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The Arab Imago - A Social History of Portrait Photography, 1860-1910 (Hardcover)
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The Arab Imago - A Social History of Portrait Photography, 1860-1910 (Hardcover)
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Total price: R1,035
Discovery Miles: 10 350
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The birth of photography coincided with the expansion of European
imperialism in the Middle East, and some of the medium's earliest
images are Orientalist pictures taken by Europeans in such places
as Cairo and Jerusalem--photographs that have long shaped and
distorted the Western visual imagination of the region. But the
Middle East had many of its own photographers, collectors, and
patrons. In this book, Stephen Sheehi presents a groundbreaking new
account of early photography in the Arab world. The Arab Imago
concentrates primarily on studio portraits by Arab and Armenian
photographers in the late Ottoman Empire. Examining previously
known studios such as Abdullah Freres, Pascal Sebah, Garabed
Krikorian, and Khalil Raad, the book also provides the first
account of other pioneers such as Georges and Louis Saboungi, the
Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha--as
well as the first detailed look at early photographs of the annual
pilgrimage to Mecca. In addition, the book explores indigenous
photography manuals and albums, newspapers, scientific journals,
and fiction. Featuring extensive previously unpublished images, The
Arab Imago shows how native photography played an essential role in
the creation of modern Arab societies in Egypt, Palestine, Syria,
and Lebanon before the First World War. At the same time, the book
overturns Eurocentric and Orientalist understandings of indigenous
photography and challenges previous histories of the medium.
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