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Theatre Censorship - From Walpole to Wilson (Hardcover)
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Theatre Censorship - From Walpole to Wilson (Hardcover)
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Using previously unpublished material from the National Archives,
David Thomas, David Carlton, and Anne Etienne provide a new
perspective on British cultural history. Statutory censorship was
first introduced in Britain by Sir Robert Walpole with his
Licensing Act of 1737. Previously theatre censorship was exercised
under the Royal Prerogative. By giving the Lord Chamberlain
statutory powers of theatre censorship, Walpole ensured that
confusion over the relationship between the Royal Prerogative and
statute law would prevent any serious challenge to theatre
censorship in Parliament until the twentieth century.
The authors place theatre censorship legislation and its attempted
reform in their wider political context. Sections outlining the
political history of key periods explain why theatre censorship
legislation was introduced in 1737, why attempts to reform the
legislation failed in 1832, 1909, and 1949, and finally succeeded
in 1968. Opposition from Edward VII helped to prevent the abolition
of theatre censorship in 1909. In 1968, theatre censorship was
abolished despite opposition from Elizabeth II, Lord Cobbold (her
Lord Chamberlain) and Harold Wilson (her Prime Minister). There was
strong support for theatre censorship on the part of commercial
theatre managers who saw censorship as offering protection from
vexatious prosecution. A policy of inertia and deliberate
obfuscation on the part of Home Office officials helped to prevent
the abolition of theatre censorship legislation until 1968. It was
only when playwrights, directors, critics, audiences, and
politicians (notably Roy Jenkins) applied combined pressure that
theatre censorship was finally abolished.
The volumeconcludes by exploring whether new forms of covert
censorship have replaced the statutory theatre censorship abolished
with the 1968 Theatres Act.
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