed Double Exposure series presents a range of photographic styles by celebrated photographers as well as snapshots by unknown amateurs. It also features photos by, amongst many others, Wayne F. Miller, Arthur Rothstein, Charles "Teenie" Harris, Al Pereira, Frank . Stewart, Jeanne Moutoussamy-Ashe and Dawoud Bey, who has just been named as MacArthur Foundation 2017 `Genius' Grant Winner. There are remarkable images by African American photographer John Johnson- whose plate glass negatives offer a rare glimpse into the everyday life of African Americans in Lincoln, Nebraska before World War I-and studio portraits by the Calvert Brothers of Nashville, Tennesse, and William J. Kuebler, Jr. of Philadelphia, Pennsylvania, from the early twentieth century. Personal reflections by photographers Builder Levy and Zun Lee, and contributions from collector Adreinne Waheed and curator Rhea L. Combs are new features in this series.

While candy-colored pinup may be popular with some, this is a collection of dark, sexy images that truly reflect the sophisticated side of the pinup genre. Seemingly ripped from the men's magazines of yesteryear, these photos are so authentic looking down to the smallest detail as if they were actually taken decades ago. Bullet bras, seamed stockings, high heels, and girdles bursting at the seams! Internationally published photographer Mark Anthony Lacy specializes in bringing out the allure and sensuality of his female subjects. He combines his backgrounds in art, architecture, film, and photography to create incredibly authentic vintage tableaus in his New York studio.

Best in Show is a collection of photographs of well-groomed and award-winning dogs by New York City-based photographer Dolly Faibyshev.

The images from the Westminster Kennel Club Dog Show and beyond focus on the unique-and often humorous-relationship between each dog and their handler.

Dolly Faibyshev focuses on kitsch, irony, and the larger than life human and canine characters that make up Best in Show. The result is a colorful, vibrant, campy, and satirical take on this specific slice of Americana.

• The colorful, closely cropped juxtapositions of each coiffed canine contestant and their dedicated human are both humorous and charming.
• Sure to delight fans of all breeds of dogs
• A universal and ideal gift for all canine lovers with a sense of humor

Best in Show captures a specific subculture of dog devotees primarily from the infamous Westminster Kennel Club Dog Show at Madison Square Garden in New York.

Sensual and softly surreal, the nude photography of Ralph Gibson frames the female form both organically and graphically, referencing art history while also innovating in the arena of erotic imagery, at once summoning visceral sensation and calling out for tactile attention. Thumb through this exquisite tribute to the contours and curves of womanhood and experience the intimacy of the photographic lens. Reviving TASCHEN's sold-out Collector's Edition, this tribute gathers the best of Gibson's exquisite nudes alongside some of his most recent works in an accessible, revised format, complete with a fresh in-depth interview by Eric Fischl. Strikingly graphic, meticulously composed, and loaded with subtle provocations, the master photographer's mysterious, dreamlike images pay homage to greats such as Man Ray and Edward Weston, while continually pursuing new frontiers. "A photographer once said that beauty in women is endless. Perhaps it was I who said it. [...] I love photographing women and could say that the form of the female body is absolute and perfect." -Ralph Gibson

The first book from Darcey Bussell in over six years, retired darling of the British Ballet and beloved judge of Strictly Come Dancing, this publishing extravaganza coincides with the superstar ballerina's 50th birthday.

Exquisitely produced, the book is filled with remarkable images of Dame Darcey in various notable locations, such as a pod of the London Eye, on top of the Victoria and Albert memorial, and performing at worldwide events, like the Olympics opening ceremony. The collection includes rare and unseen moments of Darcey shot by some of the most famous photographers, including Lord Snowdon, Mario Testino and Annie Leibovitz, in locations beyond the stage including rehearsals, fashion shoots and more which are accompanied by behind-the-scenes stories and personal anecdotes.

A fitting testament to one of our true national treasures, this glorious and charming book is a wonder to enjoy for years to come.

Since moving to New York from Kuwait City Maha Alasaker learned that the everyday American has no conception of what daily life is like for women in modern-day Kuwait. Seeking to address this, Alasaker began making portraits of women in their bedrooms and asking them about their lives. This intimate collection of environmental portraits provides a never-before-seen look at what it means to be a young woman in Kuwait.

George Hurrell (1904-1992) was the creator of the Hollywood glamour portrait, the maverick artist who captured movie stars of the most exalted era in Hollywood history with bold contrast and seductive poses. This lavishly illustrated book spans Hurrell's entire career, from his beginnings as a society photographer to his finale as the celebrity photographer who was himself a celebrity, and a living legend. From 1929 to 1944 Hurrell was the Rembrandt of Hollywood," creating portraits of Marlene Dietrich, Norma Shearer, Bette Davis, Carole Lombard, and Joan Crawford that were a blend of the ethereal and the erotic. His photos of Jane Russell sulking in a haystack made the unknown girl a star,without a film credit to her name. He immortalized leading males stars of the day from the Barrymores to Clark Gable and Gary Cooper. Latter photo shoots magnified the glamour of the likes of Warren Beatty and Sharon Stone. Through newly acquired photos and in-depth research, photographer and historian Mark A. Vieira, author of Hurrell's Hollywood Portraits , offers not only a wealth of new images but a compelling sequel to the story presented in his earlier book on Hurrell. Hurrell was himself a star,rich, famous, successful. Then, at the height of his career, he suffered a vertiginous fall from grace. George Hurrell's Hollywood recounts, for the first time anywhere, Hurrell's rise from the ashes,how movie-still collectors and art dealers pulled the elderly artist into a nefarious world of theft and fraud how his undiminished powers gave him a second career and how his mercurial nature nearly destroyed it. The photographs that motivate this tale are luminous, powerful, and timeless. This book showcases more than four hundred, most of which have not been published since they were created. George Hurrell's Hollywood is the ultimate work on this trailblazing artist, a fabulous montage of fact and anecdote, light and shadow.

Following up on her highly praised bestseller "Men Before 10 a.m.," celebrity photographer Veronique Vial completes her wonderfully intimate and revealing portrait of the sexes with "Women Before 10 a.m.," a captivating collection of your favorite fashion, cinematic, and pop culture beauties, starlets, and models before ten o'clock in the morning.
Caught with Vial's friendly lens in all their unadorned morning glory--and in the act of waking, snuggling, canoodling, bathing, getting dressed, smoking a cigarette, eating breakfast, or feeding the kids--are today's sexiest and most sought after actresses, models, musicians, and writers from the U.S. and Europe. The results are humorous, touching, elegant, sexy, and very, very feminine.

This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs-precisely through their uncanniness-to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book's historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.

Kicking Sawdust is a series of photos taken from 1988-1992 while on the road with the circus, carnival, sideshows. It is a personal documentation of friends and people Clayton Anderson encountered in his daily life while working and traveling in his family's food business. Shot on black and white film and developed by author while on the road, after hours.

Photographer of excellence, and among the most appreciated in the contemporary art scene, the Dutch photographer Erwin Olaf (1959) is to be considered one of the greatest interpreters of modern portrait photography: he is known all over the world for a photographic style dominated by mysterious and contemplative atmospheres, for his mise en scène and theatrical compositions. In his shots Olaf weaves complex and dramatic narratives. His works are striking in their strangeness, their will to provoke, their sense of solitude and restlessness: they catch glimpses of truth, which reveal the imperfection and the fictitious nature of an apparently perfect world. This rich catalogue represents a journey through the artist's entire production, offering a complete overview of his work: from the beginning with Chessmen, the series that made him internationally famous, awarded at the Young European Photographer competition in 1988, up to the recent Palm Springs project (2018). The volume includes a critical text by Walter Guadagnini and a conversation with the artist. Text in English and Italian.

Shakespeare by McBean collects 300 images, many never before published, taken by the renowned photographer Angus McBean. Incorporating images from every one of Shakespeare’s plays performed at the RSC, with some from the Old Vic, between the years 1945–62, it is a veritable who’s who of the British stage. Richard Burton, Vivien Leigh, Robert Donat, Alec Guiness, Michael Redgrave, Peggy Ashcroft, Laurence Olivier, Edith Evans, Paul Scofield, Diana Rigg, Anthony Quayle, Charles Laughton, John Gielgud, Peter O’Toole and Dorothy Tutin are just some of the names that appear. Angus McBean was an exceptional talent, whether he was transforming the photography of rehearsals, inspiring the Beatles, or entertaining his admireres with his light-hearted espousal of surrealism in portraiture. In a career lasting half a century his influence can be seen in everything from advertising to pop culture. -- .

In this first-ever showcase of his work, Gregory Heisler, one of professional photography's most respected practitioners, shares 50 iconic portraits of celebrities, athletes, and world leaders, along with fascinating, thoughtful, often humorous stories about how the images were made. From his famously controversial portrait of President George H.W. Bush (which led to the revocation of Heisler's White House clearance) to his evocative post-9/11 Time magazine cover of Rudolph Giuliani, to stunning portraits of Julia Roberts, Denzel Washington, Hillary Clinton, Michael Phelps, Muhammad Ali, and many more, Heisler reveals the creative and technical processes that led to each frame. For Heisler's fans and all lovers of photography, Gregory Heisler: 50 Portraits offers not only a gorgeous collection of both black-and-white and color portraits, but an engrossing look at the rarely seen art of a master photographer at work. With a foreword by New York City mayor Michael R. Bloomberg.

On two cold grey days in 1966, LS Lowry was joined by a young photographer on one of his first assignments for Nova Magazine. Clive Arrowsmith had been commissioned to photograph Lowry at home. Perhaps it was Arrowsmith's youthful exuberance that resulted in him taking as many photographs as possible, so that by the end of the two days the range of images was considerable. Views of Lowry inside and outside his home in Mottram-in-Longdendale - described as "going dilapidated at the corners" by Barrie Sturt-Penrose, Nova's art critic - were joined by others taken on the streets of Salford. When the shoot was finished, Nova chose the pictures they wanted and, due to Arrowsmith's subsequent career in fashion photography, the others were forgotten. In 2016, their chance discovery in Arrowsmith's attic revealed a treasure trove of unseen pictures, which gives us a fascinating insight into the life of one of Britain's best-known artists.