Identifying academic freedom as a major casualty of rapid and extensive reforms to the governance and practices of academic institutions worldwide, this timely Handbook considers the meaning of academic freedom, the threats it faces, and its relation to rights of critical expression, public accountability and the democratic health of open societies. An international cohort of leading scholars discuss the historical conceptualisations of academic freedom and explore the extent of its reconfiguration by neoliberalism and economic globalisation. Chapters examine the threats posed to academic freedom by interventionist government, economic fundamentalism, political conservatism and extremism. The Handbook finds that these threats endanger the intellectual ambitions at the core of academic freedom: contesting established 'truth' and holding power to account. Examining a matter of urgent social and political importance which is crucial to the future of democracy and intellectual autonomy, this Handbook is an invigorating read for students and scholars researching academic freedom, free speech and democratic governance in higher education institutions.

The Most Dangerous Man in the World is the definitive account of WikiLeaks and the man who is as secretive as the organisations he targets. Through interviews with Julian Assange, his inner circle and those who fell out with him, Fowler tells the story of how a man with a turbulent childhood and brilliance for computers created a phenomenon that has become a game-changer in journalism and global politics. In this international thriller, Andrew Fowler gives a ringside seat on the biggest leak in history. He charts the pursuit of Assange by the US and Sweden and how in the eyes of many Assange had become, according to the Pentagon Papers whistleblower, Daniel Ellsberg, 'the most dangerous man in the world'. This title is only for sale in the UK and Republic of Ireland.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

This book is about Freedom of Speech and public discourse in the United States. Freedom of Speech is a major component of the cultural context in which we live, think, work, and write, generally revered as the foundation of true democracy. But the issue has a great deal more to do with social norms rooted in a web of cultural assumptions about the function of rhetoric in social organization generally, and in a democratic society specifically. The dominant, liberal notion of free speech in the United States, assumed to be self-evidently true, is, in fact, a particular historical and cultural formation, rooted in Enlightenment philosophies and dependent on a collection of false narratives about the founding of the country, the role of speech and media in its development, and the relationship between capitalism and democracy. Most importantly, this notion of freedom of speech relies on a warped sense of the function of rhetoric in democratic social organization. By privileging individual expression, at the expense of democratic deliberation, the liberal notion of free speech functions largely to suppress rather than promote meaningful public discussion and debate, and works to sustain unequal relations of power. The presumed democratization of the public sphere, via the Internet, raises more questions than it answers-who has access and who doesn't, who commands attention and why, and what sorts of effects such expression actually has. We need to think a great deal more carefully about the values subsumed and ignored in an uncritical attachment to a particular version of the public sphere. This book seeks to illuminate the ways in which cultural framing diminishes the complexity of free speech and sublimates a range of value-choices. A more fully democratic society requires a more critical view of freedom of speech.

Fake News in Digital Cultures presents a new approach to understanding disinformation and misinformation in contemporary digital communication, arguing that fake news is not an alien phenomenon undertaken by bad actors, but a logical outcome of contemporary digital and popular culture, conceptual changes meaning and truth, and shifts in the social practice of trust, attitude and creativity. Looking not to the problems of the present era but towards the continuing development of a future digital media ecology, the authors explore the emergence of practices of deliberate disinformation. This includes the circulation of misleading content or misinformation, the development of new technological applications such as the deepfake, and how they intersect with conspiracy theories, populism, global crises, popular disenfranchisement, and new practices of regulating misleading content and promoting new media and digital literacies.

This book is about Freedom of Speech and public discourse in the United States. Freedom of Speech is a major component of the cultural context in which we live, think, work, and write, generally revered as the foundation of true democracy. But the issue has a great deal more to do with social norms rooted in a web of cultural assumptions about the function of rhetoric in social organization generally, and in a democratic society specifically. The dominant, liberal notion of free speech in the United States, assumed to be self-evidently true, is, in fact, a particular historical and cultural formation, rooted in Enlightenment philosophies and dependent on a collection of false narratives about the founding of the country, the role of speech and media in its development, and the relationship between capitalism and democracy. Most importantly, this notion of freedom of speech relies on a warped sense of the function of rhetoric in democratic social organization. By privileging individual expression, at the expense of democratic deliberation, the liberal notion of free speech functions largely to suppress rather than promote meaningful public discussion and debate, and works to sustain unequal relations of power. The presumed democratization of the public sphere, via the Internet, raises more questions than it answers-who has access and who doesn't, who commands attention and why, and what sorts of effects such expression actually has. We need to think a great deal more carefully about the values subsumed and ignored in an uncritical attachment to a particular version of the public sphere. This book seeks to illuminate the ways in which cultural framing diminishes the complexity of free speech and sublimates a range of value-choices. A more fully democratic society requires a more critical view of freedom of speech.

"Where they have burned books, they will end in burning human beings," declared German poet Heinrich Heine. This book identifies the regime-sponsored, ideologically driven, and systemic destruction of books and libraries in the 20th century that often served as a prelude or accompaniment to the massive human tragedies that have characterized a most violent century. Using case studies of libricide committed by Nazis, Serbs in Bosnia, Iraqis in Kuwait, Maoists during the Cultural Revolution in China, and Chinese Communists in Tibet, Knuth argues that the destruction of books and libraries by authoritarian regimes was sparked by the same impulses toward negation that provoked acts of genocide or ethnocide. Readers will learn why some people--even those not subject to authoritarian regimes--consider the destruction of books a positive process. Knuth promotes understanding of the reasons behind extremism and patterns of cultural terrorism, and concludes that what is at stake with libricide is nothing less than the preservation and continuation of the common cultural heritage of the world. Anyone committed to freedom of expression and humanistic values will embrace this passionate and valuable book.

Free Speech on America's K-12 and College Campuses: Legal Cases from Barnette to Blaine covers the history of legal cases involving free speech issues on K-12 and college campuses, mostly during the fifty-year period from 1965 through 2015. While this book deals mostly with high school and college newspapers, it also covers religious issues (school prayer, distribution of religious materials, and use of school facilities for voluntary Bible study), speech codes, free speech zones, self-censorship due to political correctness, hate speech, threats of disruption and violence, and off-campus speech, including social media. Randall W. Bobbitt provides a representative sampling of cases spread across the five decades and across the subject areas listed above. Recommended for scholars of communication, education, political science, and legal studies.

The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts. Theatric Revolution redresses the balance by considering the role of stage censorship during the Romantic period, an era otherwise associated with the freedom of expression. Looking beyond the Royal theatres at Covent Garden and Drury Lane which have dominated most recent accounts of the period, this book examines the day-to-day workings of the Lord Chamberlain's Examiner of Plays and shows that radicalized groups of individuals continuously sought ways to evade the suppression of both playhouses and dramatic texts.
Incorporating a wealth of new research, David Worrall reveals the centrality of theatre within busy networks of print culture, politics of all casts, elite and popular cultures, and metropolitan and provincial audiences. Ranging from the drawing room of Queen Caroline's private theatrical to the song-and-supper dens of Soho and radical free and easies, Theatric Revolution deals with the complex vitality of Romantic theatrical culture, and its intense politicization at all levels. This fascinating new study will be of great value to cultural historians, as well as to literary and theatre scholars.

"Did the artistic aspirations of Ulysses make its salacious parts any less salacious? This work of scrupulous scholarship is an entertaining and important book that traces the fascinating historical details behind the Ulysses trials. It shows that judge Woolsey's famous decision was based on testimony by experts who were calculating, fuzzy, and illogical. Vanderham exposes some of the facile pieties about Art that have prevailed in the academy and the courts ever since. His analysis has important implications for the law, helping us see that such judicial decisions should have a different basis altogether."
--E. D. Hirsch, Jr.Author of Cultural Literacy: What Every American Needs to Know

When James Joyce's Ulysses began to appear in installments in 1918, it provoked widespread outrage and disgust. The novel violated a long list of taboos by denigrating English royalty, describing masturbation, and mingling the erotic with the excremental--in a style that some early reviewers called literary bolshevism. As a result, U.S. Postal authorities denied several installments of Ulysses access to the mails, initiating a series of suppressions that would result in a thirteen-year ban on Joyce's novel. Obscenity trials spanned the next decade. Using personal interviews and primary sources never before discussed in depth, James Joyce and Censorship closely examines the legal trials of Ulysses from 1920 to 1934.

Paying particular attention to the decision that lifted the ban on Ulysses in 1933, a decision that the ACLU cites to this day in cases involving censorship, Vanderham traces the growth of the fallacy that literature is incapable of influencing individuals. He argues persuasivelythat underneath every esthetic lie ethical, political, philosophical, and religious convictions. The legal and the literary aspects of the Ulysses controversy, Vanderham insists, are virtually inseparable. By analyzing the writing and revising of Ulysses in the context of Joyce's lifelong struggle with the censors, he argues that the censorship of Ulysses affected not only the critical reception of the novel but its very shape.

Licensing, Censorship and Authorship in Early Modern England examines in detail both how the practice of censorship shaped writing in the Shakespearean period, and how our sense of that censorship continues to shape modern understandings of what was written. Separate chapters trace the development of licensing in the theatre, and the response of the actors and dramatists to it. There are detailed examinations of how censorship affects our reading of four major playwrights: Marlowe, Shakespeare, Jonson and Middleton, and of how the control of printed books compared with that of the stage.

. . . Relyea's book provides good source material and discussion for an important juncture in American and world history, and also a point of departure for future studies of scientific communication in relation to national security concerns in the so-called Post-Cold War Setting. -Journal of Information Ethics

Despite heavy censorship and sometimes outright control by either Vichy or the Germans, the authorized press is a useful and necessary source for anyone studying the period of German occupation and the Vichy government in France. The daily and weekly political press, the press created by Vichy for its Chantiers de la Jeunesse youth movement, its Legion of War veterans and its Peasant Corporation for agriculture show the regime's ideology and priorities. A wide variety of other periodicals, including religious publications, advertising papers, trade papers, and sports papers, provides insights into the professional and local life of the period. This book provides a guide to the authorized press of the occupation period.

With a list of 2500 periodicals, the book covers the more important daily, weekly, bimonthly, monthly, and quarterly publications in Paris and the departments. The periodicals are listed by subject for Paris, alphabetically for the departments. For each periodical, the book gives city of publication, approximate beginning and ending dates, and library or archive where the periodical is held as well as other available information such as the periodical's prewar political position, what the periodical said about itself, its relationship with Vichy or the Germans, and successor publication. If a book or article has been written about the periodical, it is also included.

This entertaining and insightful book is the first devoted exclusively to the films that have earned a special place in motion picture history by pushing the 'cinematic envelope' with their treatment of provocative subjects and themes. "Obscene, Indecent, Immoral & Offensive: 100+ Years of Censored, Banned and Controversial Films" chronicles the history of Hollywood censorship and the films that were banned, censored, and condemned by the Production Code Administration and the Legion of Decency. Stephen Tropiano offers readers insightful and accessible analysis of films that were branded 'controversial' at the time of their release due to explicit language, nudity, graphic sex, violence, and their treatment of 'adult' subject matter and themes.The films profiled include "The Birth of a Nation", "Anatomy of a Murder", "Who's Afraid of Virginia Woolf?", "Baby Doll", "Blackboard Jungle", "Bonnie and Clyde", "The Wild Bunch", "A Clockwork Orange", "Natural Born Killers", "Caligula", "Rosemary's Baby", "Life of Brian", "The Last Temptation of Christ", and "The Passion of the Christ".