During World War I, the Catholic church blocked the distribution of government-sponsored V.D. prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts-how they evolved, what effect they had on the movie industry, and why they were eventually abandoned. Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak in the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age. Walsh provides fascinating details about the church's efforts to guard against anything it felt might corrupt moviegoers' morals: forcing Gypsy Rose Lee to change her screen name; investigating Frank Sinatra's fitness to play a priest in Miracle of the Bells; altering a dance sequence in Oklahoma; eliminating marital infidelity from Two-Faced Woman; compelling Howard Hughes to make 147 cuts in The Outlaw; blocking the distribution of Birth of a Baby; and attacking Asphalt Jungle for serving the "crooked purposes of the Soviet Union." However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.

How has America censored British films? In this original, fascinating book, Anthony Slide answers this question, making full use for the first time of the recently opened US Production Code Administration files. Film by film from the 1930s through to the 1960s, he tells the inside story of the ongoing dialogue between the British film making industry and the American censors. The book shows graphically how the Production Code system operated, revealing how the censors viewed moral issues, violence, bad language and matters of decorum as well as revealing acute national differences, such as American concern over the British preoccupation with toilets. It also dispels myths, depicting chief censor Joseph Breen and his staff as knowledgeable people who sympathized with and admired the British film industry.

In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.

What rallies or inspires people to champion the different causes surrounding filtering or free expression? How do people vary in their views on what the First Amendment guarantees? This book encourages students to think critically about the pros and cons of censorship. The profiles of individuals who are active in free speech debates show that while there aren't always black and white answers, there are numerous ways to take a firm stand on the issues.

Readers will be introduced to a wide variety of people, from feminists arguing both sides of the debate over pornography, to those who believe no one can clearly define what is harmful and what is not. The book also presents people motivated by religious convictions to censor material they consider negative or detrimental. Fifty individual stories about activists on frontlines, fighting for what they believe, bring the controversies surrounding filtering and freedom of expression into sharp focus, offering a rich platform for consideration and debate.

"Hurwitz surveys the types of expression that have been subject to censorship, repression, and punishment in the US. . . . This valuable reference work is highly recommended for all libraries." Choice

From 1815 to 1914, European governments and their political oppositions were engaged in a constant "war" for the minds of the general population, especially the working classes. The German socialist newspaper, Hamburger Echo, declared on September 27, 1910, "In waging our war, we do not throw bombs. Instead we throw our newspapers amongst the masses of the working people. Printing ink is our explosive." The most comprehensive study ever published about European censorship practices during the 1815-1914 period, this book discusses the censorship of books, newspapers, caricatures, theater, and film through an analytical introductory survey and six chapters by leading specialists who summarize 19th-century censorship practices in the six major countries of continental Europe: Germany, Italy, France, Austria, Russia, and Spain. As a result of the massive transformation of European life in the post-Napoleonic period and the simultaneously rapid growth in industrialization, urbanization, literacy, transportation, and communication, the average European emerged quite suddenly as a potential player who could no longer be ignored by the ruling elite.

This is an authoritative study on the role of mass media in Third World development. Using broad historical, economic, and political perspectives, Gunilla L. Faringer details the obstacles to a genuinely free, mass circulation press in Black Africa and offers a thorough analysis of the African press. The volume's six chapters meticulously catalog all pertinent data on press development, performance, and goals in English-speaking, sub-Saharan Africa, with primary focus on Ghana, Nigeria, and Kenya, countries that represent three different courses of political development. Faringer critically analyzes widely held attitudes among scholars and international organizations as to the role of mass media in Third World development. Her findings challenge the prevalent belief that the primary task of Third World media is to function as a tool for economic development. Outlining both present and future responsibilities of Third World mass media, Press Freedom in Africa stresses the need for deeper understandings by mass media policy makers of the importance that history, macroeconomic structure, and political traditions hold in the Third World.

The detailed introduction considers the philosophical issues that underlie the crucial role of mass media in political change and national development. Faringer surveys the unique obstacles confronting African nations as they have attempted to develop their own comprehensive media structures. Subsequent chapters trace the history of newspapers in Black Africa before World War II; survey the role of the press in the independence movement; and examine the changing relations between government and press. Two final chapters offer a critical perspective on press freedoms and functions and lay the groundwork for a more realistic concept of the press in the Third World. This up-to-the-minute resource will find broad acceptance for courses in international journalism, African studies, Third World development, communications and mass media, government and politics of Africa, area studies, political science, political economy, and civil rights.

Presenting an overview of information control in America, this volume discusses why some works of art and literature are controversial, and examines the arguments of both those who advocate unlimited free speech and those who would impose some limits. Censorship in America discusses why many objects of art, literature, and popular culture are considered controversial, and examines the arguments of both sides. It explores the current wave of censorship in the form of political correctness and covers groundbreaking litigation and proposed legislation.

Revelations published by the whistleblower platform WikiLeaks, including the releases of U.S. diplomatic cables in what became referred to as 'Cablegate', put WikiLeaks into the international spotlight and sparked intense about the role and impact of leaks in a digital era. Beyond WikiLeaks opens a space to reflect on the broader implications across political and media fields, and on the transformations that result from new forms of leak journalism and transparency activism. A select group of renowned scholars, international experts, and WikiLeaks 'insiders' discuss the consequences of the WikiLeaks saga for traditional media, international journalism, freedom of expression, policymaking, civil society, social change, and international politics. From short insider reports to elaborate and theoretically informed academic texts, the different chapters provide critical assessments of the current historical juncture of our mediatized society and offer outlooks of the future. Authors include, amongst others, Harvard University's Yochai Benkler, Graham Murdoch of Loughborough University, net activism scholar, Gabriella Coleman, the Director for International Freedom of Expression at the Electronic Frontier Foundation, Jillian York, and Guardian editor, Chris Elliott. The book also includes a conversation between philosopher, Slavoj Zizek, and WikiLeaks founder, Julian Assange, and its prologue is written by Birgitta Jonsdottir, Icelandic MP and editor of the WikiLeaks video, Collateral Murder.

Why does the United States control the content of broadcast more strictly than it controls the content of print? In this provocative book, Matthew L. Spitzer explores the various rationales that support such different treatment and concludes that broadcast media should not be as strictly regulated as it is. Spitzer attacks the three most prevalent arguments in favor of broadcast control, utilizing insights from economics and social psychology and relating them to basic questions of First Amendment law and regulation of broadcasting. First, he shows that arguments centered on economic efficiency-such as those based on the supposed scarcity of the airwaves-can be applied equally to the print media. Next, responding to arguments that exposure to sexually explicit material encourages socially harmful conduct, he demonstrates that sexually explicit printed matter is at least as pernicious as broadcast erotica and that printed violence seems to have the same effects as broadcast violence. The third series of arguments-that broadcasting is more readily available to young children than is print-does have some validity, says Spitzer. However, we can shield children from exposure to broadcast material that may harm them by several methods: "zoning" broadcast violence and sexy by confining such matter to "adult" channels that can be received only by special receivers; allowing sex and violence to be broadcast only during the late night hours; and requiring television locks so that parents can monitor children's access to programming. According to Spitzer, there is not justification for censorship of indecent programming or for such regulations as the fairness doctrine or equal time for political candidates. His timely and spirited book makes a powerful case for changing national policy in this significant area.

A thorough exploration of an individual's right to bodily autonomy versus the state's power to regulate and control the bodies of its citizens. The Human Body on Trial asks the basic question: Who's in charge of your body-you or the authorities? Four narrative chapters examine key constitutional questions addressed by the U.S. Supreme Court over the past century concerning the power of the state to regulate the human body, placing the issues in historical context and examining the contemporary legal and medical knowledge that informed each decision. The book focuses on individual cases, such as Jacobson v. Massachusetts (compulsory vaccination), Buck v. Bell (forced sterilization), and Roe v. Wade (abortion), and discusses such controversial issues as AIDS testing and physician-assisted suicide. A special reference section includes court decisions and other primary documents. Timeline of major events in the evolution of the legal right of individual autonomy from the ratification of the 14th Amendment in 1868 to the 2002 ruling in State of Oregon and Peter Rasmussen, et al. v. John Ashcroft regarding implementing Oregon's Death with Dignity Act Excerpts from key legal documents from the Roe v. Wade (1973) decision to the lesser known Skinner v. Oklahoma (1942) ruling by the Supreme Court overturning the mandated sterilization for three-time offenders convicted of certain felonies

This book is a must-read for anyone studying and researching the rise and fall of Senator Joseph R. McCarthy and McCarthyism in American political life. Intolerance in America that targets alleged internal subversives controlled by external agents has a storied history that stretches hundreds of years. While the post-World War II "Red Scare" and the emergence of McCarthyism during the 1950s is the era commonly associated with American anticommunism, there was also a "First Red Scare" that occurred in 1919-1920. In both time periods, many Americans feared the radicalism of the left, and some of the most outspoken-like McCarthy-used slander to denounce their political enemies. The result was an atmosphere in which individual rights and liberties were at risk and hysteria prevailed. McCarthyism and the Red Scare: A Reference Guide tracks the rise and fall of Senator Joe McCarthy and the broad pursuit of domestic "Red" subversives in the post-World War II years, and focuses on how American society responded to real and perceived threats from the left during the first decade of the Cold War. Provides an overview of McCarthyism and the postwar Red Scare, relating these mindsets to other waves of domestic persecution Includes 12 relevant historic documents such as the Truman Loyalty Oaths; a transcript of McCarthy's speech in Wheeling, West Virginia; McCarthy's attacks on Acheson and Marshall; Margaret Chase Smith's Statement on Conscience; and the Senate's censure of McCarthy Provides information on the First Red Scare and the emergence of the American fear of the Left and the potential for a revolution Includes 11 short biographies of primary individuals associated with McCarthyism and the Red Scare Presents a chronology of events that threatened or weakened individual rights throughout the 20th century, with a specific focus on the Red Scare periods of 1919-21 and 1945-57 An annotated bibliography includes primary and secondary sources representing the most significant contemporary and scholarly works on the topic

This resounding defence of the principles of free expression revisits the 'Satanic Verses' uproar of 1989, as well as subsequent incidents such as the Danish cartoons controversy, to argue that the human right of free speech is by no means so secure that it can be taken for granted.

Theatre has often found itself at the centre of recent debates over censorship and the arts, as a result of coverage of events such as the protests against the play "Behzti" and the controversy over "Jerry Springer: The Opera." This book offers the first sustained study of censorship of the British stage from 1968 into the twenty-first century.

Censored Art Today is an accessible, informed analysis of the debates raging around censorship of art and so-called 'cancel culture', focusing on who the censors are and why they are clamping down on forms of artistic expression worldwide. Art censorship is a centuries-old issue which appears to be on the rise in the 21st century - why is this the case? Gareth Harris expertly analyses the different contexts in which artists, museums and curators face restrictions today, investigating political censorship in China, Cuba and the Middle East; the suppression of LGBTQ+ artists in 'illiberal democracies'; the algorithms policing art online; Western museums and 'cancel culture'; and the narratives around 'problematic' monuments. His fascinating study, which draws on extensive research and interviews, reveals why censorship has become the hottest of topics, impacting substantially on artists.

Tracking the relationship between the theory of press control and the realities of practicing daily press censorship prior to publication, this volume on the suppression of dissent in early modern Europe tackles a topic with many elusive and under-researched characteristics. Pre-publication censorship was common in absolutist regimes in Catholic and Protestant countries alike, but how effective it was in practice remains open to debate. The Netherlands and England, where critical content segued into outright lampoonery, were unusual for hard-wired press freedoms that arose, respectively, from a highly competitive publishing industry and highly decentralized political institutions. These nations remained extraordinary exceptions to a rule that, for example in France, did not end until the revolution of 1789. Here, the author's European perspective provides a survey of the varying censorship regulations in European nations, as well as the shifting meanings of 'freedom of the press'. The analysis opens up fascinating insights, afforded by careful reading of primary archival sources, into the reactions of censors confronted with manuscripts by authors seeking permission to publish. Tortarolo sets the opinions on censorship of well-known writers, including Voltaire and Montesquieu, alongside the commentary of anonymous censors, allowing us to revisit some common views of eighteenth-century history. How far did these writers, their reasoning stiffened by Enlightenment values, promote dissident views of absolutist monarchies in Europe, and what insights did governments gain from censors' reports into the social tensions brewing under their rule? These questions will excite dedicated researchers, graduate students, and discerning lay readers alike.

This annotated document collection surveys the history and evolution of laws and attitudes regarding free speech and censorship in the United States, with a special emphasis on contemporary events and controversies related to the First Amendment. The United States' collective understanding of First Amendment freedoms was formed by more than 200 years of tensions between the power of word and the power of the government. During that time, major laws and legal decisions defined the circumstances and degree to which personal expression could be rightfully expressed-and rightfully limited. This struggle to define the parameters of free speech continues today. Vibrant and passionate debates about First Amendment limitations once inspired by the dissemination of birth control information now address such issues as kneeling during the national anthem, removing controversial books from public libraries, attempts by the Trump administration to discredit the press, and disseminating false or hateful information through social media platforms. By exploring diverse examples of censorship victories and triumphs of free expression, readers will better understand the enormous impact of First Amendment freedoms on American society. Chronological history of important milestones, documents, and events that have shaped the nation's understanding of freedom of speech/press and censorship, as well as the limitations of each Primary source selection that illuminates the importance of First Amendment freedoms as critical elements of democracy in the United States Informative, authoritative, and balanced introductory headnotes for each primary source to help readers understand the context in which they were created Readers Guide to Related Documents and sidebars

Whereas glasnost in the Soviet Union is an attempt to end a single autocractic state control, in Great Britain a complex network of interlinked factors have put the freedom of the press under recent threat. This volume contains a series of essays analyzing the current position of censorship in Britain and suggesting solutions to the problem, taken from a wide spectrum of political and social fields.;The contributors argue that censorship has increased in recent years, and the freedom of the press is under greater attack now than for more than a century, due to increasingly autocractic government control, narrow ownership of the press, changing secrecy laws and other factors.;Norman Buchan and Tricia Sumner worked together for severla years developing Labour Party policy on arts, media and cultural matters.

The Soviet collapse of 1991 - the Great August liberation - demonstrated the total exhaustion of Marxist Leninist agitation and propaganda. It was no longer possible to live on slogans. The failure of Soviet agitprop is also the failure of Soviet censorship the latter being a unique institution in anti-thought. This volume analyzes the consequences of censorship, before tackling the media legislation of the Russian Federation and the dangers to the free flow of information emerging both within and outside the Russian Federation.

"When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocative and insightful investigation of the movie industry's history of self-regulation.a]Lewis shows that Hollywood films are a triumph of commerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guarantee that its cash flow is never seriously threatened."
"-- The New York Times Book Review"

"a]an accomplished, comprehensive, and provocative new history of censorship and the American film industrya]And what of the perennial tussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that has nothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship to the recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is film history at its most illuminating and intense."
" --The Boston Phoenix"

"As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before yousee the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages."
"--Thomas Doherty, author of Pre-Code Hollywood"

"Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship."
"--Linda Williams, author of Hard Core: Power, Pleasure, and the "Frenzy of the Visible""

"This is a fascinating account, both entertaining and scholarly."
--"Journal of the West"

In 1972, "The Godfather" and "Deep Throat" were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance."

Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together.

Yet between 1968 and 1973 Hollywood films werefaltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films--from foreign art house film "Last Tango in Paris" to hard-core pornography like "Behind the Green Door"--that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.

By placing its professional expertise in the service of maintaining the democratic values of free expression and pluralism, American librarianship not only defended its professional autonomy in the area of book selection, but also developed an ideology of intellectual freedom and claimed its defense as a central jurisdiction. This volume charts the library profession's journey from the adoption of the 1939 Library's Bill of Rights to the 1969 development of the Freedom to Read Foundation. It identifies external events that posed threats to intellectual freedom and traces the ALA's response to those threats, particularly librarians' activities and discourse, and the motives and effectiveness of leaders responsible for forging the ALA's response.

Much of the data is drawn from the three most widely circulated library periodicals - "American Library Association Bulletin," "Wilson Library Bulletin," and "Library Journal" - that chronicle the debates that took place during the period. More importantly, the study makes extensive use of primary archival sources, state library journals, library school bulletins, and interviews. These sources reveal that by setting its professional expertise in the service of the democratic values of free expression and pluralism, American librarianship embarked on an odyssey of self-definition, through which it has carved out and defended its professional jurisdiction.

The study of censorship is important not because we are shocked by the contents of a book or because a complaint about a work offends our sensibilities, but rather because this conflict between powerful opposing forces in society can threaten its foundations and ideals. Conflict exists because reasonable individuals in our society disagree as to what defines the limitations of creativity and expression, and who should decide when those boundaries ahve been overstepped. These issues are addressed in detail in this important and timely new survey.

Schools need to be able to regulate sexting, but at what point are administrators infringing on students' rights? Is teenage sexting a violation of child pornography laws? This book tackles these tough issues and others. In several states, teenagers who engage in "sexting" could be in violation of child pornography laws-and if convicted of such, teens could end up on sex offender lists with rapists and child molesters. The authors of this text examine this thorny issue, arguing that teenagers who have engaged in consensual sexting should not automatically be punished under child pornography laws. Equally important: the book presents in-depth analysis of the issue of school regulations on sexting pursuant to the Free Speech Clause. This book is the first volume devoted to the topic of consensual student sexting, and how the First Amendment may apply to this unique 21st-century phenomenon. It provides an overview of sexting laws in the United States and does a thorough job of discussing the First Amendment issues that all policymakers, educators, and child advocates should be aware of. Provides clear analysis of current child pornography statutes and case law Discusses the unintended consequences of sexting to the lives of teenagers Presents suggestions regarding how pornography laws can be adjusted to account for adolescent behavior in the modern context

This innovative book comprises nine essays from leading scholars which investigate the relationship between fiction, censorship and the legal construction of obscenity in Britain between 1850 and the present day. Each of the chapters focuses on a distinct historical period and each has something new to say about the literary works it spotlights. Overall, the volume fundamentally refreshes our understanding of the way texts had to negotiate the moral and legal minefields of public reception. The book is original in the historical period it covers, starting in 1850 and bringing debates about fiction, obscenity and censorship up to the present day. The history that is uncovered reveals the different ways in which censorship functioned and continues to function, with considerations of Statutory definitions of Obscenity alongside the activities of non-government organisations such as the anti-vice societies, circulating libraries, publishers, printers and commentators. The essays in this book argue that the vigour with which novels were hunted down by the prowling prudes of the book's title encouraged some writers to explore sexual, excremental and moral obscenities with even more determination. Bringing such debates up to date, the book considers the ongoing impact of censorship on fiction and the current state of critical thinking about the status and freedom of literature. Given contemporary debates about the limits on freedom of speech in liberal, secular societies, the interrogation of these questions is both timely and necessary.