Photographer Deirdre O'Callaghan has produced an unsettling but ultimately engaging document of the residents at Arlington House, Europe's largest men's refuge. Built in the early 20th century for intinerant Irish workers, many of the residents have been displaced from their home country and suffer from mental and physical disabilities, largely alcoholism. O'Callaghan's work reveals the humour and companionship the men derive from their shared experience, both in the refuge and on their sponsored return trips to Ireland. This book won the ICP Infinity Award for best publication in 2003 and the Rencontres de la Photographie D'Arles award for best book. It was also included in the PDN Photography Annual 2003 in the best books category

Monograph commemorating German photojournalist Werner Bischof (1916-1954), who reported on devastation in Germany, France and the Netherlands after World War II. Featuring over 100 black-and-white photographs, this collection of Bischof's images conveys his sense of empathy and humanity. Text in English, Italian and French.

For fifty years, Marti Friedlander (1928-2016) was one of New Zealand's most important photographers, her work singled out for praise and recognition here and around the world. Friedlander's powerful pictures chronicled the country's social and cultural life from the 1960s into the twenty-first century. From painters to potters, film makers to novelists, actors to musicians, Marti Friedlander was always deeply engaged with New Zealand's creative talent. This book, published to coincide with an exhibition at the National Portrait Gallery in Wellington, brings together those extraordinary people and photographs: Rita Angus and Ralph Hotere, C. K. Stead and Maurice Gee, Neil Finn and Kapka Kassabova, Ans Westra and Kiri Te Kanawa, and many many more. Marti Friedlander: Portraits of the Artists chronicles the changing face of the arts in New Zealand while also addressing a central theme in Marti Friedlander's photography. Featuring more than 250 photographs, many never previously published, the book is an illuminating chronicle of the cultural life of Aotearoa New Zealand.

The Texas hot rod scene encompasses the exhaust, speed, rust, and chrome beloved not just by greasers and gearheads but also by families and pinup girls, bikers and rockabilly dolls, rockers and regular Joes. The Lonestar Rod & Kustom Round Up, one of America's premier car shows, attracts hot rod and custom car fans from around the world, bringing them to Austin every spring. George Brainard began photographing the Round Up in 2003 on behalf of the show hosts, The Kontinentals Car Club. Finding himself interested as much in the crowd and the culture as in the cars, he began taking pictures of people at the show. All Tore Up presents portraits of these people, who are as distinctive as the cars they love. As Brainard observes, "Hot rods and customized cars are works of art. You take an old car, cut it into pieces, and put it back together following your own vision. You bring something to life that previously existed only in your imagination." The people who do this "are drawn to aesthetic expression, and they materialize it in their own selves, their clothes, and their bodies." Allowing his subjects to pose themselves against a plain white background and write their own captions for their photographs, Brainard cuts through the visual spectacle of the car show and finds the essence of the people who are a part of it, capturing a fascinating pop subculture of American life.

If you get hold on texts, articles and interview featuring Ryan Gander, one word will pop-up in particular - storyteller. Through his work he always tries to narrate in form of objects or actions particular feelings or actions, pose questions and maybe sometimes give loose answers. His initial projects involved public lectures and performances, but lately it has evolved into creating articulated stories and emotions through the use of sculpture, real estate projects, architecture or (sometimes) technically complex installations. If you have seen his work for the latest dOCUMENTA in Kassel, Airflow-velocity Study for I Need Some Meaning I Can Memorise (the Invisible Pull), you are surely aware of the complexity of the questions his projects pose to the user, questioning the notions of language and knowledge, a reinvention of the modes of the appearance and creation of the artwork.

Recent events have pushed artists to visualize ideas of closeness in a new light. Kinship, published on the occasion of the National Portrait Gallery's tenth "Portraiture Now" exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture, and performance. Contemporary portraiture offers a way to consider the mutable yet enduring qualities of familial relationships and the internal and external forces that affect our bonds with others. For example, interpretations of distance - whether emotional, physical, or geographical - have recently become more fraught. By recognizing the transformations that occur in the genre of portraiture and the threads that today's portraits share, we can better understand the universality and specificity of kinship. List of artists: Njideka Akunyili Crosby, Jess T. Dugan, LaToya Ruby Frazier, Jessica Todd Harper, Thomas Holton, Sedrick Huckaby, Anna Tsouhlarakis

In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture - Hendrix burning his guitar at Monterey - has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff's photographic career. Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar. In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician.

This is a selection of photographs taken from 1929 to 1942.

Amanda de Cadenet blazes a new trail for women image makers with a hip, accessible, spirited book, offering a collection of works by young up-and-coming female photographers from all over the world who capture how young women see other women, the space around them, and themselves. In a world where young women are bombarded with overfiltered selfies and skewed perceptions of what it is to be a girl, #girlgaze is a powerful collection of deeply authentic images that show how young women photographers perceive the world. The book weaves together candid and formal photos of women living their lives: capturing their friends and loved ones; creating gorgeous portraits of the people they admire; and catching a significant moment on city streets, remote countrysides, in their war-torn countries, or intimately at home. The book includes contributions by real-world visionaries, whether in fashion or documentary photography, in front of the camera or behind it. Spirited and inspiring, #girlgaze is sure to appeal to photography fans and women of all ages.

Paul Mobley has taken his camera on the road again to photograph America s bravest citizens. In this collection of intimate and powerful photographic portraits, we get a glimpse of what it means to answer the call and run toward danger. Stunning portraits of these brave men and women chief fire officers, company and wildland crew leaders, instructors, and line-firefighters are accompanied by firsthand accounts of those who put it all on the line, as well as stories of those firefighters who have made the greatest sacrifice of all. American Firefighter contains the real-life stories of firefighters, from the most rural volunteers to the most sophisticated and technologically advanced metropolitan departments, and it also profiles the children and grandchildren of firefighters who have been lost in the line of duty as they honor and pursue a family legacy. This book is an excellent gift for this nation s 1.4 million firefighters and their families, for those just coming to the profession, or for any American who is intrigued to learn more about these everyday heroes.

Containing approximately 75 period photographs from the Francis Frith archive with extended captions and introduction, this work is suitable for tourists, local historians and general readers. It also includes a voucher for a free mounted print of any photograph shown in the book.

This eye-opening study of Civil War photography traces the introduction of the camera into the battlefield and shows its influence on history and our responses to war Six hundred thousand lives were lost between 1861 and 1865, making the conflict between North and South the nation's deadliest war. If the "War Between the States" was the test of the young republic's commitment to its founding precepts, it was also a watershed in photographic history, as the camera recorded the epic, heartbreaking narrative from beginning to end-providing those on the home front, for the first time, with immediate visual access to the horrors of the battlefield. Photography and the American Civil War features both familiar and rarely seen images that include haunting battlefield landscapes strewn with bodies, studio portraits of armed Confederate and Union soldiers (sometimes in the same family) preparing to meet their destiny, rare multi-panel panoramas of Gettysburg and Richmond, languorous camp scenes showing exhausted troops in repose, diagnostic medical studies of wounded soldiers who survived the war's last bloody battles, and portraits of both Abraham Lincoln and his assassin, John Wilkes Booth. Published on the occasion of the 150th anniversary of the battle of Gettysburg (1863), this beautifully produced book features Civil War photographs by George Barnard, Mathew Brady, Alexander Gardner, Timothy O'Sullivan, and many others. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art(04/01/13-09/02/13) The Gibbes Museum of Art (09/27/13-01/05/14) New Orleans Museum of Art (01/31/14-05/04/14)

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

This work features approximately 96 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers. Includes voucher for free mounted print.

Jim Rubery presents approximately 100 finely-detailed period photographs of the locality from the world-famous Francis Frith archive. A full introduction is included, as well as extended captions to the pictures. A voucher for a free mounted print of any of the photographs in the book is also included.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the "New York Times," the "Washington Post," "Time," and the "New Yorker," Friedman's grimly evocative black-and-white images--"intimate, behind-the-scenes photos" ("Time")--have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his "unflinching" lens and his intrepid reporting.
For his new collection of photographs, "Lyudmila and Natasha," Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, "Lyudmila and Natasha" powerfully evokes both a vital place and the people who call it home.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work features approximately 100 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work features approximately 150 detailed historic photographs from The Francis Frith Collection with extended captions and full introduction. Suitable for tourists, local historians and general readers.

This work contains around 150 detailed photographs of the county of Kent, taken from the Frith archive. It features extended captions to pictures, a full introduction, and a voucher for a free mounted print

This photographic memoir of Liverpool features 100 detailed historical photographs from The Francis Frith Collection, with extended captions and a full introduction. The photographs show how Liverpool has changed over the 20th century.