This volume brings together essays on the cultural expression of apocalypse primarily in anglophone science fiction of the nineteenth and 20th centuries. Focusing on themes, writers, and individual works, the contributors examine the relations between secular and spiritual apocalypse, connecting the fiction and films to their historical moment. Not surprisingly, war recurs throughout this material, as a critical turning-point, fulfillment of prophecy, or prelude to a new age. Among the writers covered are H.G. Wells, Olaf Stapledon, and such contemporary figures as Michael Moorcock, J.G. Ballard, and Storm Constantine.
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