Peter Lindbergh, one of the world's foremost fashion photographers, celebrates the female form in this classic book. Peter Lindbergh's Images of Women is now available in this new unabridged compact edition. Lindbergh, who passed away in 2019, took a comprehensive look at his body of work from the 1980s and '90s and hand selected these black-and-white photographs of the most beautiful and famous women in the world. It was the era of the supermodels, a phenomenon he himself had helped create, and he left his own unique stamp upon it, influencing an entire generation of fashion photographers with his distinct style. Lindbergh was always interested in the aura, individuality, and personality of his models which resulted in images that captured an ideal of beauty more than just perfection and glamour. This splendid monograph represents the definitive collection of Lindbergh's considerable oeuvre: classic fashion photographs, arresting candids, portraits of female celebrities--including Madonna, Isabella Rossellini, Sharon Stone, Catherine Deneuve, Charlotte Rampling, Daryl Hannah--and of course his signature shots of the world's supermodels.

Kary H. Lasch (1914 - 1993) was a Czech-born photographer who moved to Sweden in 1939 and whose international model scouting network was based in Stockholm. His photographic career spanned the 1950s through the 1980s, and he attended the Cannes Film Festival consecutively for over 30 years. He travelled widely, and is well known for his iconic images of Picasso, Dali, Fellini, Sofia Loren, and Brigitte Bardot. Lasch was known to do anything to get a scoop on the best photos. In a famous instance, when Sofia Loren was on her way to Stockholm by train from Copenhagen in 1955, Kary picked up the train she was on in Copenhagen, bribed the concierge, and photographed her while she was dressing in the train car. When they arrived in the Stockholm Central Station, the Swedish press were competing for the best position for a picture while Sofia and Kary were looking out of the train window. This 3-volume set (Vol. 1: Famous; Vol. 2: Cannes; Vol. 3: Humorous), brings together works from the extensive Kary Lasch Collection, which contains more than 600,000 images.

Brandon Stanton’s Humans is a book that connects readers as global citizens at a time when erecting more borders is the order of the day. It shows us the entire world, one story at a time…

Brandon Stanton’s Humans – his most moving and compelling book to date – shows us the world. After five years of traveling the globe, the creator of Humans of New York brings people from all parts of the world into a conversation with readers. He ignores borders, chronicles lives and shows us the faces of the world as he saw them. His travels took him from London, Paris and Rome to Iraq, Dubai, Ukraine, Pakistan, Jordan, Uganda, Vietnam, Israel and every other place in between. His interviews go deeper than before. His chronicling of peoples’ lives shows the experience of a writer who has traveled widely and thought deeply about the state of our world.

Including hundreds of photos and stories of the people he met and talked with in over forty countries, Humans is classic Brandon Stanton – a fully color illustrated book that includes many photos and stories never seen before. For the first time for a HONY title, Humans will contain several of the essays Brandon’s posted online which have been read, loved and enthusiastically shared by his followers.

It was in 1978, during my first summer of making portraits while using an 8x10 inch large format camera, that I found myself drawn to photographing redheads. I have often been asked; 'why redheads,' and I've often felt it was because in summer redheads seem to bloom in the sun more gloriously than the rest of us. But it also might have been my living far out on the tip of Cape Cod, surrounded by all the blue light of sea and sky, which made me pay more attention to the flamboyant qualities of redheads. Their hair and the exotic markings of their skin in sunlight became even rosier and more astonishing in that blue atmosphere. Redheads, like film itself, are transformed by sunlight. It seems natural to me now that I would have paid attention to this new phenomenon as it appeared within the larger subject of the Cape itself. After making more than 50 portraits that first month, in which at least 30 were of redheads, I understood that this was an impulse to be taken seriously. I ran an ad in the local paper, the Provincetown Advocate: "REMARKABLE PEOPLE! If you are a redhead or know someone who is, I'd like to make your portrait, call...." They began coming to my deck, bringing with them their courage and their shyness, their curiosity and their dreams, and they shared their stories of what it was like to be a redhead. They spoke of the painful remembrances of childhood, the violations of privacy and name calling-"Hey, red," "freckle face," "carrot head." They also shared with me their sense of personal victory at having overcome this early, unwanted celebrity, and how like giants or dwarfs or athletes they had finally grown into their specialness and by surviving had been ennobled by it. You could say that they had been baptized by their own fire, and that their shared experience had formed a "blood knot" among them. I had begun making portraits with the intention of photographing ordinary people. But redheads are both ordinary and special. Their slender slice of the genetic pie accounts for only 2 or 3 percent of the world's population. As different as redheads are in terms of nationality and religion, they often give the appearance of a strong familial connection. My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity, but simply standing eye to eye with anyone has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through. This new edition of 'Redheads' will have a number of new and previously unseen portraits.

There have been many Marilyn Monroe photo books--but nothing like this.

Curator and photographic preservationist David Wills has amassed one of the world's largest independent archives of original Marilyn Monroe photographs. Now, in Marilyn Monroe: Metamorphosis, he has gathered spectacular, museum-quality work from Marilyn's key photographers--Richard Avedon, George Barris, Cecil Beaton, Bernard of Hollywood, Andre de Dienes, Elliott Erwitt, Milton Greene, Philippe Halsman, Tom Kelley, Douglas Kirkland, Willy Rizzo, Sam Shaw, and many others--to create this dazzling portfolio of images from every period of Marilyn Monroe's adult life, from her wedding day in 1942 till just weeks before her death two decades later. Marilyn Monroe: Metamorphosis pays homage to her continually evolving style and extraordinary beauty.

Among the highlights:

Previously unseen Kodachrome, dye transfer, and Carbro prints of Norma Jeane from her modeling career.

Classic portraits and pinups in luscious full color, digitally restored from the original transparencies.

Never-before-seen photos from the sets of The Seven Year Itch, Some Like It Hot, The Misfits, and Something's Got to Give.

Rare candids of Marilyn with Marlon Brando, Clark Gable, Humphrey Bogart, Lauren Bacall, Ronald and Nancy Reagan, Queen Elizabeth II, Joe DiMaggio, Arthur Miller, and others.

Previously unpublished photos by Richard Avedon, George Barris, Cecil Beaton, David Conover, Elliott Erwitt, John Florea, Tom Kelley, Richard C. Miller, Frank Powolny, Willy Rizzo, Zinn Arthur, and many others.

Pairing more than two hundred first-generation photos with reflections on Marilyn from her friends, work associates, and admirers--and including her last interview, in which she reflects on her life and fame--Marilyn Monroe: Metamorphosis is an unforgettable showcase of the actress's transformation from an unknown factory worker to one of the most recognized faces in history.

In this first-ever showcase of his work, Gregory Heisler, one of professional photography's most respected practitioners, shares 50 iconic portraits of celebrities, athletes, and world leaders, along with fascinating, thoughtful, often humorous stories about how the images were made. From his famously controversial portrait of President George H.W. Bush (which led to the revocation of Heisler's White House clearance) to his evocative post-9/11 Time magazine cover of Rudolph Giuliani, to stunning portraits of Julia Roberts, Denzel Washington, Hillary Clinton, Michael Phelps, Muhammad Ali, and many more, Heisler reveals the creative and technical processes that led to each frame. For Heisler's fans and all lovers of photography, Gregory Heisler: 50 Portraits offers not only a gorgeous collection of both black-and-white and color portraits, but an engrossing look at the rarely seen art of a master photographer at work. With a foreword by New York City mayor Michael R. Bloomberg.

Pregnant Pictures makes a vital contribution to the study of the social meanings of photographs by locating photographic images of pregnancy and bringing them into dialogue with contemporary visual theory, feminist work on the body, and current debates over the politics of reproduction. The volume collects over 100 photographs of pregnant women, the most complete photo archive of its kind in existence, including:
* medical photographs and family photographs since the turn of the century
* art photographs and advertisements for maternity clothing from the 1930s to the present
* photos from lay childbirth manuals from 1950 to present.
Sandra Matthews and Laura Wexler accompany the photos with an insightful analysis that provides the opportunity to rethink, in fresh terms, important issues surrounding the representation of women's bodies.

On one side, Dita Von Teese shares the beauty of the burlesque world, with bubblegum dreams and show tunes to strip to. Flip over for fantasies in fetish with dramatic costumes and the allure of submission. Burlesque and the Art of the Teese "I advocate glamour. Every day. Every minute." I'm a good dancer and a nice girl, but I'm a great showgirl. I sell, in a word, magic. Burlesque is a world of illusion and dreams and of course, the striptease. Whether I am bathing in my martini glass, riding my sparkling carousel horse, or emerging from my giant gold powder compact, I live out my most glamorous fantasies by bringing nostalgic imagery to life. Let me show you my world of gorgeous pin-ups, tantalizing stripteases, and femmes fatales. I'll give you a glimpse into my life, but a lady never reveals all. Fetish and the Art of the Teese You may have come for the fetish. Or you may just be sneaking a peek at this mysterious and peculiar other side. No matter what you've come for, there is something for you to indulge in. My world of fetish may not be the one that you would expect. As a burlesque performer, I entice my audience, bringing their minds closer and closer to sex and then -- as good temptress must -- snatching it away. As a fetish star, I apply the same techniques...An opera-length kid leather glove, a strict wasp waist, an impossibly high patent leather heel, a severely painted red lip...Come with me into my world of decadent fetishism.

There is no more gruesome and tragic record in the history of the 20th century than the photographs taken at the liberation of the concentration camps in Germany after World War II. These images are seared into our collective memory as brutal evidence of the atrocity of war and the evil of which humanity is capable. But the horrific content of these images has somewhat obscured their status as historical documents. This text reveals the unique significance of the concentration camp photographs - how they have become the basis of our memory of the Holocaust and how they have affected our presentations and perceptions of contemporary history's subsequent atrocities. Prior to the Holocaust, news reporters primarily told their stories in words, using photographs almost as an afterthought. When the camps were liberated, however, journalists and reporters turned to photography to bear witness to the unspeakable and indescribable scenes of the dead and dying. Through this process, the text argues, photographs earned a new legitimacy as tools of reporting. The author shows how, since the end of the war, the use of "atrocity photos" has fallen into patterns - or waves of memory - determined by the different roles that the photos occupy in the public imagination. Most recently, for example, the images from Bosnia hark back to the Holocaust imagery, an echo that can actually dilute our response to what happened both then and now.

Lunch with the Financial Times has been a permanent fixture in the Financial Times for almost 25 years, featuring presidents, film stars, musical icons and business leaders from around the world. The column is now as well-established institution which has reinvigorated the art of conversation in the convivial, intimate environment of a long boozy lunch. On its 25th anniversary, Lunch with the Financial Times 2 will showcase the most entertaining, incisive and fascinating interviews from the past five years including those with Edward Snowden, Bernie Ecclestone, Hilary Mantel, Sheryl Sandberg, Richard Branson, Rebecca Solnit, Emmerson Mnangagwa, Jordan Peterson, Nigel Farage, Woody Harrelson, Sepp Blatter, (pre-election) Donald Trump and Zoella, illustrated in full colour with James Ferguson's famous portraits.

Whether you're thinking of getting a tattoo or just want to see to what lengths others have gone in decorating their bodies, this is the book to check out. 1000 Tattoos explores the history of the art worldwide via designs and photos-from 19th-century engravings to tribal body art, from circus ladies of the '20s to classic biker designs. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Even in paradise, adolescence is complicated. The photos in Coming of Age in Wonderland see teenagers simultaneously wedded to the tyranny of cool while rebelling against it. These portraits of Bermuda's teenagers are as stirring and unique as the island itself. Debra Friedman has a BFA from the School of the Museum of Fine Arts, Boston and an MFA from the Chicago Art Institute. Pamela Gordon Banks was the first woman, and youngest person, ever to serve as the Premier of Bermuda. Tom Butterfield is founder and executive director of the Masterworks Museum of Bermuda Art.

The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Freres, Pascal Sebah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium.

In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. Without light, there is no photograph. As almost every photographer knows, the word "photograph" has its roots in two Greek words that, together, mean "drawing with light." But what is less commonly acknowleEAed and understood is the role that shadow plays in creating striking, expressive imagery, especially in portraiture. It is through deft, nuanced use of both light and shadow that you can move beyond shooting simply ordinary, competent headshots into the realm of creating dramatic portraiture that can so powerfully convey a subject's inner essence, communicate a personal narrative, and express your photographic vision. In The Dramatic Portrait: The Art of Crafting Light and Shadow, Chris Knight addresses portraiture with a unique approach to both light and shadow that allows you to improve and elevate your own portraiture. He begins with the history of portraiture, from the early work of Egyptians and Greeks to the sublime treatment of light and subject by artists such as Caravaggio, Rembrandt, and Vermeer. Chris then dives into a deep, hands-on exploration of light, shadow, and portraiture, offering numerous lessons and takeaways. He covers: - The qualities of light: hard, soft, and the spectrum in between - The relationships between light, subject, and background, and how to control them - Lighting patterns such as Paramount, Rembrandt, loop, and split - Lighting ratios and how they affect contrast in your image - Equipment: from big and small modifiers to grids, snoots, barn doors, flags, and gels - Multiple setups for portrait shoots, including those that utilize one, two, and three lights - How color contributes to drama and mood, eliciting an emotional response from the viewer - How to approach styling your portrait, from wardrobe to background - The post-processing workflow, including developing the RAW file, maximizing contrast, color grading, retouching, and doEAing and burning for heightened drama and effect - How all of these elements culminate to help you define your personal style and create your own narrative

This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images that merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness-its producers, subjects, viewers, and pictorial forms-and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.

This richly illustrated book is the first monograph to explore the prolific career of the celebrated photographer Anthony Barboza. Anthony Barboza (b. 1944) is a celebrated artist and writer who has made thousands of photographs in the studio and on the street since 1963. A member of the Kamoinge collective of photographers in New York, Barboza is largely self-taught and has an inimitable, highly intuitive vision that he refers to as "eye dreaming," or "a state of mind that's almost like meditation." Throughout the years he has made countless commercial images, including celebrity portraits, advertisements, and album covers. His personal photographic projects illuminate his deep investment in the art and concerns of Black communities, not only in the United States but also around the globe. This lavishly illustrated volume follows Barboza's prolific career from his youth in New Bedford, Massachusetts, to his formative years in New York in the 1960s, to the present day. An introduction by renowned author and critic Hilton Als underscores Barboza's importance and impact. An essay by curator Aaron Bryant contextualizes Barboza's life and career as they map against major civil rights events in the United States. In an intimate interview between the artist and curator Mazie M. Harris, Barboza offers astute, humorous, and intimate musings on his long career, foundational influences, and artistic legacy. This monograph, the first on the artist, will appeal to aficionados of photography and Black art and culture.

Photographer, stylist and fashion editor Ferry van der Nat has worked for numerous fashion magazines and brands. Under the name Mr Polaroid, van der Nat began taking strong sculptural polaroids of male models. What started as a personal project evolved into a great collection of images and a celebration of male beauty. Mr Polaroid's first ever monograph contains over 200 of his best photographs. With contributions by Gert Jonkers (Fantastic Man) and Alan Prada (l'Uomo Vogue).

The definitive monograph of Glen E. Friedman, a pioneer of skate, punk, and hip-hop photography, including much never-before-published work. Glen E. Friedman is best known for his work capturing and promoting rebellion in his portraits of artists such as Fugazi, Black Flag, Ice-T, Dead Kennedys, Minor Threat, The Misfits, Bad Brains, Beastie Boys, Run-D.M.C., and Public Enemy, as well as classic skateboarding originators such as Tony Alva, Jay Adams, Alan "Ollie" Gelfand, Duane Peters, and Stacy Peralta, and a very young Tony Hawk. Designed in association with celebrated street and graphic artist Shepard Fairey, this monograph captures the most important and influential underground heroes of skateboarding, punk, and hip-hop cultures. My Rules is an unprecedented window into the three most significant countercultures of the last quarter of the twentieth century, and Friedman's photographs define those important movements that he helped shape. A remarkable chronicle and a primer about the origins of radical street cultures, My Rules is also a statement of artistic inspiration for those influenced by these countercultures.

Carolyn Jones's vivid and life-affirming portraits capture people from all backgrounds -- children and grandmothers, men and women of all races -- living with HIV and AIDS.
It is estimated that over one million people in the United States would test positive for the Human Immune Virus, and many others are already suffering from Acquired Immune Deficiency Syndrome. A common-and harmful-misconception holds that AIDS is an instant death sentence but, in fact, testing positive for HIV does not mean immediate illness. Carolyn Jones has collaborated with George DeSipio, Jr., and Michael Liberatore (co-founders of the project), and the seventy-three people who volunteered to pose for these photographs in an inspiring effort to change the way we think about AIDS. Jones's compelling portraits have the power to profoundly alter perceptions about this disease, and about the way we all live and die. AIDS poses challenging questions that we must each grapple with, whether healthy or not. These captivating pictures illustrate the self-confidence and wisdom of ordinary people coping with an extraordinary fate, facing their mortality, questioning their priorities, and living life to the fullest. Their energy, courage, and dignity in the face of such adversity offer a vital lesson in how to embrace life, day by day. Their faces and their stories are proof that AIDS doesn't look like anyone -- it looks like, and ultimately is, all of us.
Design Industries Foundation for AIDS (DIFFA) is the sole recipient of the royalties from the sale of "Living Proof." For additional information regarding "Living Proof" and the Design Industries Foundation for AIDS, please call DIFFA, (212) 727-3100.

RAW is a series of portraits photographed as people revisit a moment of loss from their past, which is presented alongside their written thoughts on the personal loss.Each individual has a different approach in revealing their loss. The memories can be hurtful but also happy. Each person photographed has become the person they are, or still is becoming the person they will be, through what they have lost and been through in their lives. Meeting and hearing their stories, feeling and seeing their vulnerability touches the heart. It is the moment when people are lost in their thoughts and by themselves, when there is beauty and sincerity.PAPERFOLD (2012) was a photography exhibition of 24 tableaux vivants, shot in South Africa and shown at the C3 Gallery in Melbourne, Other Photography exhibtions include TABOO (2010), REMEMBERING WHATS LOST (2009) and TABU (2003) at the Haus der Kunst in Munich, as part of the young artist in Germany exhibition.PAPER BIRD (2007) is her first feature film, and has been screened at an array of international film festivals and aired nationally on German television. Other films include Karma Cowboy (2001), Mona (1998), New York Images (1996), Alps (1995) and Growing Silently (1994), which have been screened at international film festivals including Leipzig (Germany), Beirut (Lebanon), Taiwan, Rotterdam (Holland), Prague (Czech Republic), South Korea, Petersburg (Russia), Barcelona (Spain) ect and won several prizes including the Prix Regards Neufs 1st Prize and the Bavarian Documentary Award "The Young Lion" at the Munich Film Festival, 2002 for Karma Cowboy.

For thirty years photo-historian Carole Glauber photographed her young family with a 1950s Kodak Brownie Hawkeye camera. The resulting catalogue of images is as rich in color and warmth as it is dreamily faded from the past. Accompanied by an essay by acclaimed photographer Elinor Carucci, this monograph is testament to a mother's love and time's relentless melt.