In their art, Tibetans aimed at faithfully transmitting and
preserving Buddhism as a spiritual discipline as they had learned
it from earlier teachers. Each thangka painting was a small
contribution to the larger cause of keeping Buddhism alive and
radiant. In this third volume on Tibetan painting, David Jackson
investigates painted portraits of early Tibetan teachers. Images of
these eminent personages embodied Buddhist ideals in human form. In
creating these depictions, Tibetan painters of the 12th through the
14th centuries imitated the artistic conventions developed in Pala-
and Sensa-ruled eastern India (Bengal). This style, called Sharri,
spread from India to many parts of Asia, but its classic Indian
forms, delicate colors, and intricate decorative details were
emulated most faithfully by the Tibetans.
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