Why does the United States control the content of broadcast more strictly than it controls the content of print? In this provocative book, Matthew L. Spitzer explores the various rationales that support such different treatment and concludes that broadcast media should not be as strictly regulated as it is. Spitzer attacks the three most prevalent arguments in favor of broadcast control, utilizing insights from economics and social psychology and relating them to basic questions of First Amendment law and regulation of broadcasting. First, he shows that arguments centered on economic efficiency-such as those based on the supposed scarcity of the airwaves-can be applied equally to the print media. Next, responding to arguments that exposure to sexually explicit material encourages socially harmful conduct, he demonstrates that sexually explicit printed matter is at least as pernicious as broadcast erotica and that printed violence seems to have the same effects as broadcast violence. The third series of arguments-that broadcasting is more readily available to young children than is print-does have some validity, says Spitzer. However, we can shield children from exposure to broadcast material that may harm them by several methods: "zoning" broadcast violence and sexy by confining such matter to "adult" channels that can be received only by special receivers; allowing sex and violence to be broadcast only during the late night hours; and requiring television locks so that parents can monitor children's access to programming. According to Spitzer, there is not justification for censorship of indecent programming or for such regulations as the fairness doctrine or equal time for political candidates. His timely and spirited book makes a powerful case for changing national policy in this significant area.

On the lapse of the Licensing Act in 1695, Thomas Macaulay wrote in his History of England, 'English literature was emancipated, and emancipated for ever, from the control of the government'. It's certainly true that the system of prior restraint enshrined in this Restoration measure was now at an end, at least for print. Yet the same cannot be said of government control, which came to operate instead by means of post-publication retribution, not pre-publication licensing, notably for the common-law offence of seditious libel. For many of the authors affected, from Defoe to Cobbett, this new regime was a greater constraint on expression than the old, not least for its alarming unpredictability, and for the spectacular punishment-the pillory-that was sometimes entailed. Yet we may also see the constraint as an energizing force. Throughout the eighteenth century and into the Romantic period, writers developed and refined ingenious techniques for communicating dissident or otherwise contentious meanings while rendering the meanings deniable. As a work of both history and criticism, this book traces the rise and fall of seditious libel prosecution, and with it the theatre of the pillory, while arguing that the period's characteristic forms of literary complexity-ambiguity, ellipsis, indirection, irony-may be traced to the persistence of censorship in the post-licensing world. The argument proceeds through case studies of major poets and prose writers including Dryden, Defoe, Pope, Fielding, Johnson, and Southey, and also calls attention to numerous little-known satires and libels across the extended period.

A thorough exploration of an individual's right to bodily autonomy versus the state's power to regulate and control the bodies of its citizens. The Human Body on Trial asks the basic question: Who's in charge of your body-you or the authorities? Four narrative chapters examine key constitutional questions addressed by the U.S. Supreme Court over the past century concerning the power of the state to regulate the human body, placing the issues in historical context and examining the contemporary legal and medical knowledge that informed each decision. The book focuses on individual cases, such as Jacobson v. Massachusetts (compulsory vaccination), Buck v. Bell (forced sterilization), and Roe v. Wade (abortion), and discusses such controversial issues as AIDS testing and physician-assisted suicide. A special reference section includes court decisions and other primary documents. Timeline of major events in the evolution of the legal right of individual autonomy from the ratification of the 14th Amendment in 1868 to the 2002 ruling in State of Oregon and Peter Rasmussen, et al. v. John Ashcroft regarding implementing Oregon's Death with Dignity Act Excerpts from key legal documents from the Roe v. Wade (1973) decision to the lesser known Skinner v. Oklahoma (1942) ruling by the Supreme Court overturning the mandated sterilization for three-time offenders convicted of certain felonies

This resounding defence of the principles of free expression revisits the 'Satanic Verses' uproar of 1989, as well as subsequent incidents such as the Danish cartoons controversy, to argue that the human right of free speech is by no means so secure that it can be taken for granted.

Theatre has often found itself at the centre of recent debates over censorship and the arts, as a result of coverage of events such as the protests against the play "Behzti" and the controversy over "Jerry Springer: The Opera." This book offers the first sustained study of censorship of the British stage from 1968 into the twenty-first century.

This book is a must-read for anyone studying and researching the rise and fall of Senator Joseph R. McCarthy and McCarthyism in American political life. Intolerance in America that targets alleged internal subversives controlled by external agents has a storied history that stretches hundreds of years. While the post-World War II "Red Scare" and the emergence of McCarthyism during the 1950s is the era commonly associated with American anticommunism, there was also a "First Red Scare" that occurred in 1919-1920. In both time periods, many Americans feared the radicalism of the left, and some of the most outspoken-like McCarthy-used slander to denounce their political enemies. The result was an atmosphere in which individual rights and liberties were at risk and hysteria prevailed. McCarthyism and the Red Scare: A Reference Guide tracks the rise and fall of Senator Joe McCarthy and the broad pursuit of domestic "Red" subversives in the post-World War II years, and focuses on how American society responded to real and perceived threats from the left during the first decade of the Cold War. Provides an overview of McCarthyism and the postwar Red Scare, relating these mindsets to other waves of domestic persecution Includes 12 relevant historic documents such as the Truman Loyalty Oaths; a transcript of McCarthy's speech in Wheeling, West Virginia; McCarthy's attacks on Acheson and Marshall; Margaret Chase Smith's Statement on Conscience; and the Senate's censure of McCarthy Provides information on the First Red Scare and the emergence of the American fear of the Left and the potential for a revolution Includes 11 short biographies of primary individuals associated with McCarthyism and the Red Scare Presents a chronology of events that threatened or weakened individual rights throughout the 20th century, with a specific focus on the Red Scare periods of 1919-21 and 1945-57 An annotated bibliography includes primary and secondary sources representing the most significant contemporary and scholarly works on the topic

What happens to journalists who expose uncomfortable truths? How far are journalists prepared to go in order to report a difficult story? "Silenced" provides answers to these questions with the stories of journalists who risked their careers so that the public might be informed. From China, where Jasper Becker, formerly Beijing bureau chief of the South China Morning Post, fought a lonely and unsuccessful battle against owners willing to soften the newspaper's reporting of the Chinese government in the hope of protecting mainland investments, to Zimbabwe where the harsh treatment of the Guardian's Andrew Meldrum led to him being arrested and forcibly deported from the country because he dared criticise President Robert Mugabe, "Silenced" is a forcible reminder of the risks - both personal and financial - accepted by the media on our behalf. In other parts of the world, journalists face more traditional problems. When faced with the threat of censorship, all of these journalists reacted in a similar manner - they chose to report and face the consequences. They decided to place the ethics of journalism above all other considerations.;As such they are proof that press freedom cannot exist without those who are willing to uphold its fundamental principals. "Silenced" is more than a book on the media. It is an expression of the bravery and persistence of journalists everywhere.

The only thing Hollywood likes more than a good movie is a good deal. For more than fifty years producers and directors of war and action movies have been getting a great deal from America's armed forces by receiving access to billions of dollars worth of military equipment and personnel for little or no cost. Although this arrangement considerably lowers a film's budget, the cost in terms of intellectual freedom can be quite steep. In exchange for access to sophisticated military hardware and expertise, filmmakers must agree to censorship from the Pentagon.
As veteran Hollywood journalist David L. Robb shows in this revealing insider's look into Hollywood's "dirtiest little secret," the final product that moviegoers see at the theater is often not just what the director intends but also what the powers-that-be in the military want to project about America's armed forces. Sometimes the censor demands removal of just a few words; other times whole scenes must be scrapped or completely revised. What happens if a director refuses the requested changes? Robb quotes a Pentagon spokesman: "Well I'm taking my toys and I'm going home. I'm taking my tanks and my troops and my location, and I'm going home." That can be quite a persuasive threat to a filmmaker trying to keep his movie within budget.
Robb takes us behind the scenes during the making of many well-known movies. From The Right Stuff to Top Gun and even Lassie, the list of movies in which the Pentagon got its way is very long. Only when a director is determined to spend more money than necessary to make his own movie without interference, as in the case of Oliver Stone in the creation of Platoon or Francis Ford Coppola in Apocalypse Now, is a film released that presents the director's unalloyed vision.
For anyone who loves movies and cares about freedom of expression, Operation Hollywood is an engrossing, shocking, and very entertaining book.

Tracking the relationship between the theory of press control and the realities of practicing daily press censorship prior to publication, this volume on the suppression of dissent in early modern Europe tackles a topic with many elusive and under-researched characteristics. Pre-publication censorship was common in absolutist regimes in Catholic and Protestant countries alike, but how effective it was in practice remains open to debate. The Netherlands and England, where critical content segued into outright lampoonery, were unusual for hard-wired press freedoms that arose, respectively, from a highly competitive publishing industry and highly decentralized political institutions. These nations remained extraordinary exceptions to a rule that, for example in France, did not end until the revolution of 1789. Here, the author's European perspective provides a survey of the varying censorship regulations in European nations, as well as the shifting meanings of 'freedom of the press'. The analysis opens up fascinating insights, afforded by careful reading of primary archival sources, into the reactions of censors confronted with manuscripts by authors seeking permission to publish. Tortarolo sets the opinions on censorship of well-known writers, including Voltaire and Montesquieu, alongside the commentary of anonymous censors, allowing us to revisit some common views of eighteenth-century history. How far did these writers, their reasoning stiffened by Enlightenment values, promote dissident views of absolutist monarchies in Europe, and what insights did governments gain from censors' reports into the social tensions brewing under their rule? These questions will excite dedicated researchers, graduate students, and discerning lay readers alike.

Today, we are inclined to believe that intellectual freedom has no greater adversary than the censor. In eighteenth-century France, the matter was more complicated. Royal censors envisioned themselves not as fulfilling a mission of state-sponsored repression but rather as guiding the literary traffic of the Enlightenment. By awarding pre-publication and pre-distribution approvals, royal censors sought to insulate authors and publishers from the scandal of post-publication condemnation by parliaments, the police, or the Church. Less official authorizations were also awarded. Though censors did delete words and phrases from manuscripts and sometimes rejected manuscripts altogether, the liberal use of tacit permissions and conditional approvals resulted in the publication and circulation of books that, under a less flexible system, might never have seen the light of day. In essence, eighteenth-century French censors served as cultural intermediaries who bore responsibility for expanding public awareness of the progressive thought of their time.

The Soviet collapse of 1991 - the Great August liberation - demonstrated the total exhaustion of Marxist Leninist agitation and propaganda. It was no longer possible to live on slogans. The failure of Soviet agitprop is also the failure of Soviet censorship the latter being a unique institution in anti-thought. This volume analyzes the consequences of censorship, before tackling the media legislation of the Russian Federation and the dangers to the free flow of information emerging both within and outside the Russian Federation.

This book examines the ways in which books were produced, read, and received during the reign of King James I. Cyndia Clegg contends that although the principal mechanisms for controlling the press altered little between 1558 and 1603, the actual practice of censorship under James I varied significantly from Elizabethan practice. The book combines historical analysis of documents with the reading of censored texts and will be an invaluable resource for scholars as well as historians.

"When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocative and insightful investigation of the movie industry's history of self-regulation.a]Lewis shows that Hollywood films are a triumph of commerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guarantee that its cash flow is never seriously threatened."
"-- The New York Times Book Review"

"a]an accomplished, comprehensive, and provocative new history of censorship and the American film industrya]And what of the perennial tussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that has nothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship to the recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is film history at its most illuminating and intense."
" --The Boston Phoenix"

"As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before yousee the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages."
"--Thomas Doherty, author of Pre-Code Hollywood"

"Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship."
"--Linda Williams, author of Hard Core: Power, Pleasure, and the "Frenzy of the Visible""

"This is a fascinating account, both entertaining and scholarly."
--"Journal of the West"

In 1972, "The Godfather" and "Deep Throat" were the two most popular films in the country. One, a major Hollywood studio production, the other an independently made "skin flick." At that moment, Jon Lewis asserts, the fate of the American film industry hung in the balance."

Spanning the 20th century, Hollywood v. Hard Core weaves a gripping tale of censorship and regulation. Since the industry's infancy, film producers and distributors have publicly regarded ratings codes as a necessary evil. Hollywood regulates itself, we have been told, to prevent the government from doing it for them. But Lewis argues that the studios self-regulate because they are convinced it is good for business, and that censorship codes and regulations are a crucial part of what binds the various competing agencies in the film business together.

Yet between 1968 and 1973 Hollywood films werefaltering at the box office, and the major studios were in deep trouble. Hollywood's principal competition came from a body of independently produced and distributed films--from foreign art house film "Last Tango in Paris" to hard-core pornography like "Behind the Green Door"--that were at once disreputable and, for a moment at least, irresistible, even chic. In response, Hollywood imposed the industry-wide MPAA film rating system (the origins of the G, PG, and R designations we have today) that pushed sexually explicit films outside the mainstream, and a series of Supreme Court decisions all but outlawed the theatrical exhibition of hard core pornographic films. Together, these events allowed Hollywood to consolidate its iron grip over what films got made and where they were shown, thus saving it from financial ruin.

This annotated document collection surveys the history and evolution of laws and attitudes regarding free speech and censorship in the United States, with a special emphasis on contemporary events and controversies related to the First Amendment. The United States' collective understanding of First Amendment freedoms was formed by more than 200 years of tensions between the power of word and the power of the government. During that time, major laws and legal decisions defined the circumstances and degree to which personal expression could be rightfully expressed-and rightfully limited. This struggle to define the parameters of free speech continues today. Vibrant and passionate debates about First Amendment limitations once inspired by the dissemination of birth control information now address such issues as kneeling during the national anthem, removing controversial books from public libraries, attempts by the Trump administration to discredit the press, and disseminating false or hateful information through social media platforms. By exploring diverse examples of censorship victories and triumphs of free expression, readers will better understand the enormous impact of First Amendment freedoms on American society. Chronological history of important milestones, documents, and events that have shaped the nation's understanding of freedom of speech/press and censorship, as well as the limitations of each Primary source selection that illuminates the importance of First Amendment freedoms as critical elements of democracy in the United States Informative, authoritative, and balanced introductory headnotes for each primary source to help readers understand the context in which they were created Readers Guide to Related Documents and sidebars

The study of censorship is important not because we are shocked by the contents of a book or because a complaint about a work offends our sensibilities, but rather because this conflict between powerful opposing forces in society can threaten its foundations and ideals. Conflict exists because reasonable individuals in our society disagree as to what defines the limitations of creativity and expression, and who should decide when those boundaries ahve been overstepped. These issues are addressed in detail in this important and timely new survey.

By placing its professional expertise in the service of maintaining the democratic values of free expression and pluralism, American librarianship not only defended its professional autonomy in the area of book selection, but also developed an ideology of intellectual freedom and claimed its defense as a central jurisdiction. This volume charts the library profession's journey from the adoption of the 1939 Library's Bill of Rights to the 1969 development of the Freedom to Read Foundation. It identifies external events that posed threats to intellectual freedom and traces the ALA's response to those threats, particularly librarians' activities and discourse, and the motives and effectiveness of leaders responsible for forging the ALA's response.

Much of the data is drawn from the three most widely circulated library periodicals - "American Library Association Bulletin," "Wilson Library Bulletin," and "Library Journal" - that chronicle the debates that took place during the period. More importantly, the study makes extensive use of primary archival sources, state library journals, library school bulletins, and interviews. These sources reveal that by setting its professional expertise in the service of the democratic values of free expression and pluralism, American librarianship embarked on an odyssey of self-definition, through which it has carved out and defended its professional jurisdiction.

Trash or treasure is a wide-ranging historical study of the British circulation of the video nasties - a term that was originally coined to ban a group of horror videos in Britain in the 1980s but which continues to have cultural resonance in Britain up to the present day. The book is divided into three sections, which represent the key periods of existence of the nasties category - the formation of the term in the 1980s, the fan culture that formed around the nasties subsequent to their banning under the video recordings act and the DVD and theatrical re-release of some of the titles from 1990 onwards. Through an exploration of a range of relevant historical materials (from film reviews to fan websites, to video advertising materials) the book examines how this unusual, historically-specific genre category was formulated in a particular context, and then used (for different reasons) by moral campaigners, distributors, critics and fans. By examining the discourses that inform the circulation of a group of banned films (including the growth of DVD, the internet and the academic rehabilitation of horror films), the book argues that censorship is not just about rules and regulations, but also about the material, cultural and commercial consequences of a censorhsip act of law. It will be of great interest to lecturers and students of film, popular culture and the media, as well as enthusiasts of horror films and those interested in film censorship debates. -- .

The recent history of broadcasting on both sides of the Atlantic, characterized by a great increase in the number of services on offer to the public, has been brought about by technological advances and economic pressures. This has inevitably affected traditional forms of content regulation. The book explores the moral basis and history of such regulation as it has until now been applied to major issues of taste and decency. These include the protection of children, obscenity and bad language, offences against religious sensibility, `reality' television, and stereotyping. Deciding What we Watch? considers the different constraints (in the law, cultural customs, and self-regulation) affecting broadcasters in the two societies and the means by which they have responded to them. The book describes, with examples, the operations of compliance regulations and standard controls. It also looks at the impact of the First Amendment on American broadcasting in this area. It looks at the arguments for the practicality of maintaining appropriate forms of restraint into the future. Deciding What we Watch? poses the question of how divided and diverse societies decide what is permissible to broadcast and how the issue might continue to evolve in the future.

Modes of Censorship and Translation articulates a variety of scholarly and disciplinary perspectives and offers the reader access to the widening cultural debate on translation and censorship, including cross-national forms of cultural fertilization. It is a study of censorship and its patterns of operation across a range of disciplinary settings, from media to cultural and literary studies, engaging with often neglected genres and media such as radio, cinema and theatre. Adopting an interdisciplinary and transnational approach and bringing together contributions based on primary research which often draws on unpublished archival material, the volume analyzes the multi-faceted relationship between censorship and translation in different national contexts, including Italy, Spain, Great Britain, Greece, Nazi Germany and the GDR, focusing on the political, ideological and aesthetic implications of censorship, as well as the hermeneutic play fostered by any translational act. By offering innovative methodological interpretations and stimulating case studies, it proposes new readings of the operational modes of both censorship and translation. The essays gathered here challenge current notions of the accessibility of culture, whether in overtly ideological and politically repressive contexts, or in seemingly 'neutral' cultural scenarios.

Using previously unpublished material from the National Archives, David Thomas, David Carlton, and Anne Etienne provide a new perspective on British cultural history. Statutory censorship was first introduced in Britain by Sir Robert Walpole with his Licensing Act of 1737. Previously theatre censorship was exercised under the Royal Prerogative. By giving the Lord Chamberlain statutory powers of theatre censorship, Walpole ensured that confusion over the relationship between the Royal Prerogative and statute law would prevent any serious challenge to theatre censorship in Parliament until the twentieth century.
The authors place theatre censorship legislation and its attempted reform in their wider political context. Sections outlining the political history of key periods explain why theatre censorship legislation was introduced in 1737, why attempts to reform the legislation failed in 1832, 1909, and 1949, and finally succeeded in 1968. Opposition from Edward VII helped to prevent the abolition of theatre censorship in 1909. In 1968, theatre censorship was abolished despite opposition from Elizabeth II, Lord Cobbold (her Lord Chamberlain) and Harold Wilson (her Prime Minister). There was strong support for theatre censorship on the part of commercial theatre managers who saw censorship as offering protection from vexatious prosecution. A policy of inertia and deliberate obfuscation on the part of Home Office officials helped to prevent the abolition of theatre censorship legislation until 1968. It was only when playwrights, directors, critics, audiences, and politicians (notably Roy Jenkins) applied combined pressure that theatre censorship was finally abolished.
The volumeconcludes by exploring whether new forms of covert censorship have replaced the statutory theatre censorship abolished with the 1968 Theatres Act.

A gripping history of China's deteriorating relationship with Hong Kong, and its implications for the rest of the world. For the 150 years that Hong Kong was a British colony, people, money and technology flowed freely, while Hong Kong residents enjoyed freedoms that simply did not exist in mainland China. When the territory was handed over to China in 1997, the Communist Party promised that Hong Kong would remain highly autonomous for fifty years. Now, at the halfway mark, it is clear that China has not kept its word. Universal suffrage and free elections have not been instituted and activists have been jailed en masse following the decree of a sweeping national security law by Beijing. As China continues to expand its global influence, Hong Kong serves as a chilling preview of how dissenters could be treated in regions that fall under the emerging superpower's control. A Hong Kong resident from 1992 to 2021, Mark L. Clifford has witnessed this transformation first-hand and has unrivalled access to the full range of the city's society, from student protestors to billionaire businessmen and senior government officials. A powerful and dramatic mix of history and on-the-ground reporting, Today Hong Kong, Tomorrow the World is the definitive account of one of the most important geopolitical standoffs of our time.

James Joyce and Censorship is the first book to tell the fascinating story of the trials of Ulysses. Based on extensive archival research, it is also the first study of the trials to analyze their influence on the reception and composition of Ulysses in the context of Joyce's lifelong struggle with the censors, to evaluate their significance as an important turning point in the history of censorship, and to emphasize their relevance to contemporary debates regarding freedom of literary expression.

This book analyzes the discourses and deliberations in the discussion forums of three of the most visited Islamic websites. In doing so, it explores the potential impact of the Islamic public sphere, and the re-configuration of the 'virtual umma' (Islamic community) online, on the creation of multiple identities and resistances, which manifest themselves through various Islamic sites, producing varying degrees of consensus, divergence, and negotiation in multiple contexts and across different discourses. The book also investigates the extent to which these Islamic websites have provided a venue for Muslims to freely engage in vibrant deliberations and constructive discussions among themselves, as well as with 'Others', i.e., non-Muslims, about various political, economic, religious and social issues.

At long last, here is the definitive practical guide to sexuality materials in libraries and an annotated bibliography of nearly 600 recommended books for school and public libraries. Cornog and Perper, the preeminent experts on sexuality materials for libraries, provide guidelines for materials selection, reference, processing, access, programming, and dealing with problems of vandalism and censorship. The bibliography, organized into 5 topics and 48 subtopics, annotates a collection of recommended books and nonprint materials on sexuality information for children and adults, most published since 1985. Recommended works represent a wide variety of views, including Christian and conservative. Part I offers detailed guidance for selecting and processing sexuality materials, including vertical files, audiovisuals, and periodicals, and for doing reference on sexuality topics; lists a full range of topics and viewpoints that libraries should collect; addresses a variety of processing and access issues such as cataloging, programming, and vandalism; discusses how to deal with censorship issues relating to sexuality materials in the library; and reviews the history of libraries and sexuality materials. Part II, the annotated bibliography, is organized into 5 broad topics-sexuality and behavior, homosexuality and gender issues, life cycle issues, sex and society, and sexual problems-which are then divided into 48 subtopics. Each title is compared and contrasted with similar titles. Titles for young people include grade level appropriateness. Specialized acquisition sources are also listed for each of the 48 subtopics. Cornog and Perper point out that the key to selection of materials is balance and representativeness of a wide range of viewpoints. They have gone to great lengths to provide a wide variety of materials and viewpoints and to seek out interesting and valuable materials from large and small publishers and organizations. This is the definitive guide on sexuality information for public and school libraries.